What does imitation (mimesis) involve for Plato and Aristotle? Explain its different features.
Mimesis, the ‘imitative representation of the real world in art and literature’ , is a form that was particularly evident within the governance of art in Ancient Greece. Although its exact interpretation does vary, it is most commonly used to describe artistic creation as a whole. The value and need for mimesis has been argued by a number of scholars including Sigmund Freud, Philip Sydney and Adam Smith, but this essay will focus on the arguments outlined by Plato in The Republic and Aristotle in Poetics, attempting to demonstrate the different features of imitation (mimesis) and what it involves for them both. In Plato’s The Republic, he
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Finally, when the artist then creates his painting of the carpenter’s bed, he is not imitating the idea; rather he is imitating the object. This therefore means that the painting (imitation) is at third removed from the ultimate reality of the bed. Moreover, Plato explains that mimesis is ‘a long way removed from truth, and it is able to reproduce everything because it has little grasp of anything… a painter can paint a portrait of a shoemaker or a carpenter or any other craftsman without understanding any of their crafts’. Moreover, according to Plato, many of his contemporaries speak of poets like Homer as though they ‘…are masters of all forms of skill, and know all about human excellence and defect and about religion’ . This poses a problem for mimesis because, Plato maintains, the audiences forget that they are being entertained and mistake Homer’s imitation of human behaviour for real knowledge, believing for example, his false portrayal of Zeus.
Plato’s third objection to imitation (mimesis) is from a moral point of view in which he believes that the more convincing an imitation is, the more it undermines the psychological stability of even the greatest humans. He argues that the essence of any human is to have higher rational principles as well as lower emotional principles but in order for humans to live a life of reason and righteousness, we must encourage our rational principles over our emotional ones. However, he claims that imitation (mimesis) tends to
subject’s action. Many works of his time period were sculptures that were meant to be
In Plato’s Republic he has many examples of rhetoric. In regards to the controversial topic of women and eugenics in which Plato is almost forced into mentioning because of Adeimantus and Glaucon, he uses various rhetorical statements to portray his view on the matter. His readers believe women should be equal, so Plato attempts to persuade his readers into thinking he believes the same. For example, in the passage on women and family Plato states, “we shall assign these to each accordingly; but if the only difference apparent between them is that the female bears and the male begets, we shall not admit that this is the difference relevant for our purpose, but shall still maintain that our male and female Guardians ought to follow the same occupations” (164). He uses the women are equal and can do the same things as men strategy in order to make Athenian men understand what he is trying to say while still stroking their egos by using rhetoric. Men are in general are hard to persuade when it comes to power, so as a result Plato gives a sense of gender equality while at the same time still giving men the upper hand.
Aristotle argues that in order for a polis to emerge, a union between man and women must convene. Later a household must be introduced which unites with other households to form a village, villages come together to form city-states. This theory is Aristotle’s natural view that an individual can not be self sufficient Plato argues that, in order to achieve absolute justice, a city-state is needed.
ABSTRACT: This paper discusses the viability of certain aspects (the sex lottery) of Plato's Republic, book V. It is college level 'A' paper.
Excellence is a function which renders excellent the thing of which it is a function is Plato’s definition of virtue. What does this definition really mean though? Plato and Aristotle both had their own unique arguments devoted to the topic at hand, and their own ways of describing what virtue really is. Defining virtue may seem to be an easy taste, but to truly understand the arguments behind the definition can prove to be very challenging.
In ancient Greece two great written philosophers lived. First there was Plato and then Aristotle. Aristotle was a pupil of Plato. Despite being taught by Plato they had different theories and views. Their ethics were very typical and traditional of ancient Greece but Aristotle detailed virtue ethics and the path to happiness. Plato’s political theories for a utopian society varied from Aristotle’s view of ‘best state for each society’. Their metaphysical theories are complete opposites and very contradicting. Even though Plato and Aristotle came from the same era and were closely linked they had very different philosophies.
Aristotle and Plato are two of the most influential philosophers in history. Plato was Socrates’ greatest student and in turn taught Aristotle. In time, Aristotle became Plato’s greatest student. Together Aristotle and Plato, along with Socrates, laid the groundwork for what we now know as Western philosophy and science.
To examine the thoughts of another Greek philosopher, Aristotle would have a much different perspective on Doryphoros. Aristotle felt that imitation was natural for us as humans. He felt that we could learn from imagery that is realistic because it may influence us to examine it more closely. He felt that the creative individual could express the universal, fundamental qualities of human nature, and did not see their work as worthless as Plato did. Polykleitos sculpted athletic nudes such as Doryphoros in ordinance to his mathematical canon, a
This portrayal of emotions, of the inferior part of the soul, in Plato’s beliefs, “awakens and nourishes and strengthens the feelings and impairs the reason.” (41) Plato considers this indulgence irrational and useless. The superior and rational person (the ideal statesman) would pride himself on the opposite qualities and in times of sorrow or passion would suppress urges to openly sorrow or indulge in pleasures. Summing up Plato’s philosophy, the imitative artist is a long way from the truth and can write or paint any and all things because he does not know about the subjects he creates; he denies the rational principle of the soul and overly indulges in emotion resulting in the neglect of justice and virtue, (45) and has not found a proper purpose in the ideal state.
“the having and doing of one’s own and what belongs to one would be agreed to
With the Imitation theory “IT”, Danto is disagreeing with Socrates in that art is not just mere imitation. Socrates believed that art, like a mirror, shows us a duplicate and accurate image of the appearance of something. However, Danto does not agree completely with this imitation theory because if it were true then, “mirror images are art.” Danto goes on to say that a lot of artists did try to imitate nature in art, but with the invention of photography “mimesis was quickly discarded.” The goal of art being to imitate then was incorrect.
As literary critics, Plato and Aristotle disagree profoundly about the value of art in human society. Plato attempts to strip artists of the power and prominence they enjoy in his society, while Aristotle tries to develop a method of inquiry to determine the merits of an individual work of art. It is interesting to note that these two disparate notions of art are based upon the same fundamental assumption: that art is a form of mimesis, imitation. Both philosophers are concerned with the artist's ability to have significant impact on others. It is the imitative function of art which promotes disdain in Plato and curiosity in Aristotle. Examining the reality that art
Plato was among the most important and creative thinkers of the ancient world. He was born in Athens in 428 BC to an aristocratic and well-off family. Even as a young child Plato was familiar with political life because his father, Ariston was the last king of Athens. Ariston died when Plato was a young boy. However, the excessive Athenian political life, which was under the oligarchical rule of the Thirty Tyrants and the restored democracy, seem to have forced him to give up any ambitions of political life. In 388 BC he journeyed to Italy and Sicily, where he became the friend of Dionysius the ruler of Syracuse, and his brother-in-law Dion. The following year he returned to Athens, where he devoted his
We have two great philosophers, Plato and Aristotle. These are great men, whose ideas have not been forgotten over years. Although their thoughts of politics were similar, we find some discrepancies in their teachings. The ideas stem from Socrates to Plato to Aristotle. Plato based moral knowledge on abstract reason, while Aristotle grounded it on experience and tried to apply it more to concrete living. Both ways of life are well respected by many people today.
In order to compare these great philosophers, it is important that we first of all view their history from an individual perspective.