Censorship in terms of graffiti is the removal of unsanctioned writings or drawings on a wall or surface of a public place. Laws against graffiti pose a threat to the natural way street artists create, forcing them to find different channels to express their thoughts and words. Banksy, a British street artist who pushes the boundaries in the graffiti world, is known for his anti-authoritarian stencil work. As a graffiti artist, he already faces censorship given that his choice medium is considered a criminal act in Britain. Being caught for graffiti can lead up to ten years of imprisonment, a fine, or community service for young offenders. The combination of the illegal nature of graffiti and Banksy’s choice in controversial subject matters, such as racism, the “authority of political art institutions” and corporate institutions, have led to censorship of his street art by the people and the government (Mancoff “Banksy”). Although censorship is limiting because graffiti is seen as detrimental to society, it is an integral part of Banksy’s creative process. Censorship influenced him to create for and appeal to a larger audience through stencil work instead of traditional graffiti tagging and by making a website.
Unsurprisingly, there are arguments against the medium of graffiti. Since it is an unsanctioned practice, there are anxieties surrounding the fact that there is a single decision maker compared to art institutions and commissioned public art. Both include “numerous
A perfect example of the presence of artworks available for viewing is in graffiti. Graffiti is often a derogative term used to describe writing, drawing, or images placed on the surfaces of public buildings or areas. Although not considered fine art by many, as an expression of creativity and imagination, it falls under the category of artworks. What separates this form of artwork from those found in galleries is the atmosphere and environment that is attached to graffiti that cannot be replicated or found in art galleries. The raw nature of graffiti makes it appealing for viewers, however, the fact it is abundant in the urban environment justifies the idea that it can be viewed without the need for an art gallery.
Graffiti has been around for more than half a decade and practiced worldwide. However there is debate between whether it is a form of art or vandalism. Graffiti artists’ debate that many do not understand the reason most graffiti artist take the risk of incarceration, fines, injuries, and in some cases death to paint a wall. A graffiti artist can have the simple desire to become recognized, or to create a piece that speaks to their audience as a form of self expression. Because graffiti is associated with gangs and acts of destruction to some many cannot see the history and importance graffiti can have on a worldwide scale. Due to the fact that graffiti is usually produced illegally, meaning it is
Most people can argue that there is a fine distinction between what is recognized as art and vandalism. The individual is often faced with uncertainty when the topic of graffiti arises. The public often portray graffiti as a destructive act towards his or her surroundings however; graffiti can also be considered a form of self-expression. Many questions can be made pertaining to the graffiti movement, but the main question is graffiti a crime or an art? The answers lie in the complex phrase of “beauty is in the eye of the beholder”.
By definition, graffiti is illegal. It is also considered vandalism because public or private property is intentionally destroyed, but in Alex Boyd’s blog “In Defense of Graffiti”, he clearly conveys his argument about how graffiti shows qualities of value and shouldn’t be criticized on impulse. Even though many people have seen graffiti as something to be condoned, punishable, and terrorizing, it is actually just another form of expression, communication, art, and point of view.
Known for his contempt for the government in labeling graffiti as vandalism, Banksy displays his art on public surfaces such as walls, even going as far as to build physical prop pieces. Banksy does not sell photos of street graffiti directly himself; however, art auctioneers have been known to attempt to sell his street art on location and leave the problem of
Eine - “The whole world is covered in graffiti”. No one cares. “It's just a part of urban noise.”Graffiti first began in philadelphia in the 1960’s. In the 1980s and 1990s, police began cracking down on graffiti. This is the idea that ignoring small crime like graffiti could inspire more serious crimes. graffiti is causing people thousands of dollars every year. Just to remove people's artwork.People want to remove graffiti because people want their neighborhood look nice. Graffiti should removed, but not all of it. It cost's people millions of dollars to remove every year. However graffiti should only be banned from buildings, so people like their area they live in.
Since the birth of graffiti in the 1960’s many people were or are either thrown in jail, have to pay a high fine in graffiti damages or are either asked to do graffiti in many museums and art galleries because owners like the art they see and want others to see it too. Graffiti has been around for some time now, most people and the police just see it as a form of destruction and not art they should not just see it as something that is good or evil because these artists are expressing themselves through this art and trying to spread a message. The United States and the U.K need to accept the art and nature or meaning behind this graffiti because it is a way for people to do good things other than rob or go to jail it is also a way for people to get their message out and have others hear them or see them in an artistic way.
