Art : Art Beyond A Mirror

The Colossal Statue of King Aspelta appears to be especially influenced by the statue design of Old Kingdom Egypt, despite being a Kushite work from the Nubian region produced between the years of 593 and 568 BC. Due to the larger than life size of Aspelta, the eye is initially drawn to the pectoral and abdominal region of the body. This portion of the statue is especially idealized as the pectorals are toned and the abdomen is similarly muscular. Furthermore, there is no indication of any weakness or fat, which would be typical of the average human being. Even in the absence of the work's title, this makes it evident that subject was in a position of power and wish to be seen as an ideal and powerful portion.The arms are large, yet not well

The universe is created for society to cherish all God’s creations; it could be anything to admiring nature to loving all animals. The expectations for the world are difficult to maintain, so unfortunately, society often leads to major destruction. There is unnecessary homicides, animal cruelty, toxic waste in the rivers and many more heart-wrenching actions that deteriorates the world. As a society, we have to turn a negative into a positive, but firstly, we have to change ourselves before we help others. Michael Jackson’s “Man in the Mirror”, exposes all of the humanity issues and suggests that we should fix the world by recognizing our flaws first. The theme of the song is about self-improvement and imagery, tone and repetition are the poetic devices that are used in the song.

     Sure, some of us have this great confidence within ourselves about looking great, but that does not hold true for everyone. I understand the pain or disgust, or even disappointment one feels when they look in the mirror and say, “I wish I could change this or that about myself”. Although this piece is written about the author’s life, it holds meaning and connects with for many people; one only has to dig deep enough to find one. For me, it was to realize what is important in life can change, adapt and that we must explore our inner selves and find our own path in life.

The revised back side "... is taken up by a finely carved...raised relief showing a king, undoubtedly Narmer, ready to strike down a foe whom he grabs by the hair. This pose would become typical in Ancient Egyptian art. He wears a short skirt, an animal's tail and the crown that at least in later

The poem the Mirror is about beauty standards. She talks about how, as a mirror, she shows exactly what she sees and she tells no lies. The narrator states, “I am not cruel, only truthful.” When the narrator becomes a lake, she can also only show truth and reflection of one’s self. The Mirror represents the truth of who we actually are, even if society has portrayed us as or forced us to be someone else.

The “human form” has changed through art over long periods of time and how each civilization uses their own style to create these pieces is how art gets its depth. I'm going to be talking about one of each sculpture from every major period and explain how each one has its own flavor and own unique style. I will be talking about the Prehistoric period, Egyptian style, Greek style and Roman styles. I also have a list of vocabulary words i will be pointing out in bold to explain how these are used in sculptures.

Similar to most Egyptian art, the figures in the stele are drawn with a twisted perspective – the frontal view of their faces and the profile view of their bodies. This is also seen in the relief of “King Assurnasirpal II Killing Lions.” This twisted perspective was common in most Ancient Egyptian art.

Throughout the years humans have had the tendency to record their daily lives and events. In other words, the art of each era reflects the society and mentality of the civilians. This is why each era has a different way of depicting the human body and how the story they tell is narrated. This research paper will compare between the depiction of the human body in Ancient Egypt and Ancient Greece. Ancient Egypt art was at the start of art history, which was between 3000 BC and 400 AD. The Egyptians wanted to focus more on realism and narrating the story rather than showing the exact details, they wanted everything to be clear and show what was happening in their daily lives rather than show the positions, they didn’t have deficiencies, they were more keen on portraying the whole image. Meanwhile The Ancient Greek art had something equivalent to the Ancient Egyptian art in the cultural part, where they both were obsessed with precision and order. They believed their Gods took human form, that’s why they always had this mentality of portraying the human figure perfectly. They related perfection to the athletic

The statue of King Sahure and a Nome god is an interesting piece of Ancient Egyptian art ( c. 2500 BC ) that shows signs of Ancient Egyptian culture and beliefs. The statue is a small relief sculpture, meaning the sculptural elements are attached to the solid background of the sculpture and appears to be emerging from the material. The piece clearly depicts two figures side by side, one standing on the left and one sitting on the right (facing foreward). The purpose of this piece was probably to depict a certain symbolic interaction between the two characters.

