Art, Dinner, Kisses and Walter.

Fran admired and collected other artist’s work for her home, but also as part of her trove of infinite objects that often made their way into her art. From the mad jumble of countless boxes and bags in her studio came often playful “bricolage” works of beauty, humor and imagination. She taught for many years at the New Jersey Center for the Visual Arts, the Newark Museum and was actively teaching until just weeks before her death last year. An award-winning artist, she exhibited at the Museum of Modern Art, the Smithsonian, Victoria and Albert Museum, and in galleries throughout New Jersey. She began her eight-decade career as a fashion designer before moving into painting, printmaking, found art sculpture, book and paper making, and other multi-media arts. Fran studied art at the American School of Fine Arts, Newark School of Fine Arts, and Fairleigh Dickinson University. The works in this exhibition were generously donated by Fran’s family to The 1978 Maplewood Arts Center. Proceeds from all sales will benefit the center as well as public art in the

In the article “Conditions of Trade,” Michael Baxandall explains that fifteenth-century Italian art is a “deposit” resulting from the commercial interaction between the artist and the purchaser, who he refers to as a client. These works, as such, are “fossils of economic life,” and money, and they play an important role in the history of art. In our current perception of the relationship between the artist and art, “painters paint what they think is best, and then look around for a buyer” . However in the past, especially during the Renaissance period, the customers determined the content and form of paintings, as it was them who commissioned the work before it was created. He states that the artists and clients were interconnected and

The artwork that is my personal favorite is Ethel Long by Arthur Byron Phillips. This painting in tempera was made on hardboard in 1966 or 1967. Phillips successfully captures the beauty of the older woman through the use of light and the contrast of colors.

1985 (Figure 2) first appeared in 1985 plastered on billboards around New York City. The piece is illustrated in monochrome colours so to not distract viewers from the meaning of the poster. The harsh contrast in colours between the black writing and white background make the piece stand out and draw the attention of bypassers. Written on the artwork is a list of well-known museums in New York City and beside them is a score of how many women artists have had one-person exhibits there in the past year. The results showed that the Guggenheim, Metropolitan and Whitney museums each had zero, whilst the Modern museum had one. These results are supposed to shock the audience and make gallery curators feel a sense of guilt, that it’s clear the art world don’t appreciate women artists like they do men. Whist they are confronting the public with that truth they are also providing another critical message with this piece. The Guerrilla Girls identified these museums by first name, not out of convenience, but to make a statement, that the only museums to allow women artist some form of respect like male artist do was the ‘modern’ museum. Emphasising the fact that gender discrimination and bias nature in the art world should be in the past, and the only museum that realises and recognises this is the modern one. The poster’s main message challenges the patriarchal world of art and confronts art galleries

It must have been 13 years or so since I have been to the art museum, back in elementary school, on a one of a kind field trip. 13 years is way too long to have been away from the art museum, as my experience this year reminded me that. It was a beautiful, sunny October day, although it felt like July, and it was an even better day to talk a walk through the vast, mesmerizing pieces of art that the museum has to offer. The North Carolina Museum of Art provides an abundance of artwork from various time periods, cultures, and one can find art anywhere from Egyptian, to classical, to modern and contemporary art. The artwork that the museum provides not only displays an abundance of artwork, but

As we know, the result of “Art is” is “Art is” which returned in an ephemeral form at the Studio Museum. All forty photographs are on display on the basement level of the galleries, which are supposedly reserved for pieces in their permanent collection. The room just outside, whether coincidentally or not, is filled with photos of students - reflecting personal memories. How the museum decides to play with this, is by missing them with old-timer photos of Harlem from the

My best friend, Chelsea and I went to the Dallas Museum of Art today. It was a long drive but we had finally got there. When we arrived at the entrance I was immediately entranced with the artwork that was on the concrete wall. It had a blue background with this robot lady shooting out a rainbow with the top half of her body, and a giant red hand that is bringing life to the plants that is in the ground. When we got in to the museum the first thing that I saw was the café. I was curious to what kind of food they sell but we did not go inside because we were on a mission. So, we immediately went over to the information desk to see which art galleries were free and if flash photography was allowed. We left there to take a picture by this marble sculpture of this woman sitting in a dress with her legs crossed. Then we wondered around until we got to the creative gallery. I attempted doing a sketch of the artwork that was displayed, but it just looked an intermediate

A while back my uncle took my brother and me to a trip to the Museum of Contemporary of Art in San Diego. However, on that day, the museum had an event of Mexican heritage artist. I do not remember exactly all the details on that day, but fortunately, I do remember one painting I was able to remember, the “Flower Seller.” At the time, I could not understand why the picture had impact me and was the only one I can remember well. When I was young, I thought the young girl was decorating, but now I doubt she was decorating it. Today, I do not know what the girl is doing anymore. Is she about to carry it? What is in the background? Is she in a market or a field? And why is it that I remember this painting so well?

