Argumentative Essay On The Cove Psihoyos

In the documentary “Blackfish”, directed by Gabriela Cowperthwaite, she discussed the harmful events that have occurred when keeping killer whales contained for show and entertainment purposes. Cowperthwaite argued the fact that the killer whales become aggressive when held captive in an area too small for them and separated from their families. Throughout the documentary there were many horrifying stories about the attacks told by people who had saw the tragedies first-hand.

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

In the documentary “Blackfish”, directed by Gabriela Cowperthawaite in 2013, is asking the audience to take up a position on the inhumane treatment of whales in captivity. In particular, she invites us to feel sympathy for the whales and anger toward SeaWorld cruelty and denial of culpability. Cowperthawaite makes choices of visual image, language, sound and structure achieve her outstanding outcomes.

"People always wonder whether I believe SeaWorld should be closed down. I always say no. They have tremendous financial resources and could play a key role in creating sea sanctuaries which could be a profit-making endeavor. I believe people would flock to a site where a killer whale is being a killer whale for the first time -- something infinitely more satisfying than seeing a killer whale dance the Macarena." - Gabriela Cowperthwaite. Cowperthwaite, the director of the documentary film Balckfish, is one of many that urges for change at the infamous marine park SeaWorld. For years on end SeaWorld has been a place of family fun and amazement; using one animal in particular as their spokesman and main attraction, Killer Whales. However, in recent years that image has gotten more than just a meager makeover. Over the past six years, following the tragic death of Dawn Brancheau, SeaWorld and the captivity of Killer Whales has been under serious scrutiny. There have been several findings of how captivity negatively affects these great creatures and the conversation of keeping Killer whales has only been gaining momentum. It is clear that the death of Dawn Brancheau is what sparked societies ideological shift, yet another key part in the start of this discourse is, without a doubt, the release of Gabriela Cowperthwaite 's documentary film Blackfish.

In the truth revealing documentary “Blackfish”, the film reveals what these killer whales in entertainment parks such as SeaWorld go through, along with the trainers who work with them. The documentary shows clips and pictures of the killer whales mauling the trainers, and whales fighting each other resulting in

Director, screenwriter, and producer, Stephen Spielberg, has been often described by critics as being one of the trailblazers who paved the way for the new Hollywood era. In fact, one of Spielberg’s earliest films, JAWS, captured the audience’s attentions so vividly that the movie remains to be a cult classic even decades later. The audience sunk its teeth deep into the enticing combination of drama, thrill, science-fiction, and adventure the film obtained. At face value, JAWS appears to be focused on a giant monstrous fish, but with further analyzation of the plot structure, narration, and original music demonstrates the brilliance and complexity of why JAWS is a well deserving Oscar-winning movie.

In The Cove music is a very large factor in portraying the emotions and feelings of the dolphins. It makes the audience reconsider and their opinions on certain situations that the dolphins are living in. The song Smile by Judy Garland plays throughout the interview of Ric O’ Barry, in which he says, “A dolphin’s smile is nature’s greatest deception.” The song choice ties in very well with the interview and the footage being played at the time as well. Its cleverness makes the audience acknowledge this scene more and therefor having a greater effect on their opinions. In Blackfish it shows the reveal of the Killer Whale, Tilikum and with that a feeling quite opposite that of The Cove. Instead of building up empathy with sad music it tries to worry the viewers by adding a dreaded ticking sound, symbolising a bomb about to go off. It plays for a while, on top every Tilikum introduction. This is music is a very good way of foreshadowing danger or a bad ending. As you can see, both The Cove and Blackfish use music to generate certain emotions and reflect on the footage being shown or situation described. However in The Cove it tries to create empathy by cleverly tying in music, footage and quotes while in Blackfish it uses very slow, subtle transitions with a combination of ticking music to emphasise worry or horror in the audience but also foreshadow what the documentary is

Blackfish (2013), a mesmerizing, psychological documentary with 7 film awards and 38 nominations, presents an extensive look into the negative effects captivity has on Orca whales. The director and writer Gabriela Cowperthwaite calls her audience to action, similar to documentaries such as Food, Inc., The Cove, and Super Size Me. In all of these documentaries, the director and writers reach out to an audience that is not fully knowledgeable on a certain topic, in order to persuade them into taking a stance on a certain topic. In Gabriela’s film, she illustrates the story of Tilikum, a performing Orca who killed many people while at SeaWorld, Orlando. Though at times graphic, the film investigates the harmful effects captivity has had on these wonderful creatures and their trainers. Blackfish uses credible interviewees, powerful voice-overs, and influential outside evidence to persuade those who are un-informed of the negative effects of captivity on killer whales. The ultimate goal in doing this is to urge these individuals to take a stance against aquatic captivity.

