Art In The Bible Summary

We are also shown how these different forms of art change over time and how different cultures have adopted them and used them as their own form of art to express emotion, love, creativity, and passion. This book teaches us how art is viewed in different ways by the church and was very informative for me to obtain a better and deeper understanding of art and how the churches valued it.

Art and the Bible, written by Francis A. Schaefer, is a short, simple to the point book regarding how a Christian should approach art. The book is divided into two sections. Section one is title Art in the Bible and section two is titled Some Perspectives on Art.

To be able to understand the symbols and rituals that the Israelites did in the tabernacle, a knowledge of the tabernacle’s history, and specific instructions must be understood. In Mariuce Schmidt’s book, The Tabernacle of Exodus as a Work of Art: An Aesthetic of Monotheism, Schmidt states, “For nearly

In her text, Armstrong continuously analyzes the similarity between religion and art. In fact, she initially starts her chapter with an in depth discussion of images painted in an underground labyrinth dated back from 30,000 BCE. She talks about paintings of different animals, such as an ox, deer, and a jumping cow, that must have had some religious meaning to the

God gave instruction on how to build the tabernacle to Moses first, which gave the commands to the Israelites. He told Moses, “…make a sanctuary, and I will dwell among them.” (Exodus 25:8). Seven pieces of furniture sit in the Tabernacle. Each piece of furniture symbolizes the Lord Jesus Christ in this way:

Later Jeremiah stumbles on a similar scene of a bar that contains “men and women, all dark skin, of hair, of eye, like Jeremiah, all drunk and senseless, unlike Jeremiah.” (105). Peering into these “oozing” “filthy” (105) doorways he is reminded of the “great chart with tunnels and caves and forbidden pleasures” (105). The work of art that was viewed at a young age educated him on cultural stereotypes. Jeremiah made the association with people of color and hell that continued into adolescence. This association went far enough that as Jeremiah passed that bar he looked for the “horned creatures” (105) inside. This is a specific example that demonstrates that art can function as an educational tool. A less concert extension of this is “The Hell Hotel” (130). This image continues to associate native people with “madness [and] drinkers” (130). Again Jeremiah learned at a young age, though art, a cultural association. This image not only has the “B apparently dammed to H by mechanical malfunction” (130) but also has the First Nations people dammed to Hell from a yearly association of art. In The Kiss of the Fur Queen a significant piece of art that was used as a teaching tool was the poster of heaven and hell. This art intentionally taught about Theology and inadvertently embedded damaging cultural associations towards Native Peoples.

from the true story and emphasized the faith they have for God. “Protestant art focused on humble depictions of biblical scenes and moralistic depictions of contemporary everyday

This book is based on Christianity and how the religion was viewed through images. The text has an ere of concepts that ties in the concepts of Christians to the beginning of the start of Christianity. The purpose of this book is to show the readers the difference between how Christian art was represented and how other art was portrayed. I will be giving an overview of what Christianity represents and the art work that it includes.

God does not hold Himself distant from His creation, but He embraces it; He walks with it. He engages with that which He created. The story of Creation shows that the author of it all is personal, intimate, and cares about what He created. Act one gives us a glimpse of how the world was supposed to be; a beautiful, intimate, God –in –the –midst life of perfect satisfaction with the absence of sin. However, this all crumbled in Act two when Adam and Eve decided to disobey God and take their lives into

Understanding art is often thought of as being an unreachable goal, but art should not be considered arbitrary because it influences the cultures and societies around us. The purpose of this paper is to define and also establish my opinions on Pensacola Christian College’s (PCC) definition of art, the bibliosophy of art, and Dr. Francis Schaeffer’s criteria for art. These topics are useful for artists as well as anyone else critiquing art, and can also serve as guidelines and standards for an artist when they create art.

In Sandra McCracken’s album, The Builder and The Architect shed light on how God not only designed our human lives as an architect but also, labored as the builder to form us. God is the designer and he walks with us in our trials. In this album, it exemplifies God’s power.

Macdonald, (2010) suggested that the bible is a cultural work of art because it is used in storytelling, preaching, drama and visual posters. The bible tells God’s story in how he created the world, the fall, redemption and the new creation. The bible has a sequence of events, songs, proverbs, prophetic books, writing of wisdom and letters. In the bible there is a comparison between connecting scripture and constructing culture. It is able to change one’s life and one’s culture because

Just as it’s human nature to believe in something larger or more powerful than oneself, it is also human nature to express that divinity through art, this is proven time and time again in human history. Picturing the divine is a type of testimony to show a cultures greatness. The painting Arhats Giving Alms to Beggars comes from the Chinese culture of the Southern Song period. Whereas, the mosaic Christ as Pantocrator comes from the Byzantine culture of the Greek Orthodox tradition. Although these paintings come from very different backgrounds both cultures show the divine and their pressure on mankind to follow the rules, such as giving away worldly desires. By doing so and letting go of material possessions, mankind can be hopeful of

Vivid images, from visions, to detailed explanation and accounts of places and events, to symbolic imagery used to explain parables, or teach and encourage the first century churches are driving forces within the Biblical text. Metaphorical language, by virtue of the fact that it preserves the literal meaning of the symbol, while intending an analogical secondary meaning, is able to communicate profound truths about reality, mainly by creating an alternative, symbolic way of seeing and understanding the world. (Liubinskas, Susann. 404) Throughout the New Testament of the Bible the most commonly used images are the: body of Christ, and vine imagery. These images work together to create a powerful example of the necessity for unity among individual believers, and that unity tying them Christ.

For over two thousand years, various philosophers have questioned the influence of art in our society. They have used abstract reasoning, human emotions, and logic to go beyond this world in the search for answers about arts' existence. For philosophers, art was not viewed for its own beauty, but rather for the question of how art and artists can help make our society more stable for the next generation. Plato, a Greek philosopher who lived during 420-348 B.C. in Athens, and Aristotle, Plato’s student who argued against his beliefs, have no exceptions to the steps they had to take in order to understand the purpose of art and artists. Though these two philosophers made marvelous discoveries about the existence of art, artists, and