Art Of The Renaissance Art

The Renaissance occurred in Europe between 1400 and 1600. This event began in Italy during the Medieval period and then expanded to the rest of Europe, marking the start of the Modern age. The Renaissance began in Florence Italy in the 14th century. It was a cultural movement that had an enormous impact in Europe during the early modern period. The Renaissance’s influenced politics, science, literature, art, philosophy, religion, music, and other aspects. Around the 13th century in Italy started the Renaissance’s art influence. Leonardo da Vinci, was known as the "Renaissance man," because of his art masterpieces and his studies in other fields during this time. Italy wasn’t a political concept in the

Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works that were influenced by the greats? These artists hold just as much importance in the history of art as do the artist’s whose names can be recalled off the top of an average person’s head. During the sixteenth century things began to change in the art world, and that change was the Baroque. This new style of art brought a revolution to how subject matter was painted, it brought upon “… a radical reconsideration of art and its purposes…” (249) and how artists of all ranks could learn to paint the up and coming style of Baroque.

Raphael Sanzio or Raffaello was an Italian master painter and architect of the Florentine school in High Renaissance, celebrated for the perfection and grace of his paintings. He was also called Raffaello Sanzio, Raffaello Santi, Raffaello da Urbino or Rafael Sanzio da Urbino. He moved to Florence at the age of 20, where he was exposed to Leonardo da Vinci, "whom he never ceased to admire as a mentor and father figure", and to Michelangelo. Raphael learned from both men, but while he made use of their exploration of human anatomy, he added sentiment to his paintings.He was commissioned by Julius II to paint some of the rooms at his palace at the Vatican. This marked a turning point, and he was only twenty-five years old. He remained almost exclusively in the service of Julius and his successor Leo X. He painted "a series of frescoes in the papal apartments" as well as those of the "Stanza della Segnatura, which include his vast School of Athens."

Raffaello Sanzio, known as Raphael, was an Italian painter and architect born in the mountain town of Urbino. In his early years, Raphael was trained by his father Giovanni Santi, a court painter and versifier, allowing him to gain a wide education in the arts, literature, and social skills. This enabled Raphael to move easily amongst the higher circles of court society and this helped him gain recognition. “His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.” (Raphael Biography)

Rafaello Sanzio da Urbino or as many people know him, “Raphael” was a famous artist during the time of the renaissance. Raphael was born on April 6, 1483 in Urbino, Italy. Adding on to him being as artist and painter during the Italian Renaissance Raphael was also an architect during this time. He designed many building for the high renaissance. Giovanni Santi who was Raphael’s father was a painter for the Duke of Urbino, Federigo da Montefeltro. Due to his great talent Santi taught Raphael basic painting techniques at a very young age and showed him the principles of humanistic philosophy, at the court of the Duke of Urbino. At the young age of 8 in 1491 Raphael’s mother, Mågia,

One of the greatest stories from the Italian Renaissance is the one of Fillipo Brunelleschi and Lorenzo Ghiberti. In 1401, the directors of the art of the Santa Maria del Fiore Cathedral held a contest for artists; to create panels for a the doors on the east entrance (Kleiner, 560-2). Because the east doors faced the cathedral, the people thought it extremely prestigious to be able to participate in such a massive creation. After the first competition round, two finalists remained; Brunelleschi, an accomplished and experienced artist, and Ghiberti, a younger artist, but one with just as much talent. The two competitors were required to create a panel (or square) of Abraham readying to sacrifice Issac. Before reading which was which,

Raffaello Sanzio DA Urbino was born in Urbino, Italy on April 6, 1483. Urbino used to be a culture center that encouraged arts. Raphael was a leading figure of high Italian renaissance classicism. Raphael was best known for his “Madonnas” which included the Sistine Madonnas. In 1504 Raphael became Perugino's apprentice.