Since 1961, 157 orcas, or killer whales, have been ripped from their homes and shoved into captivity. 127 of these orcas are now dead. With the number of captured orcas plus the number of those born into captivity, The W.D.C. (Whale and Dolphin Conservation) reports that, “At least 162 orcas have died in captivity, not including 30 miscarried or stillborn calves” ( “The Fate”1). Out of the 127 taken into captivity, 44 have died in SeaWorld. There are currently 58 orcas residing in 14 marine parks in eight different countries. 24 of those orcas are held in SeaWorld’s three parks in the United States. Since 2002, 14 have been taken out of the wild and put into these marine parks. (“The Fate”1) It is not fair for these innocent creatures to be physically and mentally manipulated and damaged. Such brutality would not be condoned if it were targeted towards a human, and it should not be condoned when targeted toward an animal. Orca whales should not be held in captivity because they are forced to live in subpar conditions, they are mistreated while in captivity, and they are led to aggressive behavior.

Killer whales, also known as orcas, are the largest member of the oceanic dolphin family. In their natural habitat, killer whales have been described as docile and majestic creatures. Killer whales are known to travel in pods that are composed of matrilines. Matrilines are groups of whales connected by maternal descent. Relationships between killer whale calves and their mother are extremely close knit (“Behavior”). Beginning in 1965, SeaWorld – a marine zoo, began capturing whales from the wild to perform in shows for park visitors’ entertainment (“10 Things You Didn’t Know”). In the documentary Blackfish, director Gabriela Cowperthwaite urges and reassures audience members that keeping these large creatures in captivity is a horrible thing that is dangerous for both the whales as well as the humans that interact with them. To accomplish this persuasion, Cowperthwaite employs the use of rhetorical devices ethos, pathos, and logos to solidify her claims.

Gabriela Cowperthwaite’s documentary Blackfish explores the harm captivity causes to whales and their trainers. Throughout the film the orca whales undergo a transformation from defenseless creatures into molded killers. The orcas in the film are portrayed as intelligent and caring creatures who are capable of grief. Through this character the development the documentary has affected how these animals are treated, as well as the public’s opinion on the issue.

The documentary Blackfish was debuted by CNN in 2013, shortly after the death of SeaWorlds’ orca trainer Dawn Brancheau. That, and other strange “accidental” deaths, brought up a controversial issue debating whether or not seaworld is telling the truth or just covering it up. In the film, director Gabriela Cowperthwaite reveals the problems within the sea-park industry, human relationship to nature, and how little has been learned about these highly intellectual

The mother whale and the calf are together everyday. Everything the calf does the mother is right next to it. If one goes to Sea World one will see the mother and calf together. Just because they were always together, even during shows and the calf will start to slow down the mother. The took the calf away from the mother. The mother just stayed in one spot and cried and made noise that were never heard before. Sea world has been effected by the film Blackfish. The way it was effected was by the uses of Pathos, and logos.

The Cove (Louie Psihoyos, 2009) is a documentary, which follows activist Ric O’Barry and The Ocean Preservation Society to expose the brutal dolphin slaughter in Taiji, Japan. The film constructs a sense of realism through naturalistic aesthetic codes and conventions. These conventions relate to the texts content, style, form and audience response and reception. The Cove employs these four levels of realism to construct a sense of authenticity and to position the audience into understanding a negative point of view portrayed about the dolphin slaughter in Taiji. The convention of content in the documentary concerns the implementation of true events, as well as the casting of real people. The style of The Cove focuses on the manipulation of

Commercial whaling is a serious world issue that has always been difficult for those who are in support and those who are against it. Each group defends their side with convincing arguments. Morally, whaling is wrong, but do the reasons for whaling outweigh the reasons to cease the primitive hunts? By studying the effects of whaling,realizing how culture has changed over time, and taking note of the money that would be saved, it can clearly be seen that there is no longer a current need for whaling to continue. Efforts have been made to try to stop whaling, but with no help from any authoritative figure,nothing has been done to regulate the whaling. The famous sea shepherd, known for its strikes against whaling, can even be seen on