Architecture under Emperor Augustus and Nero

During the Pax Romana, there was an establishment of plentiful new arches, domes, and monumental buildings throughout the Roman land. Besides growth on the environment and nature of Rome, the people wanted to experience personal growth. Many of Rome’s admirable writers entertained the public with memorable literary and poetic masterpieces. Also, there were attempts in executing an organized law system. Despite the treacherous chaos that were encountered, the people of Rome were optimistic about life and believed that a little progress every day will add up to great

The history of their architecture runs virtually in step with the history of their empire to an extent. As the Empire expanded so did the architecture, and as Romans became more magnificent their architecture followed. Roman architecture began as a form of worship. The first Roman architects were the ancient priests and dwellers who made areas of sacrifice and worship for their gods. At first, their homes were simple huts but as they grew smarter and more aware of their surroundings, making the building more complex than ever. So, like many arts, Roman architecture’s roots are embedded in the worshiping paid in religion. The Romans were, of course, not the first to practice many of their building philosophies. However, they built like no other society before them. Their methods showed and proved, efficiency and sophistication to construct a whole new look. With the rise of the Romans and the everlasting hail of Caesar after Caesar and Emperor after Emperor, Roman architecture expanded and influenced building over the world. Unlike the Empire, though, Roman design did not die at the hands of the Germanic’s, or rather at the hands of self-destruction; it continued to expand and play a part in every major style throughout history. Even through its empire’s own defeat, architecture has stood as an everlasting symbol of what Rome once was, and what the rest of the world is today. , Roman architecture cannot be looked at as a small period or cultural event, for it lives on today through the

Emperor Nero Emperor Nero ruled from 54 A.D until his death by suicide 14 years later. His birth name was Lucius Domitius Ahenobarbus. His mother, Agrippina the Younger, was a sister of Emperor Caligula. Nero was a great-nephew of Emperor Claudius. He was also related to the Roman politician and general, Mark Antony.

Augustus is known to be the first Roman emperor, and the founder of Rome, known for politically transforming the Roman republic to the early Roman Empire. During his rule his influence on artwork and architecture illustrated a classical style, and often they was a reflection of the “public image” of his rule, as well as his “new agenda”. (115) Augustus was quickly seen as a restorer of Rome. Augustus commissioned many large scale building projects such as the Campus Martius, as well as elaborate pieces of portraiture that illustrate his power and the peace of the new Rome under his rule. Augustus acknowledged his power and wealth but at the same time never formally declared himself emperor in order to maintain his citizenship. Although he was keen on denying title of emperor, he emphasized that he was a descendant of the great Julius Caesar considering himself his adopted son and his predecessor, in which he reinforces in some of the temples he commissioned. Overall Augustus was seen as a man of change and power, the one who brought prosperity to Rome when it became shaken by the assassination of Julius Caesar. The age of Augustus brought forth a classical style, influenced by Greeks, and the usage of marble and concrete to create complex buildings and sculptures. This was important because as a result of Augustus’ reign Rome obtained a very classical style, in which would later be reintroduced in order to mimic his greatness by other Emperors.

Many centuries before the birth of Christ, the city of Rome grew, prospered, and developed into a thriving Republic. As in most cultures, Rome's buildings became more elaborate and impressive. They developed fantastic building technologies and ideas. The feats of Roman engineers were groundbreaking, and many structures built by this culture still stand today. With knowledge borrowed from the Greeks, Rome made impressive architectural achievements, these were namely major attributes of buildings, colossal structures, and a legacy that would influence later buildings (Cornell and Matthews 11).

Why did Emperor Nero persecute these poor, innocent Christians that did no verified crimes? Well, he had many theories that were not all one hundred percent accurate. Emperor Nero had many conspiracies such as, that they started the Great Fire of Rome, and that they were being inappropriate with other family members.

