Arguments Against Chinua Acebe's "An Image of Africa: Racism in Conrad's 'Heart of Darkness'

In "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist stereotypes towards the continent and people of Africa. He claims that Conrad propagated the "dominant image of Africa in the Western imagination" rather than portraying the continent in its true form (1793). Africans were portrayed in Conrad's novel as savages with no language other than grunts and with no "other occupations besides merging into the evil forest or materializing out of it simply to plague Marlow" (1792-3). To Conrad, the Africans were not characters in his story, but merely props. Chinua Achebe responded with a

In the article "An Image of Africa: Racism in Conrad's Heart of Darkness," Chinua Achebe criticizes Joseph Conrad for his racist views toward the natives of Africa. After one reads Achebe’s critique, it is clear that Conrad wanted the novella to be perceived as a racist text. Conrad depicts the uncivilized treatment of nonwhites during the period of colonization without condemning such actions. After analyzing Achebe’s famous work and Conrad’s novella I have come to agree with Achebe; Conrad “was a thoroughgoing racist.” (Achebe) Heart of Darkness portrays this position clearly. Throughout the novella, Conrad describes and represents the Africans and Africa itself in a racist way. According to Chinua Achebe, the harsh behavior of English people towards the natives, the lack of equality felt by the English towards the Africans, and the word choices of the English to and about the savages reveal Conrad's racist position in the work.

The unknown and uncharted topography of the African continent first beckoned Conrad’s narrator, Marlow, into its depths in his boyhood: “Now, when I was a little chap I had a passion for maps. I would look for hours at South America, or Africa, or Australia, and lose myself in all the glories of exploration” (Conrad, 5). When Marlow was grown and Africa was no longer a blank space on the map, but rather “a place of darkness,” there was still one river there that drew him especially, “a mighty big river, that you could see on the map, resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land” (Conrad, 5-6). This same deep place that had seduced Conrad’s ivory hunting Kurtz into the horrors of its savage embrace had, in 1890, lured Conrad himself into adventure that turned him from sailor to writer (Smith, 25) and severely effected his health for the rest of his life (Conrad,v). As the voyage up the Congo proved fateful for the development of Conrad’s narrator, Marlow, it was equally fateful for Conrad’s individuation, as he reflects in his letters “Before the

Joseph Conrad’s Heart of Darkness has allowed me to view the world through a multitude of new lenses. In seeing Kurtz and Marlow’s disintegration when removed from society’s watchful eye, I began to understand that all people have a streak of darkness in them under the right circumstances. While the narrator, and many readers at the time of this novella’s publication, believed that the African natives being colonized were “savages”, this book sheds light on the true brutes in this scenario: the thoughtless Europeans. The other complexity that I never truly understood until reading this book, is the idea that there is a single story told about Africans in Western literature. Africa is portrayed as weak, primitive, and impoverished in most books

There are millions of varying perspectives in the world on many different topics. Sometimes two different mindsets clash and disagree with one another. This is apparent in the work of Chinua Achebe’s Things Fall Apart and Joseph Conrad’s Heart of Darkness. Achebe gives a personal account of African life, culture, and customs in his book. He grew up in Nigeria, solidifying the reality that his take on their culture is the most natural, the one that will hit home. Also, since Achebe grew up surrounded by the culture so it is something intimately familiar to him. On the other hand, Joseph Conrad’s book Heart of Darkness makes Africa into a wild and savage place that needs to be ‘tamed’ by the white men and their ways.

Achebe argues that the racist observed in the Heart of Darkness is expressed due to the western psychology or as Achebe states “desire,” this being to show Africa as an antithesis to Europe. He first states Conrad as “one of the great stylists of modern fiction.” [pg.1] He praises Conrad’s talents in writing but believes Conrad’s obvious racism has not been addressed. He later describes in more detail that

