Art Analysis: Cubi XIX, By David Smith

subject’s action. Many works of his time period were sculptures that were meant to be

From my observation at the Met, this sculpture is inside a medium glass and space. Also, it is by itself in the glass. It is a three-dimensional sculpture created by modeling and merging hard materials. Next to it there are other deities (Vishnu, Parvati, Ganesh etc.) and sculptors from the Chola Dynasty. The other works near it complements the sculpture as I have stated above they are from the same time period so, they are related to each other some way and

Every soul will be judged and the good will go to heaven and the damned will go to hell. The sculpture vividly expresses the emotional intensity of what the afterlife will look like. On the left-side the sculpture shows “heaven” the figures show that they are at peace because they know their souls have been saved. The children are laughing and the angels are blowing their trumpets with joy in anticipation of Christs’ return. As for the right-side it tells of what “Hell” maybe like, demons are weighing the souls and claiming them. It shows people suffering, crying and realizing that they’re going to hell for

A bronze sculpture consisting of just six rectangular shapes and a semi-rectangular base, this piece is very simple, and its minimalistic structure is similar to that of Malevich’s Supremacist Composition: Airplane Flying. From a certain angle, the sculpture resembles a figure stumbling and falling over the base, depicting some sort of motion. In this sense, it is similar to Boccioni’s Unique Forms of Continuity in Space, which sought to use air currents to symbolize a moving figure. The simplistic yet abstract nature of Shapiro’s work makes it feel right as home in the Modernist Revolution, despite the fact that Shapiro’s sculpture was made in 1991, more than 70 years after the Modernist Revolution occurred. In addition, Untitled is unlike any other “figure” sculpture we have studied thus far. Just about every major sculpture we have covered resembles some form of a human-like body, whether they be an actual human or a divine figure. Even Unique Forms of Continuity in Space possesses what appear to be legs, a head and a torso. The odd and minimalistic composition of Untitled means that is possesses no definite form resembling a human and could very well be meant to resemble something completely unrelated to human, quite possibly an inanimate object or even something that was not meant to be resembled. It is the only work of its kind present at the sculpture garden, and as such, it carries far more mystery than any other work

The sculpture is made out of bin bags and … it is a very creative way to make ripped bin bags look like fire. Seeing a burning man can make people feel

On Painting by Leon Alberti is, in essence, a book of guidelines for novice painters. Alberti explains that since paintings are meant to represent things that are seen, they need also be approached this way. In his theory, he breaks up the way of painting into three important components circumscription, composition, and the reception of light. Within these three are guidelines for the portrayal of subjects, spaces and emotion.

The fact that the sculpture is a bronze also impacts the meaning of the piece. Not only does the medium help make the piece more structurally stable and prevented it from breaking, but it also creates a more rigid and

The Mantime is captivating and interesting to view. The whole sculptor is made of bronze; which I find very impressive that one can add much details to the work. The sculptor is large in size. But the idea that Geffert try to demonstrate is far beyond my comprehension. For one, this is the first time which I heard of Geffert and see his work. Yet, the idea I take a way from this sculptor is based on the small figures presented.

I wondered so much about how Ward crafted such a sculpture and what materials did he use to make this work of art. I honestly wanted as a decoration for my own

The two works of art that I have chosen to analyze are 1) Jordan Casteel. Miles and JoJo. 2014. Oil on canvas, 54” x 72” and 2) Aaron Fowler. He Was. 2015. Mixed media, 134” x 165” x 108”. The themes that these works of art represent in regards to the exhibit are love, family, and pain. However, they also fall into other thematic categories. The main theme that seems to apply to both “Miles and JoJo” and “He Was” is Human Experience. Additionally, these arts differ in some ways.

Francesco used a style that I really enjoy, it is called pittura di tocco and it is a style known for its small dotting in the art work and it's small but clean brush strokes. It's a style that not many artist can lock down it is very very advanced. He started in venice italy when he was passed down a shop from his father who was deceased and he worked alongside his brother to make and sell hand made paintings. His paintings are beautiful painting like the venetian capriccio which is a landscape painting of the molo towards santa Maria. He was born october 1712 and when his father passed away in the year 1716 and that's when he had the shop passed down to him, he was only 4 when the shop was handed down to him and his brother. He worked with

Richard Serra made his first sculpture out of materials such as fiberglass, rubber, and molten lead. Around 1970s, Serra had shifted his normal activities and stated to work on large scale site specific sculptures. He creates these sculptures that are a lot

     Like African paintings, poetry, and woodcarvings, sculptures tell a tale and immortalize cultures and beliefs. Different artists have different styles (African Arts Information). Materials and styles differ from village to village. Most sculptors use green wood, copper, tin, zinc alloys, bronze, ivory, or terra cotta, a kind of earth ware. Most sculpture figures are believed to contain ancestor’s spirits. Others represent sacred ideas or events (Fetzer 106). Some objects are said to be magical and believed to have magical powers (African Arts). Africans carve figures, make masks, and decorate articles for ceremonies (Fetzer 106).

In the other hand a cleaning duster. If the viewer is standing right in front of the sculpture, her gaze seems to be straightforward. Staring right at the observer. There’s also a sense of motion, as if she is going to step right to you. She might have something to say, her voice might want to be heard. She has a hopeless and overworked look on he face. It’s evident that she has been working hard because of the sweat on her body. Her mouth isn’t open while she works she is silent. The sculpture embodies the working class, the people who endure manual labor to serve the wealthy. It’s a social commentary of how the working class is not heard. These people are the 1%. They are what we call “the other”. These people are usually the victims of marginalization. The sculpture represents the American dream. How you can achieve your goals if you work hard enough. But that isn’t always true. Its part of the system. Generally you are born into the

In these ready-mades there was no artistic intervention such as colour. The ready-mades just existed by themselves. These objects chosen by the artist– not made by the artist own hand – were the result of an intellectual process and thus art. A process that involved minimal amount of interaction between the artist and art and provoke the spectator to participate and