Art And Three Elements Of Art Influence In A Restaurant

Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the

The variety of elements of art and principles of design both establish the center figure as the focus of attention. Both principles and elements guide the audience’s attention towards the main center figure. The assortment of lines, colors, and shapes determine the movement and proportion of this piece, putting emphasis on the center women

This painting depicts a sidewalk café in France at night. There is a doorway to the front left of the painting that is painted blue, and is surrounded by a wall that gleams yellow from the outdoor lights. Attached to the wall, there is a large awning, and it covers the diners and the empty tables that are a part of the café. Above the awning, there are open window shutters

To begin with the analysis, we must look at the general shape of this piece of art is very 2D meaning its flat and it has some well-defined lines. As you look at it you can see that it is not balanced and not proportionate. The subjects are identifiable. There are three people in this piece of work along with a dog. As you look at it you can see a mother and her two children and their family dog. One child is sitting on the dog and the other girl is looking ar her sister while the mother watches them closely. You can clearly see a narrative being portrayed on the canvas because the two girls are looking at one another. The style is realism because their features are not over drawn to exaggerate a body part. The title relates to the piece of art because it’s a picture of a woman and her children. The message is conveyed very clearly and the style is very realistic looking.

The three most significant art principles I found in this painting are the contrast of the light and dark areas, the focal point being his aunt, and the sense of unity conveyed. The contrast of colors shows the natural cast of shadows within an

There is also a mirror placed on the table allowing the viewers to link with space beyond the frame. Also in the far back right of the painting you can see a young man talking to an elderly. The artist created an very old or old-fashioned look by using opposing colors, red and green. “The second half of the fifteenth century in northern Europe saw an expansion of genre

In this painting, two visual elements stand out over all the rest. These elements are that of color and texture. Color in art is an element that has to be phenomenal in order to get recognition and true appreciation from the viewers. In this painting, the colors are rich, vivacious and standout as dark, but bold representations of the uniqueness of it all. The use of brown and yellow and green and grey and white all come together in a harmony of color and unity. As for the texture in the painting, it is that of brisk and roughness that is nature. The sharp edges of the bucks rack and the cold, rough edges of the dead tree show

The portrait is painted onto a black background, giving the total focus to the subject, who is looking directly at the viewer. This particular piece creates a sense of closeness and lends beauty to this particular woman.

Lots of thick and many thin lines that are connected with no division. The outline of objects and people are a lighter tone to represent the shadows. Many curvy lines to show the figures of the women in the room by their strong stands with the pool table waiting for their turns to go. There are many shapes in present but the one that was used the most was the rectangle and circle. I feel as if hatching played a huge role in the drawing just by looking real close at the characters’ clothes and the details on their arms. Nothing in the painting really stood out so they didn’t put the focus on one specific thing, which makes you get an eye full at one time. The use of color ranges from the primary to the secondary colors and that is also low in the saturation as well. The painting is polychromatic because there was a lot of different colors used throughout the painting. It’s hard for me to get a texture feel of this painting because it seems more symbolic than a statement or the people seem more like a documentation of people at a certain time and

The painting “A Bar at the Folies-Bergere” a first modern painting that portrays young woman resting on the marble counter, the girl looks below the blond bangs with distant eyes and serene. Has the neckline adorned with a bouquet of flowers in front of it are bottles of champagne, beer and peppermint schnapps. She is the symbol of his time and the reality of his time reflected on his face. The tones of the picture, cold and creamy, remember rain and inspire melancholy. Through a game of perspective and optics, Manet gets the strange impression that we are also confronted the waitress the picture, as if we were at the Folies-Bergère and we saw that dandy reflecting itself. the result of the distorted logic of the work - is perceived tension.

The painting has human-like figures melting in sickly yellow-green piles. These figures are hanging off railings and tables, with one large pile gathered around a waitress serving drinks. The top third of the painting shows a man preparing drinks behind the bar as two patrons yell at him. This lends the painting a very bottom-heavy apperence. Both the waitress and the bartender are painted in a subdued yellow with exhausted looks on their faces. This painting is showing the audience that this group of people have spoiled each other and become a rotting mess of lewd behavior. That people who weren’t intoxicated wouldn’t be so rude and inappropriate to each other, the figures are pulling other’s shirts and vomiting on each other. However, the wait staff contrasts this, they are shown in almost heavenly way. The bartender is shown in a warmly lit background with bottles that are serene and beautiful looking. Especially when compared to the green figures on the floor, some of which are hanging on to the railing, trying to get to the bar. This could lead the audience to believe that bar and wait staff are considered pure in a room of melting men and

Concerning color, there is a stark contrast between the figure on the painting and the background. More specifically, the figure of the woman is predominantly delineated in white color, especially pale, ashen white, as far her apparel and facial complexion are concerned, while there are also various hues of grey, with respect to her hair and accessory feather. These white and grey shades are vividly contrasted with the prevailing red and crimson hues of the background (viz. the drape, armchair, and table). Moreover, one can detect colors of dark green (jewelry), some beige on the left (pillar), and darker or lighter shades of blue on the right side of the canvas (sky), which all in concert and in addition to the subtle purple hue forming the sun or moon exude a certain dramatic sentiment. Also, there is brown, which often easily segues into gold (viz. books and attire details respectively). The main contrast of colors between white and red would be interpreted as serving the purpose of rendering the figure of the woman, and especially her face, the focal point of the work, despite, paradoxically enough, the lush red shades at the background. Bearing that in mind, the significance of the woman’s face will be enlarged upon later, when discussing aspects of her identity.

Finally, the depiction of figure is perhaps the most interesting and intellectually challenging element in this piece. The figure, while emotionally withdrawn from the viewer, is physically imposing. She is looking down and away from the viewer, as if the isn’t aware that she is being watched. Her mask-like facial features also do little in the way of conveying emotion. Her body, however, is quite different. The dark thick lines shaping her muscles and limbs, the detail in the curls of her hair, the placement of her fingers, and her exposed breast all demand the attention of the viewers’ eye. The bold lines that define her legs, waist, and hip, make her seem intrusively part of our space. The awkward placement of her

In this painting there is a prince sitting on a chair in the dining room. The dining room has a table with food on it and there is a little table with medicine on it. On the floor there is a pair of dice, a book of debts, a full chamber pot, and empty alcohol bottles. Also there is a prince sitting on a chair with a fork in his hand picking food out of his teeth. The prince is overweight and his clothes don’t button.

Obvious from the start is the artist's careful attention to details, illustrated in the richly decorated background and characters' attire. Employing this general density automatically enhances the Virgin's gaze, making it charged with severity, intense. On