The main purpose of this paper is to describe the visual analysis of the artwork. This paper examines an Egyptian half nude portrait art which is taken from Metropolitan Museum of Art (Fig.1). The statue characterized both male and female seated figure with a Braid hair. In this essay, I will present a complete visual description of this artwork (its preservation, costume and iconography), and then I will compare it to another artwork which is chosen from Textbook that is Akhenaten and his Family (Fig. 2).

This art history analysis will define the themes of wealth and power in an examination of “Khafre Enthroned” (2500 B.C.). This statute defines a high level of artistic skill that reflects the wealth of Pharaoh Khafre in the Old Kingdom. During this era in Egyptian history, Khafre wielded extraordinary wealth to create a statue in the rarified diorite stone used to make this high quality statute. This unique statuary provided a symbol of the power and prestige of Pharaoh Khafre’s leadership at the height of the Old Kingdom. The political and religion-based themes of wealth and power will also be examined in this study of “Khafre Enthroned”, which provide a historical basis for an examination of the statue. Pharaoh Khafre commissioned this statue as a reflection of his political power and great wealth as a symbol of his status in the Afterlife. In essence, an artistic analysis of the themes of wealth and power will define the historical uniqueness of “Khafre Enthroned” (2500 B.C.) in Egyptian Old Kingdom statuary.

This first act as king brought with him a shocking speculation and hostility between his throne and the priesthood of Amun. Inside the temple was an entirely new style of art, which was often described, as “naturalistic” in Akhenaten’s portrayal of the human body. No longer was the Pharaoh portrayed as half animal with the perfect body fitted for the afterlife. Akhenaten and the royal family were shown with long toes, massive hips, extremely long fingers, skinny torso, ample breasts, big buttocks, and an elongated face. This exaggeration of the royal family’s bodies altered classic Egyptian art and became better known as Amarna Art.

Mirror is a poem that is full of imagery, symbols, and riddles. It is straight-forward enough in the first stanza to be able to detect who the speaker is, but riddled enough in the second stanza to require an interpretation of the purpose, that’s what makes this poem so enticing.

When analyzing the artwork one can see the influence of what we now understand to be art form, through the numerous art elements the painting of Queen Nefertari and Isis has. Starting with lines, the artist uses many types of both regular and irregular, to create the hieroglyphics and the shape of the women along with what they wear. The ancient Egyptians liked to have things in order and consistent. We see the proof for this behind their canon of proportions method. In order to make complex figures easier to depict, the traditional style and trademark of ancient Egyptian artworks show everything drawn or carved to be two-dimensional in shape. However, they also wanted to show the aspects they valued the most as a society. As stated in the film How Art Made The World, in the case of the human body ancient Egyptian chose to show each body part from its clearest angel; and as a result of a keeping the figures 2-D, the chest is shown straight on, the face is shown in profile but the eyes were drawn straight on, the arms and hands can be

In the upper band, the shroud, raised to reveal the corpse is an abstract checkerboard-like backdrop, and the funerary couch has only two legs because the artist had no interest in suggesting the depth or representing space," ( Kleiner 94). This is a typical aspect of geometric design. The people, animals, and objects are all two dimensional. The figures are actually made up of very simplified shapes, not meant to be realistic looking. Upon examining one of the people depicted on the vase one may see that the bodies are comprised of only basic shapes. The torso is made of a triangle, while the head is a combination of circles. Even the arms are slender rectangles with triangular hands. The painters were not focused on the realistic aspects, but rather the symbolic representation. In their defense, it is clear to the viewers that the figures are people without the painters having to spend an enormous amount of time on them.