Are There Any Similarities Between Works Of Fantasy And Myths?

28). The stories which create the fantasy typically consist of “common or related content”, known as a fantasy theme (Beebe & Masterson, 2009, p. 44). As members of a small group share stories or experiences with other group members, adherence to the fantasy theme creates “a string of connected stories that revolve around a common theme.” Bormann calls this set of stories a fantasy chain (Beebe & Masterson, 2009, p.42-44). As a fantasy theme develops, is repeated, and flourishes it changes the group members’ social reality. Bormann describes such a change as a rhetorical vision. It is important to note that a group may have more than one rhetorical vision and they can be reinforced through recurring media messages or other influences outside the context of the small group itself (Griffin, 2009, p. 27-29).

He maintains his focus on Greek myths not only because of the sheer number of myths around the world, making it impossible to interpret and clarify them all, but also because European men, who would have been familiar with the myths from Greece, write most of the classics we analyze. He explains that these myths are not only a part of them but also “so much a part of the fabric of our consciousness, of our unconscious really, that we scarcely notice” (Foster, 51). Which suggests that, we can recognize Greek myths even if we do not realize it. With this simple fact presented to us, we no longer wonder why allusions to Greek myths have been used since they emerged and are still employed today. Myths are often exercised as “overt subject matter for poems and paintings and operas and novels” but more often “writers have…borrowed from and emulated” these myths (Foster, 52, 53). Instead of explaining every detail about every character, place or moment authors rely on other stories, such as myths, to expand and develop their tale. The writer will subtly hint at myths and hope you recognize their allusions to these old legends. Since we established that, we know these myths, whether consciously or not, we can take these allusions and decipher any hidden meanings the author has for us, giving each story a new level.

In Morte d’Arthur, fantasy is used when a hand comes out of the water after Lancelot throws the sword into the water. This is a fantasy because hands do not miraculously appear from the water. Another fantasy is used in the story at the end when it says that King Arthur may or may not be dead. This is a fantasy because King Arthur's son killed him when he hit Arthur in the head, meaning that King Arthur is obviously dead. While in Sir Gawain and the Green Knight fantasy is used because a person cannot be green, people are different shades of brown. Also, another fantasy used in the story is when the Green Knight has his head blown off, but he still survives. This is a fantasy because he should have died after Sir Gawain blew his head off.

Myth is a body of story that matters—the patterns present in mythology run deeply in the human psyche

In every culture people have different creation stories from the ancient Aztecs to modern-day. Creation stories myths are symbolic since they are narratives of how the world began and how men were created. These stories or “myths” helped people in the past to explain the world around them (Long, 2015). However, people often use the term myth to describe these stories since they regarded as fiction while to some there true. Regardless, to who believes these “myths” but everyone has their own belief on the origin of the world.

In ancient Greece, Greek mythology was passed through each generation and is an important part of daily life. It was believed that the powerful gods and goddesses were responsible for everything, such as weather, emotions, agriculture, entertainment, and the creation man and Earth. Myths are traditional stories that teach lessons that have been retold many times. which had created multiple versions of each myth. By comparing any two versions, many similarities and differences can be found. There are many similarities and differences between the versions of Phaethon’s myth.

As we, University of Virginia students, took refuge in Bruce Holsinger’s Masterworks of Fantasy Literature class back in August, Holsinger succinctly defined Fantasy Literature as, “making reality more real,”. Fantasy Literature is famous for its talking animals, magical powers, utopian/dystopian societies, and containing exceptionally imaginative plots. After reading and analyzing several foundational fantasy novels, without a doubt, allegory is omnipresent. Furthermore, this literary aspect can either hinder or liberalize reading. Reading is hindered by interpretation with a preconceived, objective notion. In clearly associating a distinct understanding while reading, ultimately the novel’s freedom to draw conclusions is robbed. Furthermore, and unfortunately I must add, Fantasy Literature is often

Most people associate myths with made up creatures like werewolves and unicorns, or supernatural beings with magical powers like Gods and Genies. But the only thing that is required to make a myth what it is, is it can’t be real. Every made up story is a myth. But, to the Greeks a myth was more than just a made up story. They were sacred texts used to explain how the Earth and humans came to be. But once rational explanations about the world’s history started appearing in other areas, the myths they valued so much remained as cultural artifacts, stories to pass down to the next generations. One of the popular myths still appears in some modern literature, and that is The Myth of Prometheus.

Fantasy is a genre that uses supernatural situations as a main plot setting. Fantasy is a measure by which responders can be introduced to important notions in texts. C.S. Lewis’ novel, The Magician’s Nephew explores the creation of Narnia. Lewis explores friendship through the characters of Polly and Digory. The notion of Good vs. Evil and magic are also used throughout the novel and helps us understand the need for fantasy in our own lives.

For hundreds and hundreds of years people have been fascinated with all the aspects of the ancient Greek culture and mythology. Because of this avid interest in ancient Greek mythology, people have developed several different theories to explain these ancient myths. These theories range from trying to view myths in a rational way and interpreting them to explain natural occurrences to viewing myths using metaphors and psychology. While no one theory is correct or wrong for that matter, some theories fit certain myths better than others do. The ancient Greeks used many myths to try to explain what they could

    The characters of Homer’s The Odyssey struggled with the ineffable reality of the world, therefore they created gods that could carry the burden of their hopeless quest for understanding. The characters created by Homer, because of their intelligence, were finally

Summary: Hamilton’s collection of myths encompasses the vast majority of Greek and Roman myths that were used in their day and age to explain natural phenomenon, as well as give valuable life lessons. Examples of this include the story of Persephone and Hades with the changing seasons, but also includes myths that teach valuable lessons on topics such as the dangers of Narcissism, although not as dangerous as turning into a tree which could’ve been the tree that was cut down to make this paper. The way myths Hamilton’s book is filled with myths that are more, relatively, known such as Hercules but also doesn’t fail to elaborate on the lesser known myths such as the story of the Titans like Chaos Gaia, and Kronos. Hamilton’s writing does not

The most important genre of the book is mythology. Mythopoeia is the act of writing a mythology. We can name C. S. Lewis, H. P. Lovecraft and Lord Dunsany as the most notable and famous mythology writters. As distinguished from fantasy worlds or fictional universes aimed at the evocation of detailed worlds with well-ordered histories, geographies and law of nature. Its included real-world mythology created to bring mythology to modern readers.

But first, let us examine what these two theories are and talk about how they generally interact with mythology. In Müller’s natural allegory (Dowden, 1992, pp. 17-19), Müller argues that ancient storytellers

There are also the authors that actually mix the fantasy and the reality to a point that it is really hard to see the difference between them, Gabriel Garcia Marquez is said to be the father of this gender called “Magic Realism”, he said that the reason that he sees the world in that particular way of his, is because of the persons