Argumentative Essay On Chinese Calligraphy

During the Han period, poetry had started to flourish. The most popular form of poetry was fu, it is a mixture of rhyme and prose. At the time, poems were thought to be a more creative form of writing. Music and dancing was also a very important part of the Han culture. Many of the instruments required the user to pluck string. Many of the dancing contained many upper body movement and had many meanings to convey. Many forms of art also came out at the time. Many of which being wall painting, and embossed silk. Although artists were not high up in the social structure, they still were close to the

Identify and write the main issues found discussed in the case (who, what, how, where and when (the critical facts in a case).

Directions: Replace the information in the brackets with your own. Be sure to write in complete sentences.

2. Outline: Briefly outline your essay. MAke sure you provide evidence from the text to support your claim.

Paste all of your revised body paragraphs and conclusion in the space below. Bold the

Instructions for Part 2: In the tables below, replace the sample material with full APA citations and annotations for four sources, at least two of them academic. Your annotations should each be 100-150 words and accomplish the following: 1) identify the main claim (thesis) of the source, 2) identify the main type of evidence used to support the main claim, and 3) provide insight into the warranting assumption that connects the main evidence to the main claim. Do not plagiarize your annotations from article abstracts (or the sources themselves).

Attached strings were placed on each end of the vertical piece. That string was pulled back to shoot an arrow. Paper was another very important creation of the Han people. The people found that paper was ideal for a special style of writing called calligraphy. Paper was invented in first century CE.

Former Encyclopædia Britannica editor Kenneth Pletcher described the record keeping of the Han administration, “Han administration required detailed record keeping, which generated a proliferation of documents. Official returns were sometimes kept in duplicate, and each agency kept running files to record its business” (Pletcher 2010, 79). Bulky bamboo or expensive silk were impractical for this kind of meticulous record keeping, but official documents were recorded and stored easily because of the invention of paper. The Han government had also taken an interest in “literary accomplishment” and “scholastic competence” for the Ancient Chinese people, likely as a result of the invention of paper (Pletcher 2010, 79). Alexander Monro wrote about how the books of Han Dynasty “became the guiding stars of Chinese education, governance, and philosophy” (Monro 2016, 44).

Clunas expands on his claim that the attributes of calligraphy are sometimes more important than the content itself. Shen Du

1. Most important paragraph and why: claim, evidence, warrant. One direct quote from the work is required. Write a correct MLA parenthetical citation for the chosen quote ~Formal Attribution Required. In your answer, do not copy the entire paragraph.

Directions: For Part 1, you are required to write a complete introductory paragraph using the outline below. For the second, third, and fourth paragraphs, you need to write complete sentences that show the basic outline for the essay. By completing this outline, you will have a guide to refer to when finalizing your report in Parts 2-4.

In the next room I came across a very unique and interesting collection of pieces. If you especially like or have any interest in calligraphy, then you are going to love what Hongmo Ren has done. Calling it REN-script, Ren has created what he calls a calligraphy and linguistic “experimentale.” Consisting of seven English and six French pieces, he has combined the art and beauty of calligraphy with writing of equal stature. In ten of his pieces he elaborates on the beauty of nature during various seasons and includes a complete verse from the Book of Genesis. The rest of the pieces are large single word depictions again in calligraphy with intricate detail.

Schools that offer fine arts classes have lower dropout rates and raised attendance. The fine arts positively impact students of lower socioeconomic status more those of a higher  status. The fine arts have no barriers for race, religion, and culture when it comes to being involved in the arts. Everyone is welcome and encouraged to be involved (Katy Independent School District). Without the arts these students have no outlet for creative capabilities and no way to express their talents. Students who need this way of expressing themselves are overlooked and they are the ones who need it the most (Dickson). When viewing the participation of arts in the eyes of a ten-year old, “It cools kids down after all the other hard stuff they have to think about” (Arts and Smarts: Test Scores and Cognitive Development).

He used oil paints, canvas and oil painting pens, the color of his oil painting are very heavy and bright, making his pictures colorful and powerful. The difference is that Guan Zhong Wu uses ink to draw abstract paintings. Ink is more diluted than oil paint because every time use ink painter need to put water in it, making his abstract paintings looks more concise and have different feeling. However, as long as painters understand this kind of painting, different painting tools will achieve different results. According to Zheng(2008:30-32),in the study of painting, students need to know the history of the development of painting tools, and the basic knowledge of how to use the painting tools, that will help them to create their own paintings. In conclusion, it is important for the painter to understand and use the appropriate drawing tools.

When one comes into contact with a Chinese painting, the style is almost instantly recognizable. The attention to detail, craftsmanship, and vast depictions of elaborate landscapes appear to pay homage to mother earth in an attempt to reach a state of eternal balance with nature and life. Before this equilibrium could be achieved, one must attain internal discipline. This was required before one began mastering their brushwork in Chinese culture. In Mai Mai Sze’s “The Way of Chinese Painting,” 1959, New York: Vintage Books, Random House, Sze discusses the philosophy known as Daoism/Tao, or “the way.” Before one became a skilled painter, one trained in the personal disciplines of poetry, art, calligraphy, and internal