Are Waist Trainers Bad For You Analysis

Boutonnieres became “a thing” when the King of France arrived in Italy. The people brought him a wreath of violets, which he very happily wore. Later in the 1940’s, flower gardens became popular, initiating floral patterns to be worn on men’s clothing. When painters began to portray other individuals wearing bouquets of flowers on the men’s “buttonhole,” the country’s men also started copying how the drawings were portrayed. However, as time progressed, just like the corsages changed places and meanings, so did the boutonniere. Around the 1830’s the frock coat became popular, but it wasn’t till about two decades later when the “Tweedside” coat came about. The fashion was similar to a turndown shirt collar with the coat buttons closed all the way to the top. This resulted in men leaving their top buttons undone. Consequently, the right side of the coat flapped over with the button facing the clavicle, allowing the left side to sow the boutonniere from the inside. This was how the notched lapel came into existence as it is

Queen Elizabeth I, in fact, had a special type of corset made for her called the effigy corset. This corset had three sections and tied in the front. Corsets of the Queen were very different from what one thinks of as corsets today (Leed). Queen Elizabeth I, and most of the women of her time, wore corsets made to essentially shape the body into a tube-like shape. Typically, women wore corsets made from linen and stiff rope to hold the shape, but as Drea Leed said, “Queen Elizabeth had dozens of pairs of bodies [corsets] made of ‘taphata, sattin and vellet’ (taffeta, satin and velvet), according to the wardrobe accounts of the Master of the Queen's Closet.” Even though the corsets were made of different materials, they still mimicked the Queen’s fashion lead. Although Elizabeth I definitely made popular the corset and the body shape it helped women to achieve, she did not introduce the corset. The garment was first seen around this time on the nobles of Spain. Therefore, even if she did not create the garment herself, just her wearing something would soon cause her subjects to desire the look, which demonstrates how powerful of a force she was in the fashion world of the Renaissance

In the latter part of the Victorian era there were significant developments signaling the decline of the corset. The way garments were produced is perhaps the key factor in the move away from the corset. In 1839, a Frenchman by the name of Jean Werly patented a loom for the production of women 's corsets. This type of corset was popular until 1890, when machine-made corsets gained popularity. The development of the sewing machine in the early 1850’s gradually led to mass production, manufacturers could produce corsets in far greater numbers and increase the variety of designs available to women of all classes. These advances finally led the way to new designs in underwear in keeping with the changes to the fashions and silhouettes of the early Twentieth Century.

Imagine a woman rising from bed wearing heavy bedclothes of wool or cotton. Underneath she would be wearing a corset for sleep, made of cotton, wool or a mix of heavy linen. After brushing out long hair, which was rarely washed, she would be wrapped in a light cotton garb that would protect her skin from actually touching her formal corset. Often corsets would stretch from the mid-hip region to the breasts. Corsets were constructed of whalebone and metal stays, which shaped the ribs and stomach to form a fashionable waist of approximately eighteen inches. After the corset was tightly laced (which required assistance of at least one other person), then heavy wool or cotton stocking would be pulled on. Stockings were held up ties, girdle-like bloomers or special buttons in the petticoats. At this time, a woman would put on six to eight petticoats . She would put on a special top to keep the corset from touching her dress. At this point, a woman may have worn a large hoop skirt. The large metal device would allow the woman to keep proper social distance from her guests and potential suitors. Often the woman would have to be lowered into the hoop skirt. If the hoop was too heavy, a woman would be placed in the parlor room and she would remain there until after a dinner party or until such a time she could remove the hoop because it could render her immobile. In some rare cases, small rolling wheels were attached at the bottom of hoop skirts to aid women in moving

One important date in the history of the corset was the year 1840. This was the year in which the system called ‘lazy lacing’ was invented, in which a set of elastic laces allowed women to easily put on, and remove their corsets. Women had now predominantly taken over from the specialized work of crafting corsets, and were made ahead of time, creating the beginning of ‘ready to wear’ During this era, corsets became more specialized, corsets ranged from ‘nuptial corsets, corsets made of white satin for the ball, lightly boned morning corsets, stayless corsets for night wear, nursing corsets with drawbridge gussets, travelling corsets with tabs that could be let out at night for sleeping, riding corsets with elastic at the hips; corsets for singing, for dancing, for bathing at the seaside’ and the list of possible variations went on. As

