Art: Comparison and Contrast of 19th Century Art Essay

In the first half of the 19th century the processes known as Industrialization and Urbanization started to transform Europe. It affected and changed every aspect of life of every citizen of every European nation. The notorious results of these changes were the horrible living and working conditions of the working class, who made up the majority of the society. Great Britain was involved most profoundly in this Industrial Revolution as it led the way in the development of railroads and factories. We find a lot of documents from that time period describing working conditions in Britain during that era. As a response to those changes created by Industrial Revolution many sought reforms to confront those social problems. Karl Marx was

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

Art is able to transport its viewer through time and connect us as a community. Audiences are able to infer the content and context of the artwork. Art displayed through different mediums and about different topics can share many similarities and draw connections between one another. Exodus, created by Shelby Lechman (2015), uses oil paint on canvas to depict a young boy and father in a train car, leaving their home in Hungary during the time of the Hungarian Revolution (fig.1). Back into the Earth: Creation and the Interpretation of Meaning, created by Tamara Himmelspach (2015) is a series of 11 prints and a physical dress displaying the designer in a jingle dress representing the traditions of the Ojibwa culture

To understand most period and movements in modern art, one must first understand the context in which they occurred. When one looks at the various artistic styles, one will realize how artists react to historical and cultural changes and how artists perceive their relation to society.

9. Would you like a coffin designed by Kane Kwei? If yes, what form might it take?

4. Express themselves through their writing by posing questions, making original claims, and coherently structuring complex ideas;

It is through the use of value that Mr. Bannisters is able to depict such vast space in his paintings. This allows Mr. Bannisters to maximize his actually canvas space in order to bring in finite detail into the foreground of his painting “Landscape (with Hunter)1”, so that the viewer is able to clearly see the hunters clothing and

Bright colors jumping at you asking for attention, images so real viewers can not tell the difference. These are the thoughts that came to my head as I gazed at two works of art by two Mexican artists at MoLAA museum of art . I visited two museums, Bowers Museum of cultural Art in the heart of Southern California and the Museum of Latin American Art in Long Beach for my report unfortunately I only liked the works in MoLAA and will talk about it through out my paper. I will talk about two Mexican artists Rafael Cauduro and David Alfaro Siqueros that caught my eye, and made me want to learn more of them and their approach to art. Siqueiros caught my eye and interest because according to his biography “no

These trees also form a wavy line through their different heights and draw attention to the parts where the trees and lower and cover less of what is behind them. There is also a sense of depth to this painting shown through the layers of snow and rocks to trees, trees to mountains, and mountains to snowy mountains. The scale of blues on this centred mountain (lighter than the rest) also draw in the

Textures can be observed throughout this painting. The texture of the poplar trees are especially predominate, created by a clever color scheme and quick, short, and impulsive brushstrokes.

This is a 2-dimensional painting. It is very soft, and the colors just fade into each other. His use of sfumato lighting is evident, especially, in the face and around the eyes and mouth. Some of the shapes he uses in this portrait consist of oval-shaped for the face, triangle to represent mountains in the background, and circles for the tree tops. The colors used in this painting are naturalistic colors. They are colors that we see in everyday life. The background portrays what real-life landscape looks

What is being represented in this piece is what seems to be the mid day sun shining down, illuminating the forest. The angle that this piece was portrayed was from the level of a human eye. As if someone was walking on a forest trail and looked around, but instead of seeing fare in the distance, tree trunks and leaves block their view. The trees are seen only from the bottom of there trunks, just as if someone was looking strait ahead. How the painting is hanging portrays this as well. It his hanging at a level were an average hight person looks slightly above the middle of the piece than your eye moves downward to see the forest floor.

A wide-spread concept within almost all of the paintings created before the 19th century rebellion were of rich people. Beautiful people were the only ones who would get their portrait painted, and only the activities of the wealthy would be documented.

Modernism is an art movement that is characterized by a deliberate departure from tradition to a more expressive form that distinguishes many styles in the arts and literature of the late nineteenth and twentieth century. Emile Bernard was part of this modern art movement as can be seen in his painting, "Breton Woman and Haystacks", painted around 1888. Impressionists were modern artists who tended to paint outside landscapes and street scenes and were concerned with the effects of light. Bernard was a Post-Impressionist artist who considered Impressionism too casual or too naturalistic, and sought a means of exploring emotion in paint. Bernard's work, "Breton Woman and Haystacks", depicts a woman in

Myself: Portrait- Landscape is one of the most representative painting from the genre “Portrait Landscape” which created by Henri Rousseau himself. In this painting, the artist (Henri Rousseau) first painted his favorite city in the background. In the painting, you can see the Eiffel Tower, the iron bridge crossing the Seine, and the ship along the river with different countries flags which are showing the Henri Rousseau favorite part of the city- Paris, France. In the foreground, the portrait is holding the paintbrush and the mixing palette representing Henri Rousseau himself. As Henri Rousseau is recognized as “Self-Taught” artist who never learns from any Art Academies, the inspirations of him mainly came from the nature around, the illustrations