However, our trip did not last countless hours as I looked over 30 paintings in about twenty five minutes. This was not due to my lack of interest, but more to my novice mindset towards art. Art is similar to most skill activities in that people that are active in said activity can better understand and articulate the small actions that lead to a great piece of art, a great football play, or a great movie. I am embarrassed to say that I did not pay close enough attention to the intricacies of my dad's art, but I accepted to write these articles in hopes I could learn more about my dad's favorite past time.

Art by its nature is a subject of the philosophical, social, economic, political or religious context surrounding its creator. More often than not, a work of art addresses a specific topic or somewhat revolves around a particular person. Therefore, it is impossible to separate the context of a piece of painting, either historical or cultural, to its intrinsic value or the artwork's meaning. On the other hand, different cultures and time utilized specific conventions that govern the representation of objects of creativity. This essay highlights various pieces of art and their relationship to particular cultural, political, economic, or social settings. Moreover, it pinpoints how different times influence art presentation.

On Thursday March 22nd, I visited the Laguna Art Museum with my boyfriend. I was very excited for this assignment because I am a member at the Laguna art museum, but didn’t yet see the new exhibit for this season. The Laguna Art Museum is small and therefore, usually runs exhibits on one artist at the time. I knew I would more than likely only be able to pick art pieces from one artist. At this time, they were displaying a local artist, Tony DeLap, and work from his collection titled, “Retrospective”. My expectation was that I probably wouldn’t enjoy his work too much. I knew DeLap was a minimalist, “op artist”, and that style of work isn’t my favorite, typically I enjoy realist paintings. However, I decided that I should try and analyze art

This past Friday, I attended an art exhibition at the Memphis College of Art where I saw great paintings from Meghann Riepenhoff, along with Tim Andrews. The show consisted of both their paintings in separate sections, they were the only two artist. Personally, I’d say the show combined did not have a theme, but as separate it did. When I first stepped in the building, I was welcomed by greeters, the event coordinator and Riepenhoff’s paintings. Her painting’s made me think the overall event theme was about the beach and waves, but that was not the case. While I continued walking and observing the painting’s I was greeted into Mr. Andrews’s exhibit, which consisted of self-portraits. Both artist having paintings placed in the same space didn’t take away from one another’s paintings.

Exit Through the Gift Shop is critical of how our culture values and judges artwork because of the degree to which expectations and others’ beliefs manipulate our interpretations of reality. The documentary demonstrates this phenomenon concerning art, but it also applies to all subjective experiences. Through Thierry’s opening gallery Life is Beautiful, Exit Through the Gift Shop shows how expectations and conformity manipulate our experiences.

Cynthia Saltzman, a former Forbes and Wall Street Journal reporter, investigates the history of the famous Vincent van Gogh’s work Portrait of Dr. Gachet by telling a century-long story of this single masterpiece's journey. Instead of focusing on the van Gogh’s background and the painting itself, Saltzman meticulously provides a case study of how the modern art market developed and how the forces of money, politics and taste can ensure that genius will out. From 1890 to 1990, the painting was taken from van Gogh's easel and valued as “an obscure object worth at most a few hundred francs” at beginning. It then was hung in private homes and world-famous museums, and traveled to Copenhagen, Frankfurt, Amsterdam and New York with 13 different owners.

After getting over my initial reluctance, I got butterflies in my stomach. This was only the 2nd time I’d been to an art museum, so I wanted to make the most of it. When we first arrived, we looked around at some paintings. I visited an exclusive temporary exhibit of Edvard Munch which included a surprising amount of paintings of naked women. Nothing caught my eye in the first few galleries, but then I stumbled on an exhibit called “In Character” by Nam June Paik. As soon as I walked in, I got embarrassingly excited. I constantly had to stop myself from running around the museum like a madman. All the TV sculptures and simple, childlike drawings had been just so incredible to me. The piece that I really enjoyed the most was a sculpture called “Self-Portrait.”