The Victorian Era depicted a traditional woman. Women were expected to be beautiful but conservative. A notable fashion piece to mention is the notorious corset. Krystal D’Souza states that corsets were meant to, “… accentuate a woman's breasts and hips, while cinching the body at the waist, and dramatically curving the back” (D'Souza). The corset was created to slim the waist and make the hips and bottom larger. This was meant to create the ideal, “Hour glass shape,” women were expected to have. In the Victorian Era, dresses were worn all the time and the skirt length had to be passed the ankles. Pagoda sleeves were essential to dresses to cover shoulders and high necklines were made to cover the women’s neck and décolletage. If the skirts were not touching the floor, skirts were closely worn over the hip and flared out just above the knee. (Joshi). The Victorian Age signifies a time period where women had to follow stringent dress codes. The thought of showing any feminine flesh was un-lady like and unrespectable. (Alchin “Women

Source C clearly doesn’t support source B and this is proven at the start of the Gwen’s entry when she express her anger toward the way they had to dress; “The thought of the discomfort, restraint and pain which we had to endure form our clothes makes me even angrier now than it did”. It is very evident that Mrs Raverat didn’t agree that wearing a corset was an invigorating experience for the whole system.

(Harrisburg, PA) Waist Trainer Girl (https://waisttrainergirl.com) announces the launch of a new website offering reviews and guides on the best waist trainers available today. In 2012, the Centers for Disease Control reported the average person's waist grew between 1999 and 2012. According to this report, the average male saw his waist grow from 38.9 inches to 39.7 inches and the average woman watched her waist increase by more than one inch, from 36.3 inches to 37.8 inches. As abdominal fat is of concern in any individual, even those who are of normal weight, many people are working to change this trend, and Waist Trainer Girl can be of help.

People today are so focused on looks and being better than everyone else. They are willing to spend extensive amounts of money, and put themselves through pain just to fit into society now and days, with the help of a new fad called waist trainers. By cinching people’s waists so tight, their bodies actual start to mold into a more hourglass figure. Or so they think this is what is happening to their bodies, but in reality something far worse is happening.

As the 1900's progressed, women were presented with new inventions which slowly took the place of traditional corsets. With the start of World War I, women began to enter the work-force and many of these women worked as laborers in factories, making daily corset wear a problem. In 1917 the U.S. War Industries board even requested that women stop buying corsets to reduce consumption of metal. Some sources say that up to 28,000 tons of metal was conserved through this effort.

“During the French Revolution,” answers Helen. “During this time, fashion in France had reached other countries and began to grow, especially in England. Fashion may have been a big part of our old king, Louis XIV’s time, though it was during the eighteenth century that fashion in France had spread out to other European countries. However, we must credit Louis XIV for leaving a legacy in France for future generations to follow.

Medieval women’s clothing was an important part of their social standings and showed the wearers rank and position in society; it was also not just affected by wealth as social statuses changed what you were and were not allowed to wear. The feudal system defined what they wore with the king and queens leading the fashion. There were also laws as to how a person could be dressed and the cost of the item/s for example: Only royalty could wear ermine trimming, only nobles, upper class and higher classes were allowed to wear velvet, silk, fur, lace, cotton, taffeta and coloured or dyed materials, lesser nobles were allowed to wear fox an otter trimming, lower classes could only wear wool, linen and sheepskin and the lowest classed, labours and

This investigation aims to reveal why portions of Western society sustained negative attitudes toward corsetry throughout the four centuries in which corsets were widely used. Corsets were worn under women’s clothes daily between the fifteenth and the twentieth centuries, and were used to protect the organs and improve the posture of men as well as correct scoliosis. After they fell out of use in the early 1900s, they continued to be a symbol of oppression and the macabre, and an analysis of the views of those who saw corsets that way reveals medical misinformation and a misogynistic view of women to be the source of distrust of corsets.

The population of people who are the biggest problem within the society are those who wear the magical “Waist Trainers”. Waist trainers are magical considering the process where a steel boned corset is used to modify your waist into an hourglass shape with semi-permanent results. Although, this information seems fantastic there are cons along with the pros. The trainers cause health issues that can be put to a stop by a simple solution such as, not wearing them. But people refuse so in result, they should suffer the consequences.

Queen Marie Antoinette started a fashion revolution in France when she began ordering and wearing muslin dresses from “the Americas.” Muslin dresses would have been plentiful during the 1780s when the Queen sought a simpler more comfortable wardrobe. In addition to this, the climate of the southern portion of New France and its islands caused an abundance of cotton to grow and foster a budding fabric industry.