Art Nouveau Research Paper

As I walked through the museum examining the paintings and sculptures from one of the world’s most famous artists, This particular painting of a sleeping Gypsy caught my attention in the museum. This stunning piece of artwork is a fantastic and deeply mysterious work which gave me the feeling of love at first sight. It has a mixture of combined strange imagination with a way of seeing and it depicts as magical. According to the American Artist and Writer, Mordicai Gerstein, “This is an analytical art which is achieved by the artist through the structure color and nature of the painting.Henri Rousseau's painting "The Sleeping Gypsy" has a mysterious charm all its own”. It is a disciplined and also a complex art at the same time due to the multitude of textures and colors. The brushstroke creates a smooth and texture look as you zoom in to the top part where the moon is painted. The Gypsy’s brightly colored striped robe enhances the beauty of the scene due to the rich colors, rhyming shapes and forms. This art can be best

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

The 1920s were a time of great prosperity and revitalization. This decade gave way to many great social milestones for every class of people. From the limits for immigration to the boom of the auto industry American society was drastically altered. Issues such as foreign immigration,prohibition, the Ku Klux Klan ,evolution, women’s roles, and race were the focus of the populus and drove politics within the nation. Art played a major role in how the black community expressed their new found sense of culture. Painting has always been a way for someone to portrait their ideas.

Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to

The shift from Realism to Impressionism in the 19th century represented not only a change in form, but it also represented a shift in ideology. As one of our module videos notes, rather than focusing on accuracy and clarity, Impressionism emphasized “what the mind and the eye sees” and the “impression of light and color.” We will briefly discuss how the differences in the approaches of the Realists and the Impressionists had interesting implications for arts and how these ideologies can be applied to the ways in which believers and unbelievers interpret art.

These clear, slick, and streamlined creations emphasize the parallel of natural beauty—industrial beauty, the magnificence of efficient, high functioning modernist art. Its element lies in prosperous mass production in the ageless advancing industry focused on efficiency, emphasizing and harmonizing with the repetitive drive for achievement displayed by Douglas. The combination of his juxtaposition with Gorges du Loup provides conceptual progression from the imagery of nature to the artistic appeal of mass production, adding sense in subtle connections in an exhibit riddled with countless different

The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.

Which is more important color or drawing? These two have always been fought over for centuries by Poussiniste and Rubenistes. Two great pieces of art that were created in the 1600’s are Peter Paul Rubens’ The Caledonian Boar Hunt and Nicolas Poussin’s Landscape with Calm. While Rubens argues that color is the most important part of the painting Poussin argues that the drawing is more important. In the paragraphs below I will talk about the paintings each individually and then compare them.

The artwork during this time was influenced by Art Nouveau which included “curvilinear shapes, illegible hand-drawn type, and intense optical color vibration inspired by the pop art movement” (Psychedelic 60s). Pieces included abstracts swirls, intense colors, and bending

The art piece that I chose to critique is the sculpture of a figure kneeling down and getting shocked. It is located on campus near the Morris University Center(muc). When I first saw this sculpture it caught my attention immediately, because of how gruesome the piece was. I feel like I don’t have a good understanding of what the sculpture represents, but it seems like it would raise plenty of controversy, due to its erotic features. It seems like the artist was venting his emotions when he created his idea. The sculpture is fairly large in size, which makes it noticeable, among the other art pieces on campus. The sculpture media consist of wood and concrete, and metal mostly. The individual is keeling down toward the west and is supported

An art movement inspired by nature, it’s vital force and never changing life cycle of birth, life, decay and death. The Art Nouveau became fashionable from about 1890 to the first world war. This aesthetic new art movement was concerned as new, hence it was named as “new art” – the Art Nouveau. It was also highly influenced by the Japonism, given a major boost in France, Paris and eventually spread across world. [1]

The art world has been host to a vast menagerie of talent, intellect, and creativity for about as long as human culture has existed. It has grown, developed, and changed just as humanity has. Naturally, with such an impressively expansive history, various avenues of art are visited time and time again by new artists. Artists seek not only to bring their own personal flavor and meaning to timeless concepts, but to find new ways to approach them. While not every single creator and craftsman can make such a great impact on art or the world, their efforts have given birth to some truly magnificent and unique works. In an effort to create a more meaningful understanding, as well a deeper appreciation, of the nuances, techniques, and design choices employed in these attempts, a comparison will be made between Edouard Vuillard’s Interior With a Screen (1909-1910) and Henri Matisse’s Blue Nude (Souvenir of Biskra) (1907). In this essay, each artist’s approach to the subject of the female nude will be closely analyzed, compared, and contrasted, as will their styles of painting, handling of visual elements, and their use of the principles of design. An interpretation of each work and what the artist intended when creating it will also be provided.

Modernism is an art movement that is characterized by a deliberate departure from tradition to a more expressive form that distinguishes many styles in the arts and literature of the late nineteenth and twentieth century. Emile Bernard was part of this modern art movement as can be seen in his painting, "Breton Woman and Haystacks", painted around 1888. Impressionists were modern artists who tended to paint outside landscapes and street scenes and were concerned with the effects of light. Bernard was a Post-Impressionist artist who considered Impressionism too casual or too naturalistic, and sought a means of exploring emotion in paint. Bernard's work, "Breton Woman and Haystacks", depicts a woman in

“Painting today is pure intuition and luck and taking advantage of what happens when you splash the stuff down. “- Francis Bacon. However when I learnt more about history of art and the way each movement and happenings in the world inspired artist to make new works, I was able to see much more than just a canvas with random paints and sketches. The interesting part about this concept is that each piece of art could be interpreted in many different ways. In contemporary art there isn’t right and wrong, each of us view and find different meanings and connections with artworks.

of art as a finished product, signed by the artist and authenticated by the art market,