Achebe’s essay “An Image of Africa” analyzes the book Heart of Darkness by Joseph Conrad. He dissects the false representation of the african people and the bias in his book. In “Heart Of Darkness,” Conrad feels that the people of Africa are undeveloped and they are savages; he looks at all their culture and tradition and only sees it as uncivilized, he has no appreciation for their beliefs. This relates to Achebe’s book, Things Fall Apart, because Conrad’s views represents the white colonist and their feelings towards the africans. The colonists did not respect their culture or their gods. Okonkwo is well-respected by his tribe, he is extremely traditional and values his culture. The colonists are a threat to that because they do not understand or respect the African ways, they want to change it and convert them to Christianity. Okonkwo has a need to stand up for his culture and his beliefs, he feels he has to be able to prove that he is a strong and powerful man. Okonkwo worries that if he does not protect his customs, he will be seen like his father: cowardly and feminine. He has been haunted by that fear his whole life, “It was the fear of himself, lest he should be found to resemble his father. Even as a little boy he had resented his father’s failure and weakness, and even now he still remembered how he had suffered when a playmate had told him that his father was agbala”(Achebe 12). His need to distinguish himself from his father and protect his people are what drive him to make do things like kill Ikemefuna and the messenger. Things fall apart for Okonkwo because the other villagers do not have the same passion and drive as him. The

In Heart of Darkness by Joseph Conrad, the imperialism of Africa is described. Conrad tells the story of the cruel treatment of the natives and of the imperialism of the Congo region through the perspective of the main character, Marlow. Throughout the novel, Marlow describes how the Europeans continuously bestow poor treatment to the native people by enslaving them in their own territory. Analyzing the story with the New Criticism lens, it is evident that Conrad incorporates numerous literary devices in Heart of Darkness, including similes, imagery, personification, and antitheses to describe and exemplify the main idea of cruel imperialism in Africa discussed throughout the novella.

In his famous critical essay, “An Image of Africa” (1975), Chinua Achebe takes a strong stance against Joseph Conrad’s Heart of Darkness. He asserts that Conrad was a racist and his novella is a product of his racism. A following quote that is good to show Achebe opinion for Conrad is:

Chinua Achebe, a well-known writer, once gave a lecture at the University of Massachusetts about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad used Africa as a background only, and how he "set Africa up as a foil to Europe,"(Achebe, p.251) while he also "projects the image of Africa as 'the other world,' the antithesis of Europe and therefore of civilization."(Achebe, p.252) By his own interpretations of the text, Achebe shows that Conrad eliminates "the African as a human factor," thereby "reducing Africa to the role of props."(Achebe, p.257)

A famous criticism of Conrad’s novella is called An Image of Africa, which was written by an African native named Chinua Achebe. In Achebe’s criticisms of Heart of Darkness, he points out the difference between descriptions of the European woman and the African woman, who was Kurtz’s mistress. The narrator describes the European woman as being calm and mature, and the African woman as being “savage” (341 Norton). Even though many writers claim that Marlow is kind to the Africans by bringing light to their situation, the real problem does not lie in his description of their situations, but his descriptions of the people themselves (30 Heart of darkness Interpretations).

He uses derogatory and offensive remarks that devalue people of color and make them out to be savages. Chinua Achebe, a well-known writer, talked about Joseph Conrad's Heart of Darkness, entitled "An Image of Africa: Racism in Conrad's Heart of Darkness." Throughout his essay, Achebe notes how Conrad "set Africa up as a foil to Europe,"(Achebe) while he also "projects the image of Africa as “the other world”. Africa is said to be a “prehistoric” world. Conrad described this land as non-advanced and inferior to the western countries.

looked at a map of it in a shop window, it fascinated me as a snake

Achebe’s first allegation is that Conrad, and Western society in general, develops Africa “as a foil to Europe” in order to draw attention to

In Chinua Achebe’s essay, “An Image of Africa: Racism in Conrad 's Heart of Darkness,” Achebe purports that Joseph Conrad’s short story, Heart of Darkness, should not be taught due to it’s racist caricature of Africa and African culture. In Conrad’s book, Marlow, a sea captain, is tasked with venturing into the center of the Congo, otherwise known as the Heart of Darkness, to retrieve a mentally unstable ivory trader named Kurtz. Marlow narrates his adventures with a tinge of apathy for the enslaved Congolese who are repressed beneath the foot of the colonizing Belgians. In Heart of Darkness, the Africans are reduced to “savages” and cannibals with little or no moral values. It is Achebe’s argument that due to these characterizations, it is an abomination that Heart of Darkness be continued to be taught. Despite Achebe’s vehement opposition to the teaching of Conrad’s novel, academics should not only continue to teach Heart of Darkness in a lyrical sense, but also a historical one.