Art Spiegelman Maus Essay

The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea of victims, perpetrators, and bystanders. The two books are presented in a very interesting way; they are shown in comic form, which provides the ability for Spiegelman to incorporate numerous ideas and complexities to his work.

Spiegelman’s Maus is a graphic novel which explores events of the holocaust and the uniting of a father and son. Though often overlooked the dedications play an integral role in better understanding the text. The dedications do not influence the meaning of the book but do reinforce events in the book. Spiegelman dedicates the first book to his mother as an attempt to rid himself of the guilt associated with his mother’s suicide. In an attempt to not have the same short comings as his father, Art associates his most prized work with the most prized people in his life. Richieu is often disregarded in the book however he is vital in Spiegelman’s eyes. The book in its entirety is highly important as it is a dedication to a whole race.

Why are comics not appreciated as much as the dry narratives of novels in the literary world? A comic is composed of symbols to express concepts shared by all people in their own social environment, and provide more tools than conventional art to truly show artistic intention.

After the Holocaust on May 8th, 1945, a book called Maus was released which is revolved around survival. The author, Art Spiegelman intended the story was to reflect upon his past and express his feelings world how he had to deal life was at the time.The book is a story of Art’s father named Vladek, he tells his point-of-view to the world to show multiple struggles he had to withstand. The theme of Art Spiegelman’s book Maus is survival; Art Spiegelman shows the theme of survival by using tone, mood, and point-of-view throughout the graphic novel. Vladek is the main character of Maus and shares his point of view. Vladek tells a true story about how he survived the Holocaust and the things he had to accomplish to make it through alive. This book is based on a true story of what had happened during the Holocaust.

Art Spiegelman’s Maus is a famous, Pulitzer Prize winning tale about the journey of a Jewish Holocaust survivor. Despite the amount of similar storylines, Spiegelman’s creativity with the normal elements of comics has won him high praise. This analysis will focus on Spiegelman’s unique twist on icons, layouts, diegesis, abstraction, and encapsulation as displayed by Maus.

A powerful and provocative graphic novel, Maus, generates a Jewish individual’s life of grotesque and horror. With its ability of perception and interpretation, it tackles the main points of the ominous Holocaust and delivers a spooky aura to the absorbed audience. In comparison to Schindler’s List, the graphic novel shines brightly than the pale movie due to its realism and humor that is constantly present throughout the storyline. The novel has the ability to connect to the audience; thus, it gives an in-depth look and overall comprehension of the massacre that Spiegelman is trying to communicate. The graphic novel, Maus by Art Spiegelman, brings an honest account of the Holocaust to a wide audience because of its historical truth and intriguing viewpoints and characters that shows the effect and process of the genocide.

In his graphic novel, Maus, Art Spiegelman tells an account of the Holocaust in the most daring of ways. Spiegelman’s choice to tell a biographical account in comic book form is bold in and of itself, but his choice to portray all of his characters as animals is the most audacious and controversial choice of all. In Maus, every ethnic group is characterized by its own distinct animal: Jews are mice, Germans are cats, non-Jewish Poles are pigs, and so on. This deliberate choice alludes to the extreme essentialization of identity during the Holocaust. Just as in Maus people are very clearly labeled as mice, pigs, cats, etc., during the Holocaust, people were very strictly groups together by whether they were Jewish, Polish, or German. Each group’s identity was very discretely defined, and there was meant to be no overlap between groups whatsoever. During the Holocaust, who you were was predetermined, and you were stuck with your assigned identity and the consequences and/or privileges that came with it. At key moments in the novel, however, Spiegelman diverts from this strict essentialization of identity. At two distinct moments he draws his characters wearing masks, outwardly portraying an identity different from their inherent identity. In Maus, masks are used as measure of deception and affiliation. Through the use of masks, the characters in Maus have a choice of identity. Masks allow autonomy over one’s identity, an autonomy that did not exist during the Holocaust.

Maus by Art Spiegelman is a comic book about Holocaust. Even though it is hard to relate comics and Holocaust, Maus is widely considered as one of the best and most influential Holocaust-inspired works. Unsurprisingly, with Holocaust as the subject for the whole book, issues of races and classes are traced heavily in the themes and structures of Maus.

