Art Summary : Romanticism And The Arts Of War

War has always been an unfortunate part of our society and civilization. War will sadly and undoubtedly be with us as long as we exist. However, the portrayal of war for many centuries gave a sense of patriotism and romanticism. Then the invention of the camera changed how humanity perceived war in the late to mid 19th century. And all of a sudden, images of war became of shear violence and destruction. The violence in these images would play a significant part in the social and political standpoints of war in our nation.

An artist's job is to interpret, and express the aspects of life in a creative fashion. War has played a big part in shaping our human history, and many artists have portrayed their feelings about art through paintings, and even monuments. Whether it be to show; the joy of victory, the sorrow of defeat, or to educate the public on the gory realities of war. Art about war can also show us a great amount of history of the kinds of weapons that were used at the time. It is necessary for artists to interpret, and criticize all aspects of life; even ones as tragic as war, It can make the public more aware of what goes on in times of war.

Christ Hedges, war correspondent and Pulitzer Prize winner, in a chapter titled “The Destruction of Culture” from the book War is a Force That Gives Us Meaning, asserts that in war a state’s interest is in the extermination of discordant peacetime culture. Hedges asserts his claims that war transforms art, writing, and literature, that people, in disbelief of the consequences of war, favor a myth, and that the state manipulates education and media to reinforce their narrative. Meanwhile, he uses first-hand personal experiences and historical evidence to demonstrate these effects of war. Hedge’s goal is to expose that ugly nature of war in contrast to our natural glorification of it in our perceptions of history in order to propel the cause

I was fortuned to have had parents who had a respect for all kinds of art and approached life with an open mind. Thus being furthered blessed to grow up near a metropolis which possesses a major art museum and galleries showcasing new talent, filling young eyes with wonderment. An art appreciation study early own in life would have been beneficial but alas, I burn with shame as one who falls in the class of “I know what I like” when asked about art. I am all agog for semester’s end to be better equipped to articulate on why I am moved by a particular piece. After listening to the first week lecture and reading the first two chapters of the course text, it was difficult to narrow the subject of my essay to one subject. But, Chapter Ones quotes

World War I was a war that shocked the world and brought about new emotions that created a large wave of “-isms” as well as the “lost generation” of writers. Modern art was catalyzed by World War I and without a thorough study of the various forms of art that resulted from it, modern art and the tremendous effect that World War I had on the people of the world cannot be fully understood. This historical investigation will cover a few aspects of the art that resulted from World War I so that a general idea of the emotions shared by the people of the world can be known. A few paintings that represent specific movements will be studied to understand the artistic movement. A number of museum exhibitions will be studied along with government websites, databases, and museum websites, especially from the Museum of Modern Art.

War is by no means simple. It is not just a battle between men or nations, as there are wars rooted within ourselves. War to many is unknown and painful, showing the dark side of humanity, and to others it is a sign of glory and conquest. Ernest Hemingway shows his view of the realities of war in “Soldier’s Home” by the experiences pinned onto Harold Krebs, a WWI veteran. Krebs' loss of interest and detachment to post-war society alludes that an unattainable reality to fit back into everyday life was placed on veterans by civilians who had romanticized views of war. This marks the need for elaborated war stories to end in order for veterans to be deservingly accepted back into society.

The divergence of both works is highlighted in the repetitive cycle of propaganda and war fever, contrasted by the issues of mechanical innovation and glorified warfare; this essay explores these themes while bringing them back to the struggle between the two main pieces and the respective differences and experiences of the protagonists.

Painters enormously manipulated the truth in their portraits they painted since they aimed to present a specific meaning or feeling to their observers. One of the results, paintings of America`s wars especially before the Civil War had a

This paper will deal with the Perspective of War and how the certain aspects of war has forever changed the history and thought processes of civilizations worldwide. The paper will focus on the duty and action of war, the destruction and fear of war, and finally the memory of war.Investigating these ideas will give us a broader understand of how war has forever changed us as a society and how art is the perfect representation of this change.

Art is one aspect of the past that has carried on for decades. Art in any form may it be poetry, novels, and playwright, sculpting as well as painting, has been an outlet for generations and continues to be an outlet and a means for expression. This paper will discuss “ The Mona Lisa” one of Da Vinci’s most famous paintings, as well as another great painting, Antonio Veneziano’s

Erich Maria Remarque conceptualizes the morbid imagery of war in order to teach the readers how war is vile and putrid. While in war you can see the guts and gore from some of your friends, but some of the animals that are used in war. “The belly of the horse was ripped open and the guts trail out” (Remarque 63). During battle the warriors endured scary sights. War noises are scary and lingering in the mind. “The screaming of the beast becomes louder” (Remarque 63). When in battle you don’t know what you will face next. The forest was burnt down but the soldiers looked at the positive side and noticed it still smelled good. “They still smell of resin and pine” (Sobel). The soldiers sometimes used small things like these to make them more confident. Erich Maria Remarque uses imagery to show the readers how brutal war is.

Wilhelm Heinrich Otto Dix, a known portraitist and realist artist in Germany in the 1920s and 30s, is known for his controversial artworks that focus on taboo subjects surrounding World War I and II. This period evoked a rise in portraiture and a decline in abstraction because “human beings, shattered by wartime experiences and filled with existential fear, suddenly seemed to be worthy subjects” (Rewald 3). When he returned from fighting in the war filled with anger, horror and disgust, Dix was inspired to follow this evolving theme in art in order to express his feelings, which is something he believed could not be done in painting landscape

Operational art in the US military has evolved over time. This essay evaluates the historical evolution of operational art from the American Revolution to the present through the lens provided by the military theories of Antoine-Henri Jomini and Carl von Clausewitz. These two theorists were contemporaries but their theories influenced the evolution of operational art in the United States at different times in the nation’s history. This essay argues that while operational art was present during the American Revolution, the influence of industrialization, technological advances, and globalization have forced it to evolve over time. The US military does not follow a single theory of war or warfare, rather the institution incorporates aspects of

Tremendous technological advance and tremendous slaughter leave an artistic waste land of atrocity, emasculation and pointing posters used to manipulate the public into recruiting men to join the military around the globe. Skilled illustrators in America, less inventive but artistic allegory’s in Canada and France and plain typography in Britain leave many artists busy with supporting the war effort. On the outskirts of war were a contingency of international peoples with little means and a negative view of European culture and war that chose to defect to Switzerland where they created the art movement known as Dada.

In his book The War of Art, Steven Pressfield talks about resistance. He defines resistance as self-sabotage of anything in the lines of creativity, art, music, spirituality, and more. Pressfield describes many characteristics of resistance in the first half of his book.