Aristotle 's On The Mind

In order to gain a proper perspective on the concept of what a tragic hero is, we must synthesize information from the following play’s, “The Death Of A Salesman”, and “Oedipus The King”. Both plays takes the stance on the idea that validates the ultimate notion,  “tragic hero. From Willy’s hubris personality to his questionable and mysterious death, to Oedipus dynamic and complex choices and kingly personality that determines his fate. A tragic hero is a literary character who makes a judgement that leads to his/her downfall. In other words, even though both characters made incredible contributions and left a very noble legacy, their choices and decisions determined their ultimate fate. In today’s world tragic heroes are commonly present,

In Othello, the plot meets the definition of both Aristotle and Shakespeare on a tragedy. Aristotle believed that the plot is the most important element in a play and that plot also clearly points out the problem of any characters to be solved. However, the protagonist of the tragedy play only partially meets the definition of Aristotle’s tragic hero. The play is set in Venice and Cyprus where a Moor, Othello, General of the Venetian army gets secretly married to a Venetian nobleman’s daughter, Desdemona. During the play Iago manipulates Othello because Lieutenant Cassio was promoted ahead of him, and also because he suspects that Othello has had an affair with his wife. “And it is thought abroad that twixt my sheets He’s done my office. I know not if’t be true; But I, for mere suspicion in that kind, Will do as if for surety” (2.1. 364-367).

• Aristotle’s idea is that the plot has a beginning middle and end and all parts follow each other in concise fashion.

Poetics, where he defines what makes a tragic hero. Aristotle suggests that a tragic hero is a

play has the perfect Aristotelian tragic plot consisting of peripateia, anagnorisis and catastrophe; it has the perfect tragic character that suffers from happiness to misery due to his hamartia (tragic flaw) and the play evokes pity and fear that produces the tragic effect, catharsis (a purging of emotion).

The plot of a tragedy usually consists of a tragic hero’s fall from grace. Aristotle describes plot in two ways a simple plot and a complex one. In a simple plot a fall from

Before beginning, however, it is necessary to examine the aim of Tragedy. A Tragic work, according to Aristotle, was simply one that showed men as better than they typically are in everyday reality. Tragedy served to show mankind at his noblest, without, however, depicting man as unreal or unbelievable. To represent a noble man

He is considered a man of misfortune that comes to him through error of judgment.” The characteristics of a tragic hero described by Aristotle are hamartia, hubris, peripeteia, anagnorisis, nemesis and catharsis which allows the audience to have a catharsis of arousing feelings.

Aristotle, the great fourth-century Greek philosopher labeled this tragedy as “an imitation of an action of high importance, complete and of some amplitude: in language enhanced by distinct and varying beauties…by means of pity and fear effecting its purgation of these emotions” (qtd. in Kennedy & Gioia 885). Aristotle was portraying the epic Shakespearean drama, Othello. Aristotle prescribed three main elements for a disastrous theater recipe: First is a hamartia, or a tragic flaw in the main character that leads to the demise; second, catharsis or an emotional release of the audience’s sensations derived from the actors, so they seem to have felt they have learnt something about the play; and lastly, anagnorisis or the character’s astonishment of something that may have not before realized (Kennedy & Gioia 856-857). The protagonist in Shakespeare’s Othello satisfies all of Aristotle’s necessities for a tragic hero, as Othello is the character of magnificent status, which falls from that status of power to one of shame because of his hamartia. Furthermore the plot of Othello contains an influential katharsis through its peak and deduction, and an anagnorisis when Othello comprehends that Desdemona and Iago are not who they appear to

The character of Oedipus exemplifies these elements of strong personality embodied by tragic action. Lastly, Aristotle thinks that the fate of the tragic character must be reconciled with the audience. The suffering has some specific cause and purpose to reach a resolution, or in direct terms a "catharsis." Without this resolution, the suffering would be for nothing and the tragedy has less meaning.

Throughout time, the tragedy has been seen as the most emotionally pleasing form of drama, because of its ability to bring the viewer into the drama and feel for the characters, especially the tragic hero. This analysis of tragedy was formed by the Greek philosopher Aristotle, and also noted in his Poetics (guidelines to drama). As a playwright, Shakespeare used Aristotle’s guidelines to tragedy when writing Othello. The play that was created revolved around the tragic hero, Othello, whose tragic flaw transformed him from a nobleman, into a destructive creature, which would inevitably bring him to his downfall. This transformation follows an organic movement of the complex plot from the beginning, middle, to the end of the drama while

He is the source behind the main issues of the plot and some major points maybe cleared by observing his actions and nature. The tragic hero is always larger than life, a person of action whose decisions determine the fate of others. He is a man who is superior then the average person, a character of noble stature and greatness. Though the tragic hero is pre-eminently great, he is not perfect. Otherwise, the audience would be unable to identify with him and his tragedy. His imperfection is what invokes pity and fear in the audience. Another characteristic of a tragic hero is the fact that he is trigger by some error of judgment or character flaw. The

He believed that the best tragedies caused the audience to relate to the tragic hero and as a result those seeing the play or reading it begin to pity the character. The fear, according to Aristotle, comes from the viewers believing that they might experience a fate similar to that of

A tragedy is a drama or literary piece of work in which the main characters is brought to ruin or suffers extreme sorrow most likely at the consequences of a tragic flaw or moral weakness and also a inability to suffer the unfavourable circumstances. The protagonist and driving force of a tragic drama is known as a tragic hero. In order for a protagonist to qualify as a tragic hero certain elements must be met regarding the character. The tragic hero must be of a noble birth entailing that the protagonist has a higher social status that the average person. The protagonist must go from a state of extreme high to a state of extreme low. The protagonist must go through a change and achieve enlightenment. The tragic hero must have a fatal character flaw which will result in his undoing. The tragic hero must have an emotional climax causing emotional change. The finally element needed to be a tragic hero is that the protagonist must die. Hamlet fits the definition of a tragic hero because Hamlet has a moment of change about himself during the play, he is a person of nobility who

Aristotle defines a tragedy as a ‘representation of an action which is important, complete and limited in length. It is enacted not recited and by arousing pity and fear, it gives an outlet to emotions of this type.’