The reign of Augustus was an age of enormous architectural and artistic avidity, where he combined conservatism and revolutionary new ideas. The establishment of a Principate in 27BC created a stability which enabled a long-term, comprehensive planning programme to be worked out for the monuments of Rome. Suetonius emphasises that Augustus not only “restored, ruined or burned temples” he also improved the infrastructure where “He improved the approaches to the city, repaving the Via Flaminia […] at his own expense”. Emperor Augustus and his family provided much of the patronage for his projects, which drew architects, sculptors and painters to Rome. This created the right conditions for art and architecture on a grand scale. With this patronage

The phrase “Rome wasn’t built in a day” is commonly used to describe things that take time and patience. The phrase is very true, Rome was not built in a day and it did not rise out of nothing. The rise of Rome was impacted greatly by Etruscan urbanism, Greek colonization, and Hellenistic imperialism. These external influences gave rise to the Republic by impacting the growth and formation of the city, both architecturally and civically, and contributing to the eventual success of the urbs.

Stamper, The Architecture of Roman Temples, 106. Stamper, The Architecture of Roman Temples, 106. Stamper, The Architecture of Roman Temples, 106. Stamper, The Architecture of Roman Temples, 109 Frank Sear. Roman Architecture (London: BT Batsford Ltd, 1989), 59. Darryl A. Phillips, “The Temple of Divius Julius and the Restoration of Legislative Assemblies under Augustus”, Phoenix 65 (2011): 382 Stamper, The Architecture of Roman Temples, 130 Sear, Roman Architecture, 58 Sear,

It is said that Rome was not built in a day. True. It took ambition, lust, murder and the unrivalled power of technology to make the Roman Empire span across three continents and many centuries. While the contributions of ambition, conquest and other political and militaristic factors remain important for the Roman Republic to transform into an Empire, none of this could have been possible without the immense contribution of engineering and technology. In this essay, we shall look into three engineering feats that I believe were crucial in building the Roman Empire. We shall be making use of the video “Rome: Engineering an Empire” as an aid towards the

In 27 BC Augustus began his political career with a “new policy which embodied a national and Roman spirit” (Galinksy, 1996, 225) and “represented new heights in creativity and sophistication” (Galinksy, 1996, 225). Augustus created a new political propaganda campaign that used art and architecture to promote and enhance his regime. The most fundamental message can be regarded as to establish the legitimacy of his rule and to portray him as the natural successor of Rome, as this is consistently presented throughout the visual programme. Yet factors such as the restoration of the Republic, reviving the old religion, nationalism and militaristic triumph can also be seen to be communicated prominently through art and architecture.

In ancient Rome, architecture and engineering were highly regarded. It contributed much to Rome’s development, power, as well as the longevity of such an immense and substantial empire. Architecture displayed an immense amount of workmanship as well as innovation. This is seen through Rome engineers as they created the concept of concrete, constructed the famous Roman aqueducts, and the luxurious Roman baths. Roman’s were clearly superior engineers compared to their competitors because Roman engineers developed new and innovative concepts that were never introduced before, therefore contributing to the success of the Roman Empire.

When one thinks of Roman architecture, many things come to mind, such as arches, columns, statues, and richly covered surfaces in marbles. One must stop to think that this empire, which gained power and influence in the first century BC, must have been influenced from the thousands of years of cultures preceding them in order to create their masterpieces of ingenuity. This phenomenon can be seen in our borrowing of ideas of ancient Greece and Rome for the construction of our capitol buildings in the United States. The Romans surely considered design principles of other cultures when developing their buildings, since daily conquests of new lands opened Roman soldiers’ eyes to innovations from the great vastness of their empire. This

Architecture of the ancient Roman Empire is one of the most fascinating of all time. The city of Rome once housed more than one million residents. The Romans made great use of many architectural shapes like arches and columns. Using these they were able to build monstrous buildings of worship, entertainment and other services. The one building that comes in mind over the centuries, when you think of Rome is The Amphitheatrum Flavium or The Coloseum.

As the saying goes “Rome wasn’t built in a day,” however long it took to build the capital, the days, months, years, centuries of work can be viewed as a long lasting landmark which paved the way for new and challenging architecture to come (How Roman architecture influenced modern architecture [sa]). According to Tony Rook (2013: [sp] ch.2) the typical Roman temple shows the Etruscan tradition combined with the Greek one. Although some of their premature concepts were acquired from the ancient Greeks and Egyptians, Roman architects transformed the body of architecture for all time to come, offering buildings and structures that has never been before, along the side of public buildings and infrastructure that could be used by