Raffaello Sanzio da Urbino, otherwise known as Raphael Sanzio of Urbino, was born on April 6, 1483 in Urbino, Italy. When he was young, his father, Giovanni Santi, was his role model, being a painter for Federigo da Moantefeltro, the Duke of Umbria. When he was eleven years old, Giovanni died and Raphael took up his father’s jobs of painting and managing the workshop. When he was only 17, Pietro Vannunci, better known as Perugino, offered him a job as apprentice. Raphael agreed and was excited to gain both knowledge and a hand-on experience. In the four years that the apprenticeship lasted, Raphael painted many religious works including: the Mond Crucifixion (c. 1502), The Three Graces (c. 1503), The Knight’s Dream (1504), and the Marriage of the Virgin (finished in 1504).

Leonardo di ser Piero da Vinci, better known as Leonardo da Vinci, was a Florentine artist and is probably one of the most recognized artists of the Renaissance. Two of his well-known works include the Mona Lisa and The Last Supper ("Leonardo

The Renaissance and the Middle Ages were both times of perseverance and change. Each time period helped to create myriad aspects of modern day civilization, as many ideals and inventions spurred from these periods. It has been debated by many whether or not the Renaissance and the Middle Age are significantly different. However, with the Renaissance came evolutionary developments in art, education, social classes, and politics. Therefore, the Renaissance can be described as being distinctly different than the Middle Ages.

At our schools and in our libraries, there are many Renaissance Art's and books. Many from the plays of Shakespeare. One example could be the story of "Romeo and Juliet." William Shakespeare is known throughout the world for this story. He was known for his literature and plays. Another man with the name of Francis Petrarch became a famous scholar wrote a book "My Secret Book." This is an example because it could be found in a library and he was the one to write in the Italian vernacular. He would climb Mont Ventoux in his free time just for pleasure and peace. Many architecture and buildings are very important in todays world because much is a form of some history. Also, In the eighth grade I visited Washington DC which is where congress met.

Raffaello Sanzio da Urbino, known as Raphael, has known art all of his life. His father, Giovanni Santi, was a painter for the Duke of Urbino, Federigo da Montefeltro. After his death, in 1494, Raphael took over his father's workshop and surpassed the painting skills that Giovanni. In 1500, when Raphael was about seventeen, he became an apprentice to Perugino. This apprenticeship only lasted about four years once Raphael quickly gained all the knowledge and experience that Perugino had to offer, and was able to quickly morph those techniques into his own style. Raphael was a man who always had a great eye for great art. In 1504, he left Perugino studio and went in search of the greatest artists that were flourishing their art throughout Italy. Once Raphael discovers where all the greats were located he quickly made his way and quickly learned from their techniques and made them into and personalized them into

During the period of the Renaissance, many prolific artists were commissioned by prominent families and or groups to create works of art to show personal affluence and dedication to a faith or deity. These actions, seemingly harmless, gave rise to much competition between cities, and some more so than others. Such competition was common, especially considering the fact that Italy was not yet a unified country and was divided up into various city states. As the city states were ruled by affluent families, or prominent groups of people such as guilds or church leaders, rivalries often were due to disputes between said groups. Such was the case in Florence and Siena, as their many wars against one another sealed their opposition. To demonstrate this competition between major cities, one must look at works of art in each respective city and how each relates to one another. To do this, one can look at two prominent Maestá paintings commissioned in both Florence and Siena by the same artist.

When the new upper class movement, Renaissance, occurred in Italy around the 14th century, a revival of the classical forms originally developed by the ancient Greeks and Romans, an intensified concern with secular life, and interest in humanism and assertion of the importance of the individual began. Thus, artists such as Mosaccio and Giotto depicted art that unlike the Middle Ages, showed emotions, feelings, and bright colors, thus demonstrating the deep concern for naturalism in the society. Other artists during the Italian Renaissance period such as Giovanni Bellini began to express their art through secular and religious themes and ideas that were exhibited through landscapes and portraits. As new styles of

As the skills of artists progressed during the Renaissance, so did the applications of their work. Artists began combining media to create wholistic themes within a space to evoke specific meanings to those who visited these spaces. This integration of architecture and other artistic media took many different forms all in an effort to capture the the array skills possessed by artist as well as the reputation and story behind those who commissioned the spaces.