Architecture in the Middle Ages: Chartres Cathedral

From the outside of the cathedral, I could see the scaffolding since it was going under construction. Even though the cathedral is beautiful on the inside, the outside does not do it justice. Approaching the cathedral, it is

In this excerpt, von Simson looks at how the writings of intellectuals influenced the development of Gothic architecture. He begins by looking at the writings of St. Augustine and his love for music and how the importance of measurement found in music also applies to architecture. He then goes on to address two important schools of thought that influenced the formation of the Gothic style: The Platonists with their focus on cosmology, and the monks at Clairvaux, including St. Bernard, who focused on spirituality. In this section, von Simson focuses on the former and the connection between the cosmos and the Gothic cathedral. He argues that these medieval scholars saw God as an architect and the cosmos as his cathedral. In his study of both St. Augustine and the Plantonists, von Simson works to identify the ways in which these intellectual schools of thought influenced Gothic architecture.

Feudalism, during medieval society, was parallel to the existence of the Catholic Church and its influence over the population. Religion permeated all elements of society and the way in which they related to each other. The Church wasn’t only a spiritual power, but a political and economic one and the struggles between the political and religious leaders will be key factors in the development of the medieval world. The church will also be the primary keeper of knowledge in the Middle Ages, and they will accomplish most cultural advancements.

As legend has it, the builders of St. Basil’s Cathedral were blinded by the command of Ivan the Terrible, so they could never create a building greater. There is still the question if St. Basil’s is actually the most beautiful cathedral made in its time. Comparing it to the beautiful Pisa Cathedral and Assumption Cathedral, which were made around the same time, one could find it hard to decide which is the most artistic. Looking at the materials, art, and icons of cathedrals are ways to gauge how beautiful the building is. St. Basil’s Cathedral was the most beautiful cathedral made in its time.

The significance of religious leaders during this era is evident by the fact that the writer of this poem places the bishop at the beginning of the table. Due to the fact that the “medieval society was a religious society” and that these religious leaders held a special relationship with God, it is no surprise that these individuals held the second highest social class position in the medieval time period (Feudalism and the Three Orders (Overview) 2).

The Notre Dame Cathedral is certainly one of the most beautiful locations in the world, as the city of Paris as a whole and the building's surroundings contribute to making visitors acknowledge the importance of this monument. Construction on the cathedral started in 1163 and was largely finished by 1250, with most of its features emphasizing Gothic influences. The building's architecture, the sculptures present in it, and the impressive stained glass all stand as reminders that the French community invested most of its cultural values into the church at the time when it was constructed.

“Gothic cathedrals were usually the tallest and largest buildings in the city. (Document G: Gothic Cathedrals)” This piece of text tells me that the Cathedrals during that time were like the Empire State Building of New York City. The Empire State Building is one of the most popular skyscrapers of our time. This shows why the Notre Dame showed cultural advancement in Europe.

Robert A. Scott wrote The Gothic Enterprise in an attempt to give readers a bit of insight into the world of cathedrals. He moves from topic to topic, explaining how Gothic Cathedrals came to be, how they were constructed, and who ran them. Two course themes very applicable to Scott’s text are “How Technologies Develop” and “Technology and the Environment.” Over the nearly 500 year period of cathedral building, technologies to make the process easier were developed. For example, the windlass were used to hoist the heaver timbers up to the roofs of the cathedrals. Flying buttresses were also put in place after wind started to become a problem with the building of the spires. This environmental problem, along with others such as flooding at the

The narrator of the Cathedral is a unique and interesting character. He possesses several undesirable qualities, which he displays throughout the story. As protagonist he is a shallow, insensitive, ignorant and jealous individual. The author shows evidence of this through the narrator interaction with other characters, and his choice of words, when describing other characters. However, at the end of the story we witness the transformation of the narrator and the opening of his eyes as the story unfold.

Both the Notre Dame de Chartres and the Bourges Cathedral are expressions of a new age of faith that grew out of the medieval Christian theology and mysticism, (Frank, Patrick). The Notre Dame de Chartres was used for meetings, concerts, and religious plays. It was the only indoor space that could hold all of the towns’ people. Most importantly, the Chartres cathedral was used as a place for worship. The Bourges cathedral was dedicated to Saint Stephen and was also used as a place for worship.

about life in the Cathedral in the period immediately prior to the dissolution can be found

This remarkable improvement in methods indicates the fresh importation of skills from the East and this applies not merely to England but to all Western Europe at that time (“The Flowering” 88). Into three main phases the development of architecture through the period may be divided. The elements of Gothic style and their gradual elaboration over a period of rather more than a century came first at the opening of the 12th century. After the year 1000 there was a fully coordinated Gothic art particularly marked by the invention of windows with baltracy, Jean d’ Orbais probably used it first at Rheims cathedral during the generation following 1211, why the east end was begun. A century followed with classic poise in which an international architecture reached its peak and produce perfect forms of castle and palace, cathedrals enriched with painting patterned tiles, figure sculpture and stained glass (“The Flowering” 92).

St. Peter’s Basilica and La Sagrada Familia are structures with amazing architecture, but they are much more than just a structure. Both basilicas tell a story about not just the architects and their interests of certain architectural styles, but also about the history and story of Catholicism. La Sagrada Familia and St. Peter’s Basilica are not often compared due to the time in which they were built, as well as due to their different styles of art and architecture. However, despite their very different styles of architecture, they both serve Catholicism a similar purpose by uniting those believing in the Catholic faith in very similar ways by using these magnificent buildings as propaganda in a positive manner.

I also thought it was interesting to learn that the abbey church of Saint Dennis was the first introduction of Gothic architecture. Another interesting thing that I wanted to point out was, that many of the churches, including the abbey church of Saint Dennis and the Chartres Cathedral, "had lengthy construction histories" (Kleiner 379). But, one church, in particular, had a fairly quick construction time frame. The Laon Cathedral, pictured below, is an example of a church that began construction around 1160 and the construction was quickly completed, by 1200. Besides, Gothic architectural features, the Laon Cathedral also demonstrates some Romanesque features, including, "nave bays with large sexpartite rib vaults" (Kleiner 379). The textbook

The research paper, shall be concerned with discussion Gothic architecture in Europe-namely England, France, Germany, and Italy starting from 12th to the 16th Centuries. Architecture was the most original and lasting form of art during the Gothic Period, which lasted for four centuries starting from the mid 12th century. The impetus for this architecture was the Roman Catholic Church, which sought to portray their houses of worship as something which transcended the realm of mankind. It is interesting to note that many of the Northern European areas were predominately pagan, and only recently brought into the Church. The imagery provided by Gothic structural design was something these peoples could more readily understand, as they