Aristotelian Appeal Ethos In Southern Gothic Literature

Lady Gaga’s tweet can connect to Ta-Nehisi Coates’ “Letter to My Son.” Coates writes in his piece that “The Dream” only applied to white people because “the Dream rests on [black people’s] back, the bedding made from [black] bodies” (84). Much like other white allies, Lady Gaga also enjoy the perks of living in the Dream. Because of the delusion that they live in, white allies are not aware of the work that the black community is

She explains how this can be done by seeing black females as real valid people and treating them as such. In life we must stop objectifying the black female body before we can see any change within art. By understanding the black female as a legitimate individual with purpose, one can then accurately portray her within art, and create a more subjective authentic representation of the black female body. These beleifs presented by Lorraine O’Grady could be applied to the famous art piece The Moorish Bath, by Jean-Léon Gérôme, in how he depicts the black female body. Instead of having the black female in the background surrounded by darker colors and lighting, while the white female is in the brighter lighting, allow them both to be in the same brighter more focused lighting. Also the role of the black female should be reexamined in that she is serving the white female and bathing her. A more progressive version could be both the females bathing themselves making them both the main subjects, instead of objectifying the black body as one that only serves. Another aspect that should be addressed is the fact that the white female is fully naked while the black

Gothic literature is a style of writing that contains elements of both horror and romance. This genre allows readers to experience a mix of horror and romance intertwined. Within the gothic genre there are elements of supernatural events, beings, and gloomy day settings. This style of writing became popular in the late 18th century and early 19 century. Many give credit to it’s uprising to author Horace Walpole, who wrote The Castle of Otranto (1764). His book contains all the elements that constitute the gothic genre. Frankenstein fits perfectly into the gothic category because the gloomy and mysterious setting is placed where most readers think of it as

Beyoncé uses “Formation” as a continuation of the story in “Freedom” by making a statement about working hard to obtain what she wants and pride in her roots, particularly her southern black heritage. She alludes to how far she has come when she says she rocks her Givenchy dress (citation). Here, she is calling attention to how far she has come and the fortune she has earned by referencing her Givenchy dresses, a luxury brand only someone well off can afford. However, she did not forget where she came from and references her heritage in the second verse when she says “My daddy Alabama, Momma Louisiana” She is

All, of the dancers in this music video are African-American, and it is very clear. None of their hair is straightened, they are all in Black Panther-esque outfits, and they are “unapologetically black.” The concept of this video is head-on addressing systemic racism. An obvious example is the dancers but there are also many more. For one, the opening scene, as referenced earlier, includes Beyoncé herself standing on a police car flooded in water while a clip saying “What happened in the New Orleans?” plays in the background. This artist is using her platform to bring attention to the hurricane in New Orleans and how there was little to nothing done by police there. She is calling out the system in this video.

One of the most prominent visuals in Lemonade is the setting of New Orleans, Louisiana. In current times, New Orleans is most closely associated with the Hurricane Katrina disaster of 2004, in which a strong hurricane devastated the city and left many killed, injured, or homeless. There was national criticism of the government’s handling of Katrina, stating that the government took too long to respond to the crisis due to the city being mostly populated by blacks. However, this is not the only aspect of New Orleans that is central to Lemonade’s narrative. The video also shows staples of the old American South during the time of slavery, such as plantation homes and slave quarters. In this setting, Beyoncé indulges a fantasy of an all-black utopia dominated by women, who dress up, take photographs, and

Gothic can be defined as “literature dealing with the strange, mysterious, and supernatural designed to invoke suspense and terror in the reader.” (Pickering, 2004, p. 1425) Gothic literature generally presents the same themes and motifs: love lost, hidden secrets, love and death hand in hand, beauty, youth, grotesque characters, macabre eroticism, etc. Gothic literature also explores taboo subjects such as murder, suicide and incest. “A Rose for Emily”, by William Faulkner, is representative of the Southern Gothic stories since the themes of love lost, death, and murder are present in it. There are many elements that hint at the Gothic nature of the story: Emily’s description, her house, the poison she bought, and finally the ending.

