Essay on Art History

always been known for the risky and powerful movements which are often why dancers retire from the company. The dancer’s movements were often very intense and emotive, such as the “throws” across the stage in which the dancers would, almost violently, launch themselves across the stage in different forms (leaps, falls and flips to name a few). Another section where the movements were emotive is where the dancers were thrusting their hips in different positions to perhaps show sexuality in “self”.

A primary objective in measuring productivity is to improve operations either by using fewer inputs to produce the same output, or to produce:

The dance is recognized as the only space of coexistence between men and women. A symbolic representation of the relationship between the sexes where their communication compasses their feet, body and arms. The world was danzon, the dance, not the desire to walk with men. It is consistently recognized that the three activities that devotes her life in Mexico City are totally full of guidelines and rules. Julia’s movements follow a pre-established routine, and danzon, like dancing, is the best example of this pre-established order - the discipline and the inability to improvise. It is a dance, like most, where women must go with your partner, where Carmelo puts his hand on her waist and Julia follows his lead.

The male dancer only wore pants and bared his upper body. This simple costume design not only made the people who watch the dance to have a clear vision of the dancer, but also better presented a predicament that the character was experiencing at that time. At the first half of the dance, the dancer would leave at least one part of his body on the bench, and tried hard to reach other parts of his body away. This muscular interplay between the dancer and the bench resonated with the audience to experiencing the same struggle feelings as the character. As the performance developed, the dancer started to leave the bench to fully use the space. The dancer had many different movements comparing with sitting on the bench previously. He started to lie down, roll over, stand on the bench and make a turn use only one foot. The level of the dance was no longer limited in the middle but changing from low to high as well. Having such a change, the dancer is converting a more delight and energetic feeling to the audience, in order to demonstrated that the character was recovered through the

Edgar Degas’ Little Dancer Aged Fourteen is a symbol for all little girls with dreams bigger than themselves. The Little Dancer is a statue of a young girl made from all natural materials, created by the artist Edgar Degas. The Little Dancer has a small head with small features; Degas was not trying to emphasize her face, but her minute features display an expression of hope, almost jovial in a way. The air of her expression conveys the quiet discipline of a dancer and therefore her passion and love for ballet. The legs of the dancer are long compared to her torso, turned out, as a dancers always are. This turnout becomes natural after working strenuously every single day, trying to perfect the dancer’s art; standing parallel feels abnormal.

The third piece, “Danza del trigo” and “Danza final” from the ballet Estancia, by Alberto Ginastera created quite a few pictures in imagination. What started as a soft and

Case Study: The use of assemblage and the found object in historical and contemporary art practice.

Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to

9. Would you like a coffin designed by Kane Kwei? If yes, what form might it take?

4. Express themselves through their writing by posing questions, making original claims, and coherently structuring complex ideas;

According to the website Biography, “Mexican-born dancer and choreographer José Limón is recognized as an important figure in the American modern dance movement of the 1930s-1960s” (Biography). Jose Limon is one of the Ballet dancer sand choreographers in the 1930s. Even though he is considered to be a Ballet dancer, Limon is well-known for performing and choreographing a great amount of Modern Dance piece. Jose Limon is significant to me because he is the first Modern Dance choreographer I know, and his representative work “the Moor’s Pavane” impressed me the most due to the plots and the expressive movements in this piece. After watching the video “the Moor’s Pavane,” it raised my interest on Jose Limon; it also motivated me to do a deeper research on the information about Modern Dance. Jose Limon, one of the pioneers of Modern Dance, his Limon Technique has brought a significant contribution to the field of Modern Dance in the 20th century.

Edgar Degas once stated, “A painting requires a little mystery, some vagueness, and some fantasy. When you always make your meaning perfectly plain you end up boring people” (Frank). Degas style of painting reflects this quotation from him. He keeps a yearning within the audience to understand the true meaning of his paintings. The mystery of his paintings is part of the reason that he is popular. This paper will discuss the painting The Interior, and why it fits the mystery of Degas.

Edgar Degas created hundreds of paintings which captured the harsh realities of 19th-century dancers’ lives and depends on his fascination with how ballet dancer’s bodies react when they dance. Degas focused on the movement of the ballerinas across the space and

Choreography refers to the art of designing dance moves to fit a given musical best. Mainly, it involves ordering sequences of body movements lain over the period of a song, often for ballet or staged dances (Sita 6). There are numerous choreographies created over the years, and the courses therein vary, depending on the tempo and mood of the songs, which in turn are informed by the genre of music in the play. In this regard, the essay seeks to offer an in-depth investigation of a The Sleeping Beauty, which is a piece of choreography replicated over the years. In its entirety, the theme shall detail a brief history of the choreography, its performances, facts, comparisons, and contrasts, as well as opinions about the originality and replication of the same.

Girl before a Mirror, an oil on canvas painting by Spanish artist Pablo Picasso, shows two sides of a girl; one which is illustrated with a dark tone and one with a vibrant colorful tone. This painting is bright; colors are at full intensity and are arranged next to their complements, producing a visual relationship between shape and form. Forms are used to draw the viewer’s eye across the canvas where circular shapes, repeating throughout the work, are compensated by the pattern of diagonal lines of the background. The viewer observes the girl’s profile and full frontal image, looking into a mirror and noticing a different image of herself. In order to achieve this effect, Picasso uses a range of formal elements that highlight the