Analysis Of Expressing Emotion By Clive Bell

Art is a way for humans to express creativity and imagination in various mediums of work. Art can come in the forms but are not limited to paintings, sculptures, architecture, statues, dramas, plays, music, and dance. To me, art is something that causes the person observing the artwork to feel a certain emotion such as pain, love, fear, or sadness. A great piece of artwork can make the viewer almost feel like they can replace themselves with those involved in the medium and feel the exact emotion as those in the piece feel. An example of this would be viewing the play Cyrano de Burgerac, where the playwright or artist of the play makes it possible for the viewers’ hearts to break as Roxane tells Cyrano how great the words of

The world would be nothing without art. Art is another way of expressing your feelings. In Anna Deavere Smith’s excerpt From Letters to a Young Artist, she argues that to create great art, an artist needs both knowledge and empathy.

To categorize art by such vague criteria as expression and form would be difficult if it were not for the several prevailing theories presented by Tolstoy and Bell. According to Tolstoy’s theory of expression, something is art only if it successfully does the following. First, it must have been created with the intention of being art and revealed to an audience through a publicly accessible medium, even if the audience is a single individual. These mediums must be physical things such as shapes, actions, or words in order to be available to its viewers. Second, the medium of art must be an individualized work that has not been replicated or mass-produced. Third, he believes that the art must convey the feeling or emotion that the artist experienced while producing the art. This emotion must also be evoked within the audience. Lastly, the work must require self-mediation or clarification in order to be interpreted by said audience as art. As a result, a work is not required to be about something in order to be art.

Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to

     Art, in each and every form that it comes in, shows us who we are. Our

The idea of art being a unique interpretation of what an artist’s feels towards a particular thing has always been a given when talking about art. However, where is the line drawn on what art truly is and what it means to its audience? To do this, the idea of what art means must be applied to the idea of what art is. In Dorothy Allison’s This is Our World, the author touches on points of what art is and what it means to its viewers. These points and supporting stories point to the idea that art is subjective, personal, and provocative. This allows Allison to draw her conclusion that arts purpose is to depict the deeper meaning into situations and incidents that occur in our world. In Dorothy Allison’s journal, one can see how the author effectively conveys the ideas of art being personal and subjective, but fails at detailing how art can be subjective.

Understanding art is often thought of as being an unreachable goal, but art should not be considered arbitrary because it influences the cultures and societies around us. The purpose of this paper is to define and also establish my opinions on Pensacola Christian College’s (PCC) definition of art, the bibliosophy of art, and Dr. Francis Schaeffer’s criteria for art. These topics are useful for artists as well as anyone else critiquing art, and can also serve as guidelines and standards for an artist when they create art.

Critic Melody Monahan writes that “[Renée] connects this concept of art to the human search for consonance amid dissonance. Like true connection that occurs when people set aside their assumptions, art delivers a universal purity that rises above particular human pretense and conflict,”

Just as other works that reflect art, pieces in the category of fine arts serve the important message of passing certain messages or portraying a special feeling towards a particular person, function or activity. At times due to the nature of a particular work, it can become so valuable that its viewers cannot place a price on it. It is not the nature or texture of an art that qualifies it, but the appreciation by those who look at it (Lewis & Lewis, 2008).

The most important trait in defining art is its beauty. As complex as the term “art” can be, the term “beauty” is nearly just as complicated. In order to understand art more clearly it is important to understand beauty. “We label an object beautiful because it promotes an internal harmony or ‘free play’ of our mental faculties; we call something ‘beautiful’ when it elicits this pleasure.” (Freeland 8). As defined above, beauty is not a direct message. It is something that subconsciously allows man to feel good and pleasurable. There is “an internal harmony” when we observe something beautiful that allows us to take away a deeper understanding of a work of art regardless of it being “nice looking” or “ugly”.

A work of art can capture a moment in a person’s life. When observing art it’s almost like a snapshot of a brief point in time. The artist tries to create this specific point, and within this creates a story or meaning. The art has something to say and the artist wants you to react or take something away from this experience. The reaction is the function of the specific work of art. Whether it’s a favorable or awful reaction, the viewer still walks away changed.

that is constantly being used through out the book. The idea of art is prominent to the reader.

The usefulness of art is a topic that many choose to disagree upon, and those that do, most commonly state 'art for art's sake' as the biggest opposition to art's practicality. However this is a misunderstanding of art and can be considered hypocritical coming from writers, as it begs the question of whether or not beauty is useful.

I think that the end result is truthfulness. Every artist must be sincere and truthful if he wants to be a great and true artist over and over again art is predictable to request and bond with human being feelings. Art can awaken aesthetic or ethical feelings. The amount of skillfulness that the artist has will influence over the capability they have so they can to generate an emotional response and by this means make available new insights. Art tends to smooth the progress of spontaneous slightly than coherent thoughtfulness, and frequently it is knowingly shaped with this purpose. Art calculatedly serves no other function. As a result of this forward motion, works of art are hard to pin down, refractive to attempts at arrangement, for the reason that they can be respected in more than one way, and are often vulnerable to many dissimilar interpretations. Even art that to every appearance depicts a commonplace proceedings or items may encourage manifestation upon prominent themes. Conventionally, the uppermost achievements of art make obvious a high intensity of ability or fluency within a medium. This characteristic might be considered a point of contention, since many contemporary artists (particularly, theoretical artists) do not themselves produce the moving parts they envisage, or do not even produce the labor in a straight, affectionate wisdom. Art has a capacity of transforming: predominantly confers

Some forms of art hold a certain form of purpose. Fine arts hold a communication of ideas as its purpose. For example, Music and Theater usually project a particular message for the audience to adhere to. It can have everything to do with politics or display awareness for a specific cause. In Edward Bullough’s “'Psychical Distance’ as a Factor in Art and an Aesthetic Principle,” his essay published in the British Journal of psychology in 1912, on how people usually would distant themselves from ordinary involvement in art; paying no mind to what is surrounding us on whether something is consider "art" or worth worrying about. Kant's theory differs, continues to say the we are barely able to avoid recognizing something that is art.