Over the past few years tragic events seem to be surrounding our society. An array of killings, social protests, police brutality and racism have startled the nation. Lately celebrities have been addressing these issues more and more on TV, in interviews and in the public eye. One incredible artist just used her talent to address all of these issues and more in her new music video "Formation". Beyoncé is an iconic figure in our culture, spreading her talent, feminist views and activism worldwide. This video is one of a kind. It is not centered on her but on Black America. There have been many critics disagreeing with Beyoncé 's video. They felt that she spread negative messages of police throughout her video. Others, however, loved her video. They felt she used her platform to reach out and address issues. Supporters and critics of the video have expressed their opinions in many different ways. In this paper I will analyze this video that has been shared worldwide. The question I ask is: "How does Beyoncé depict the complexity of Black Americans?" In order to answer this question, I will apply Pentadic criticism to analyze this discourse.

Gothic literature has been criticized as being a dreary, dark, and death-involving subset of Romanticism (a literary movement accentuating human individuality, imagination, and subjectivity). In addition, gothic lit incorporates several themes- not all about deathly acts - but includes some emotional and surprising themes such as dreams, nightmares, or hallucinations, and grotesque or bizarre occurrences. Two short stories, both written by Edgar Allan Poe, entitled “The Raven,” and “The Black Cat,” as well as the novel The Night Circus, by Erin Morgenstern, all encompass these gothic elements, found throughout each story.

Gothic literature uses wide ranging themes and gothic elements to convey its story. Gothic literature short stories can range from romance to horror to supernatural occurrences. Horacio Quiroga’s “The Feather Pillow,” Richard Matheson’s “Prey,” and Edgar Allan Poe’s “The Black Cat” all incorporate the following gothic elements: violence, revenge, hallucinations, nightmares, and psychological issues.

She dances in a colonial house’s hallway; while drawing reference to several southern states, while displays that she loves herself and her origin. She illustrates to the audience they should be proud of their ethnicities and celebrate their origins and draws focus on the many people devastated in New Orleans. Sometimes, throughout society there is pressure to alter ones skin tone, nose, or hair to conform to the while Anglo-Saxon expectations of beauty. In this video, Beyoncé makes it clear that she’s not interested in this from embracing her ethnicities and Southern

Gothic Literature is characterized by elements such as fear, horror, death, and gloom. Most in which is portrayed in “The Picture of Dorian Gray.” How do we know gothic is ‘gothic’ though? Sometimes it is characterized by the setting other times by the supernatural manifestations. There are many ways to discover wether it gothic literature or not, taking “The Picture of Dorian Gray,” for example.

This includes standards of beauty, empowerment, culture, and the shared parts of our history. The message that Beyonce is trying to convey to us is that there are real issues going on that are constantly being ignored. She is also stating that if no one else will voice their opinions on these issues then she will. As I analyzed the position that I received was discrimination to African American culuture, police brutality, tragedy, and cultural pride. I agree with the message behind this video/song. For many years cultural issues have been ignored and failed to be solved due to political

What do you think of when you hear the words Southern Gothic Literature? There are many books and authors who associate with Southern Gothic Literature. Examples, Flannery O’Connor and William Faulkner. Listen to be informed and learn about something in a new, yet old and interesting way. Violence, irony and decay make up the body and stories behind southern gothic literature. Stown is a contemporary Southern Gothic Literature, because it shows elements such as violence, irony and decay in a new and more relatable way.

Although embracement or celebrations of this stereotypically black feature may empower these women who reverse or redirect the hegemonic gaze that had been centered on their backsides for so long, these Eurocentric derived presumptions and idealizations of female blackness, nevertheless, remain. However, attempts to redefine these social constructions, while accentuating this feature Beyoncé refers to as “bootylicious,” has transformed beauty industries and ideas of sexual desirability which “subverts social hierarchies and normalcy” (Hobson 88). These redefinitions of beauty, more specifically, black beauty, from the “grotesque, carnivalesque body,” (Hobson 88) seeks “a healthier body image than their white counterparts” who are exclusively depicted as slender and petite (Durham 36-37). Thus, black women begin to visualize their own bodies and other black women bodies in ways that lead to non-sexualized, non-deviant conclusions. Challenging these “controlling images,” as Patricia Hill Collins identifies in Hobson’s article, only “unmirrors” black femininity and its history, a term Hobson cited from black artist and theorist, Lorraine O’Grady, because in order to “name ourselves rather than be named we must first see ourselves” (89). She later adds