Architecture Manifesto Example

The sloping orientation of the landscape maximises public space whilst having a relatively small footprint. Some roofing areas of the building

The Olympic 1931 is identical to the original building where the distinction between the workplace and showroom is still visible. The building is full of nooks and beautiful period details to discover. We've taken the opportunity to translate historical features into a contemporary upgrade with extra street entrances, new constructive elements, vertical light wells, way finding floor patterns, a top-lit winter garden, and an underground parking garage. Another striking feature is the roof landscape, which is built on the former parking deck, culminating in a viewing platform over the Olympic Stadium and

From the observation tower the horizontal building’s three parallel bands can be seen that extend into the lush landscape. The architects’ concept was to immerse the museum in nature by creating a set of three bracketed pavilions under one roof surrounded by gardens. The roof can be seen as

The structure of the building is actually inherently modern, built using a conventional steel framing system inset behind the façade. Structurally, the building employs tube frames in its framework, with the tubular columns tied with trusses at the top and bottom. As with all architecture in the postmodern tradition of the “decorated shed, the superficiality of this signage not only fails to detract form its effectiveness but reflects a deliberate prioritization of architecture’s affective capacity.

Interestingly enough, the majority of the communal aspects do not occur within the building; rather they are placed on the roof. The roof becomes a garden terrace that has a running track, a club, a kindergarten, a gym, and a shallow pool. Beside the roof, there are shops, medical facilities, and

I have been always fascinated by how a public environment with artistic architecture can play a major role in a societies’ attitude.The way it could alternate individual’s mood and give them

Sustainability, a common vocab being used in design industry nowadays. It is mean to design something with a well consideration of improve environment, people and economic, which has become the fundamental aspect when comes to initiate the design thinking. According to Oxford Institute for sustainable development, the tools to measure and construct sustainable urban development are prejudicial focus on environmental and economic aspects. Most of the time, ecological and economical sustainability are well concerned but Social sustainable, which merely shown or mentioned on any press or architect’s forum. This essay will talk about the social sustainability in design, by defining the social sustainability in design, the key elements of the

The goal fo architectural and engineered construction drawings is to organize, clarify, and effectively convey an enormous amount of detailed information in order to describe how a complicated building, such as a medical clinic or net-zero house must be built. Andrew's construction drawings have a quality of sophistication that demonstrates his genuine understanding of the complex codes and project criteria. It is important to note, on all of the projects Andrew has been involved in, I have never had a change order; this is undoubetly due to the consistant high quality of his work. I have no doubt that his concetrated attention to detail will be a critical asset in his future career.

• The study also examines how the relationship between human well-being and the natural world can attribute to the welfare of future generations through design and consideration for a sustainable environment (C1, Section 4). For example, the structure allows for future flexibility with possibilities to reconfigure the internal layout and expand the basement to meet changing demands of future occupants.

The Acropolis and Chartres Cathedral are two building with immense historical and cultural value that are admired to this day. In Arts and Ideas, Marien Warner and William Fleming discuss about the physical features and purposes of these iconic structures and the ingenuity implemented in them. They were not only build as religious or cultural centers, but also to prove that they are capable of producing works that are different and revolutionary with regards of their esthetics and architecture.

Olympiapark is a Postmodern collection of buildings located in Munich, Germany and was constructed for the 1972 Summer Olympics. Olympiapark consists of 4 main areas: Olympic area, village, media city, and park. The main focus of my paper is on Olympic Stadium which is pictured above. The design for Olympiapark was chosen through a national competition that was won by the German architect Günter Behnisch’s design company Behnisch und Partner. The 1 square mile area where Olympiapark was built at that time was known as Oberwiesenfeld (‘upper meadow-field’). Oberwiesenfeld before that was a dumping area for World War II debris and a landing strip. The area was designed to ‘be green’ and to make use of

he idea of being able to walk on top of the building is something that does not happen a lot. Connecting the public to the building should be more than just creating a fascinating and interesting facade. My idea is to describe how a building is able to connect to people, by allowing them to not just walk inside or around but on top of the building creating a public space. The reason why I chose this topic is that I wanted to make a connection to my studio project, and how I developed the idea for it. In addition, I wanted to compare it to the Oslo Opera House and how this assisted me in arriving at my final design. My studio project and the Oslo Opera House have a different scale however, I think they share some similar concepts. The idea of togetherness, open space, and easy movement access to the public, and most significantly its connection to the landscape.

Architects/Designers/Planners for Social responsibility defines architectural social sustainability as “Architecture [that] enhances social sustainability by providing built opportunities for balance and connectivity. Socially sustainable architecture fosters balance between the individual and the collective and between the present and the future; and connections between individuals within the building and between occupants and the surrounding community”.

We always seek to make our designs as beautiful as they can be. I am eager to discover what the cities of Milan and Siena are trying to communicate through their design—to the unfamiliar visitor, to the long-time resident, or to the curious explorer.

Therefore, whilst varying facades and building technology may “disguise usage norms”, the form of the Colosseum (and modern stadiums) emerges from function (Maguire 2014, 127).