People often have different opinions and views toward stories or news articles they have read. My Parents killed Santa and Nobody Cared (Santa) by Dakshana Bascaramurty is an essay that tells the story of how a child was shocked to learn from the parents that Santa was unreal and did not exist. On the other hand, In Defense against Graffiti (Graffiti) by Alex Boyd discusses the positive of graffiti. Between the two, the story Graffiti by Boyd is a much better article because it is informative and exciting to read. For some time now there has been controversy on weather graffiti stands out as an art or not ever since it began to appear in a number of galleries worldwide. The reason Alex Boyd’s “Graffiti” is a better essay is because it seeks to distinguish between retrogressive instance of graffiti and positive especially in the messages that they put forward.
As stated by Taki, an influential graffiti artist when addressing the concern authorities held about his graffiti writing, “Why they go after the little guy? Why not campaign organizations that put stickers all over the subways at election time?” (Chronopoulos 2011, pg. 81). Though, graffiti is deemed as legitimate when it is used to generate profit, which is seen through the recent increased demand for graffiti with the purpose of beautification and gentrification. Evidently, the growing concern over graffiti in public spaces is driven by the conflict graffiti creates when obstructing advertisements, which generate increased consumption and profit. It also demonstrates the lack of tolerance the dominant class has for the promotion of dominance by the lower class. Moreover, constant “public proclamations” which urged people to see graffiti writing as a social safety issue, has certainly influenced the demand for anti-graffiti efforts and the attitudes upper and middle class whites had towards Blacks and Latinos (Chronopoulos 2011, pg. 87)
In “Graffiti as Career and Ideology”, Lachmann states that organizations “tried to win their members recognition as serious artists by encouraging writers to produce graffiti-style works on canvas and various other media with a view toward their sale to art collectors” (246). Rather than stopping graffiti writers, they are being encouraged to keep producing graffiti-style works to sell. While they aren’t vandalizing anymore and they are producing art on canvas, it is unexpected to further support these “criminals” like the organizations are doing. Some graffiti is even so respected and praised that it is protected. The perfect example of this is that “The stencil work and street art of British artist Banksy, possibly the most well-known contemporary graffiti writer/street artist, has gained such value as a commodity that the work on some of his walls is now protected under the aegis of urban heritage” (McAuliffe and Iveson 139). How can graffiti and its writers be so frowned upon but so many people still praise
This text is including evidence supporting that the graffiti should be removed, while the other side of omitting Citizens of Street Art (CSA) However, she gives only interpretation of their argument and present it by a method that lowers the idea. She does not include a meeting with them. They are only introduced so she can demonise the group, which makes them appear unworthy of being told. Therefore, the writers focus on the point of view of some residents, further positions the reader to agree that the graffiti should be
Many cities view graffiti as dirty and worthless; for example, the city of San Antonio has arranged an anti-graffiti campaign in which the city boldly states “graffiti is ugly” (“Graffiti”). This attitude towards graffiti and the obsession with ridding cities of graffiti sparked the ever-present negative outlook on the craft, spoiling its artistic value.
Banksy or as said to be shortened for Robert Banks is the graffiti artist who will never be caught. His technique of stenciling makes it easier for him to get the job done fast and efficiently. Banksy states that being anonymous can be “crippling” and hard to do. In an anonymous email said to be from Banksy he states,
I have read a short argument about the graffiti before which is on the newspaper, but I can’t find it now. Then I found a similar article on the website. The title of the article is “Graffiti – Vandalism posing as art”. The text mainly talked about the old problems about the graffiti (it cause historic sites suffered horrific injuries) and problems happen now in New York City (It’s difficult to clean). And the text claims that graffiti is not art and should be prohibited by government.
Graffiti has put a major impact on the way people look at their everyday life. It was not used so much here in the United States but was used overseas. Overseas, graffiti, or street art, was used or played as a sport, just like baseball is Americas sport. There are different laws that are put over there than what there are here. They can get away with some of the things that they paint or make over there. If we tried some of that type of work over here, we would get in trouble and possibly serve time for vandalizing someone else’s property. There are many biased outlooks on graffiti, but it should be considered art in all places because of all the time, effort, and design the artist put into their work.