Art Analysis Of Claude Monet's The Sea At Le Havre

On the Bank of the Seine, Bennecourt by the French painter Claude Monet is one of the few great paintings that truly embody Impressionism. On the Bank of the Seine, Bennecourt was painted in 1868 on the Seine River in the Northwestern Portion of France. Created with oil on canvas and standing at thirty-two inches tall by thirty-nine and two-thirds inches wide, this painting depicts Monet’s future wife, Camille Doncieux, gazing across the Seine River at a village not too far off in the distance. The ability this painting has to capture the eye is amazing and unique, and allows you to fully appreciate the Impressionist Art Movement.

Jean-Francois Millet’s Potato Planters is a portrayal of two farmers; more likely husband and wife, planting seeding to grow potatoes during the day on their farm. This art has a lot of emphasis, movement, color, line, light, and depth.

The Harbor of La Rochelle is a 50.5 x 71.8 cm oil on canvas painted by Jean Baptiste Camille Corot in 1851. In this painting, the artist depicted a picturesque scene of the everyday life in a placid harbor city in a sunny warm day. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting. His work simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

Splitting from the tradition, Monet painted the same image several times over, at different times of the day, under changing weather conditions, and rather than finishing them all on the spot, had them taken back to France, sometimes with photographers to refresh the memory of the scenes. This caused some upset, though the quality of his work still had not declined. Exceptionally enough, this piece dates to before his development of cataracts and subsequent removal operations (causing him to see more vivid hues of blue), and the paints are still blended masterfully to give a rendition of fog cover on the riverbanks.

Claude Monet's Grainstack (Sunset) is the painting I chose from the Boston Museum of Fine Arts. Monet was an impressionist painter in France, and did most of his work at his home at Giverny. Impressionism got its name from a painting that Monet painted, Impression Sunrise. Impressionist paintings are put into a category based on characteristics such as light that draws attention to objects, rough textures, and visual pleasure that the viewer receives upon looking at the paintings. Impressionist paintings are art for arts sake and focus on leisure and nature. These paintings are generally the most well known and popular paintings because of their attractive appearance.

The following is an analysis and an interpretation of Autumn on the Seine, Argenteuil. This oil on canvas painting can be found in the High Museum of Art. Claude Monet, the artist of this piece painted this in 1873, right as the Impressionism Movement was beginning. Monet played the important role of one of the founders of the Impressionism Movement with his works like Autumn on the Seine, Argenteuil. Autumn on the Seine, Argenteuil is from a series of paintings that Monet did while in Argenteuil. In the artwork Autumn on the Seine, Argenteuil, the lighting used throughout the painting, brushstroke techniques, perspective, and color all play an important role in the piece, as well as in the Impressionism

Each one contains a subject matter of either urban scenes, landscapes or seashores. A Sunday on La Grande Jatte is his most famous painting and the one that set the stage for his new found techniques. The size of the painting was very much different than that of the smaller paintings of the Impressionists. It was huge for the time, roughly taking up an entire wall, the painting commanded attention from any viewer within the vicinity. The colors of the dots blend together optically by the viewer’s eyes to create a magnificently composed work of art.

The painting is oil on a canvas about 5 feet tall and 7 feet wide. It was painted on canvas because during the 17th century, wooden panels were expensive, hard to transport, and more likely to warp. With canvas, it simply became an act of obtaining a frame and stretching fabric evenly across, making it weigh less and unlikely to warp from humidity. Similarly, oil was used because of its flexible nature. The paints could be made of and used with numerous media with small additions causing great changes to color, viscosity, and texture. Since they dry slower than other paints, it is easier to change the color or texture to suit the needs of the artist and makes it easier to hide brushstrokes. When looking at the painting in person, since oil was used as the medium, the texture was smooth, but also had a rough texture from the fabric of the canvas. Honthorst must have added more paint for every layer to prevent cracks from forming, a technique created before his

The topic I would like to complete my project proposal on would be on Sol LeWitt’s drawings. Sol LeWitt was influenced by the process of Architecture (blue prints and instruction). Growing up with a particular interest for creating and architecture, I found myself admiring and analyzing Sol LeWitt’s artwork. . In addition to my admiration for his influence by architecture, I liked how clean and bold Sol LeWitts artwork is. LeWitt’s early work is described as minimalist for its linear, primary forms. Minimalist art refers to art that is flat or devoid of emotion and is usually rendered using industrial or pre-fabricated materials. Minimalist art took deep root in the American art world and has had a strong influence on art of the past 50 years.

Paintings that have textures that can be smooth and flat or have tooth and be lumpy which can depend on the type of paint or how it is applied the surface of a canvas. In many of Monet’s Impressionism paintings, he uses a dry brush technique and created dabs. In Sunrise, the paint is not blended together instead it is layered, which created a

When entering the room, people crowded around Monet’s pieces, which felt like an honor to see the type and techniques his work has. The colors describe the feeling of an early morning. The painting has a muted palette of blues, greens, and grays. The sunrise is orange and yellow which are surrounded by the clouds and smoke from steamboats. Three boats are shapes and visible while the rest fade into the distance. This painting is an example of plein air or outdoor painting. I also notice that Monet layered the colors so that when I viewed the painting from a far distance I knew what the painting was about however when I looked at it up close I saw brush strokes and

It catches the eye and the colors all blend together to create a peaceful moment of nature. When I look at this work of art I am taken to a beautiful beach off the coast of some little quaint French city. I can almost feel the wind blowing my hair and the sun shining on my face. This Monet makes me feel at peace, content, and happy. It portrays a naturalistic and impressionist style that, while it is not realistic, is able to communicate the beauty and uniqueness of nature, making the piece feel very

Claude Monet was born in Paris in 1840 and would become known as one of France’s famous painters. Monet is often attributed with being the leading figure of the style of impressionism; but this was not always the case. Monet started out his career as a caricaturist, showing great skill. Eventually “Monet began to accompany [Eugène] Boudin as the older artist . . . worked outdoors, . . . this “truthful” painting, Monet later claimed, had determined his path as an artist.” Monet’s goal took off as his popularity grew in the mid 1870s after he switched from figure painting to the landscape impressionist style. William Seitz supports this statement through his quote, “The landscapes Monet painted at Argenteuil between 1872 and 1877 are

Claude-Joseph Vernet made a painting that brings your attention to the foreground. In the front, there is a boat being boarded. Some of the people that are not boarding the boat are standing by the sea. In the sea, some boats are sailing off in the distance. One of the boats in the distance is a large boat that gives the illusion of being three-dimensional. The form gives this illusion because of the reflection in the sea. If you look in the lower-right, you can see the light from the sun illuminating the sky. This light is hidden behind a large mountain that also has a three-dimensional form. There is also lots of texture in the painting. Some texture is seen in the mountains and ground giving a rough look, and some is seen in the sea in the form of ripples. On top of the mountain in the lower-right, there is greenery that has an illusion of being light and feathery. In that mountain, there is an arch that makes the other side visible. In the far distance, you can see a faint

The Large Bathers, 1898-1905 is the largest of Paul Cezanne's pictures and has been cited as an example of his ideal of composition and his restoration of classic monumentality after its lapse during the nineteenth century. Cézanne’s great achievement forced the young Picasso, Matisse, and many other artists to contend with the implications of Cézanne’s art. This essay will discuss how both Matisse’s Bonheur de Vivre (Joy of Life) and Picasso’s Les Demoiselles d’Avignon are considered as inspired by and breaking free of The Large Bathers.