Art Quiz 1 Essay

With this incredible gift, Jung Gi is invited all over the world to preform drawing shows rather than the more conventional papering art beforehand and showing it in a gallery, using ink and pen he can create complex and detailed scenes without using a reference and draws them in front of a crowd.

The Egyptian during this time used the coffin to house the dead person’s body, as it was believed that only after

Art is able to evoke different feelings and emotions to each person that sets their eyes on it. The act of ‘looking’ is simple, but a lot comes from it. Where the eyes are first drawn to, the duration that the eyes are focused on a specific detail, and the thoughts that flood one’s brain when viewing art is all significant. These actions say more than the piece itself, it reveals emotions of both the artist and the audience. Art can be expressed through infinite forms, but the underlying importance is not with the art itself. It represents a place in time, displaying what was noteworthy to an individual in their own life. It serves as a lasting creation representative of human imagination with the ability to bring out a multitude of emotions from whoever views it. When art is created it represents the creativity of the human mind compacted into a physical object. Art has little usage aside from pure observation, yet it has prevailed throughout time, showing its importance to humanity. Art provides a lens into humanity, showcasing the human ability over time. When studied through history, art is a view into the development of humans and their interests. Through something as basic as commonly using symmetry to transitioning to asymmetry, the European’s perspective following the Renaissance is revealed. The making of art is solely up to one individual and their creativity. It is the pinnacle of

According to (Goodman, n.d.), If a body is buried in a coffin deep underground, the decomposing process could take up to 50 years compared to bodies that are exposed to elements such as bacteria, water or air, then it will decompose a lot faster and very dramatically. No family member or stakeholder for that matter will donate their decomposed family member to her project for practice.

At first glance, the 17th century paintings of the Baroque period, India, and China may not have much in common, but upon closer inspection there are relationships and divergences to consider beyond the surface. These details can be seen between Bichitr’s Jahangir Preferring a Sufi Shaykh to Kings, Wang Hui’s A Thousand Peaks and Myriad Ravines, and Diego Velázquez’s Las Meninas (The Maids of Honor). While each carries the style of its own location of origin, they all showcase influence and subject matter similarities and differences worth making note of, most specifically the presence of duality in focus within the paintings.

Another great invention that was developed during the Tang Dynasty was gun powder. The creator’s name of gun powder has been lost in history. Gun powder’s development was mostly used to make fireworks. Later in history during the Song Dynasty, gun powder was used to fight off their enemy the Mogols. It has been said that the first warriors to see the flaming arrows flying towards them may have thought it was some kind of fearsome magic. Gun powder was such a great advancement in warfare that the Song Dynasty banned the sale of saltpeter (used to make gun powder) so that the other countries would not learn how to make the substance. Since the Song Dynasty banned the sale of saltpeter,

“Day of the Dead is a dear celebration in my family. This is especially true now that we are in the US. We don’t have all the resources to make an authentic alter like

Cai Guo-Qiang, one of China’s most profane artists began exploring the designs of stage art when it came to his drawings and his sculptures. For example, Cai’s use of gunpowder has become center of most of his projects. His love for gunpowder draws upon Eastern philosophy and contemporary social issues. Though his drawings of fireworks signifies Chinese culture, Cai’s ultimate goal is to move past those boundaries and have viewers see the world beyond the typical social culture he lived in. According to a The New York Times article written by Holland Cotter he states that Cai’s art style “has a keen theatrical flair for multimedia spectacle in which history, politics and metaphysics blend.

Mr. Guo-Qiang's medium of choice for this "drawing," titled "Transient Rainbow," is gunpowder. Various grades are employed, each for its own effects, some diluted with a compound called "Realgar," an orangish substance used in traditional Chinese medicine -- appropriate, really, since gunpowder, whose Chinese name means "fire medicine," was devised by an alchemist seeking an elixir to give the emperor eternal life. Rounding out Mr. Guo-Qiang's arsenal are Rice Krispies coated in black powder (talk about Snap, Crackle, Pop!).With each large-scale explosion event, Mr. Guo-Qiang creates accompanying gunpowder drawings.

Taylor once said, “Oh, for eloquence to plead the cause of China, for a pencil dipped in fire to paint

Throughout the world, there are many different types of art pieces which can be compared to each other for their form, technique, style, purpose, or theme. Though some of these pieces might have never influnced each other, it can sill be apparent that they have similar themes that are present. In the Moroccan Horseman Crossing a Ford and Night Attack on the Sanjo Palace, it can be seen that the two have a similar theme for the coming of, or result of war.

Cai Guo-Quiang falls under the category of Romanticism he uses gunpowder, an item normally used to cause destructions, to create his artworks. It is quite unusual to use something so dangerous so close to yourself just for the sake of creating artwork. Quiang did some sculptures of tigers with arrows stuck within them, called Inopportune: Stage Two. Quiang goes to explain that he is quite obsessed with the aesthetics of pain, which is obvious by the numbers of arrows that are used on the tigers within his sculptures. He also had a piece titled Inopportune: Stage one, where a vehicle is flipping in midair and there are sparks coming from the vehicle, he goes to explain that he is also obsessed with explosions.

Within three years after his mother deceased, Wu Shi mourned and studied at the Jinsha Temple, while his servant named Gongchun (供春) was serving him. When Gongchun was free of his duty, he secretly began to apply the monk’s practice during his own pottery-making process. In order to shape the main body of the teapot, he also sieved the fine clay and lumped it into a ball, and then used a spoon to empty the center of the body. Furthermore, Gongchun relied on his fingers to smooth both the inside and the surface of the teapot, which resulted in some vague patterns of his fingerprints on the body. The fingerprints later became a very important characteristic of the Gongchun teapot, which was utilized by the connoisseurs to distinguish the authentic

After graduating from Shanghai Drama Institute, he moved to Japan. In Japan, he explored and examined with gunpowder in his drawings. This would lead to the experimentation of explosives and explosions on a full scale. At the same time, Cai was also incredibly interested in learning about Western astrophysics. He noticed that “the theory of yin and yang is paralleled in modern astrophysics as matter and antimatter” (Guo-Qiang). His Daoist upbringing and lessons he has learned are very similar to his astrophysics studies. In the future, these studies and teachings will greatly influence his artwork and thinking.

The Background Story which is totally different style of art. Xu Bing uses unusual materials to create this art which seems like very beautiful Chinese landscape with images of mountains, tress, and rivers and one of Chinese Scroll Painting. However, if the audience walked around the painting, people are able to notice that that is made of random natural plant debris.