The books Maus I and Maus II are biographical comic books written and illustrated by Art Spiegelman. In these books Spiegelman tells his father’s story of survival through the horrors of the Holocaust. Spiegelman simultaneously presents an inner story of the conflict between him and his father, Vladek Spiegelman as both he and his father try to come to terms with the past, and work to have a normal life. This feelings of tension and conflict suffered by Vladek and Art in Maus I and II is caused by a transitional and rebounding feeling of survivor’s guilt caused by Vladek’s passing down of his own guilt, Art’s guilt of neglect, and Art’s attempts to come to terms with his own guilt of survival.

Pages 158 and 159 from Mouse Trap, the sixth chapter of the first Maus book provide a detailed insight as to how Art Spiegelman uses layout, figures and text to tell a story of survival with “absolute sincerity in an unexpected form”. These two pages involve both the framing story of Vladek telling Art his story, and Vladek’s story itself. In these pages, Vladek specifically describes the moment of his capture and his first thoughts upon arriving at Auschwitz. These pages provide detail as to how Vladek is a survivor of the Holocaust, and more specifically, Auschwitz (against the odds), and the pages show Art’s survival of Vladek’s stern personality. Spiegelman uses the graphic novel form (which is the unexpected form) to accurately and honestly

What if you were a holocaust survivor and asked to describe your catastrophic experience? What part of the event would you begin with, the struggle, the death of innocent Jews, or the cruel witnessed? When survivors are questioned about their experience they shiver from head to toe, recalling what they have been through. Therefore, they use substitutes such as books and diaries to expose these catastrophic events internationally. Books such as Maus, A survivor’s tale by Art Spiegelman, and Anne Frank by Ann Kramer. Spiegelman presents Maus in a comical format; he integrated the significance of Holocaust while maintaining the comic frame structure format, whereas comic books are theoretically supposed to be entertaining. Also, Maus uses a

“Some of the reviewers wanted less. Some wanted lots more. Some wanted lots more of something else. But these strips are exactly what they are.” This quote was said by renowned American cartoonist Art Spiegelman, on his best-selling graphic novel, Maus, published by Pantheon Books in 1986. The anomalous novel depicts the life and story of Art Spiegelman’s Polish born parents - Vladek and Anja Spiegelman, and how they survived the Holocaust. In his novel, the Jews are portrayed as mice, the Poles as pigs, and Germans as cats. The story alternates between the parents’ struggles and the strained present day relationship between Vladek Spiegelman and his son, including the suicide of Art’s mother when he was 20 years old and its effect on

Art Spiegelman, the author of the highly acclaimed graphic novel, Maus, portrays the characters in his book in a very distinctive and potent way. Spiegelman’s novel chronicles the life of his father, Vladek, who is a Holocaust survivor. He uses racial stereotypes to depict each character by his or her nationality; Jews as mice, Germans as cats, and Poles as pigs. This unique portrayal of the characters can be attributed to the positive reception that Maus received upon its release.

The book Maus is written by Artie Spiegelman. Artie’s father is a Holocaust survivor, and a prisoner of war; this is the main event of the story. Artie uses imagery in the form of animals to display race in the graphic novel of Maus. The survivors of the Holocaust are burdened with mental disorders; Artie acknowledges the trauma and the effect it has on the survivors as well as the people around them. Artie uses figurative language and imagery to demonstrate relationships and mental health issues.

This report is based on the best-selling graphic novel Maus, written by renowned American cartoonist Art Spiegelman. The book was originally published in 1986 by Pantheon Books. The anomalous novel depicts the life and story of Art Speigelman’s Polish born parents - Vladek and Anja Speigelman and how they survived the Holocaust. In his novel, the Jews are portrayed as mice, the Poles as pigs, and Germans as cats. The story alternates between the parents’ struggles and the present day strained relationship between Vladek Speigelman and his son, including the suicide of Art’s mother when he was 20 years old and its effect on them.