Art : The Purpose Of Art As A Language

To understand Plato’s argument, he gives us an interesting theory, his theory of forms. If we take the example of a beautiful person, not only does Plato say that there is the form of beauty and there is the beautiful person, but he also seems to say that there is the beauty present in that person which is distinct both from the person and from the form. (Lecture from 11/27). This beauty can come and go, and must, either withdraw or disappear at the approach of ugliness.

Art is a particular form of social consciousness and of human activities, an important way for people to perceive, discover and improve life: according to the laws of beauty. It is the creation of tangible or intangible products containing great values of thought-aesthetics, cultural character, and emotions. In this sense, there are numerous types of art. Painting is one of the oldest forms of art on earth. From prehistoric times, artists not only used it to communicate, but they also used painting to entertain the viewers. Painting can be transformed, eliminating the tedium, fatigue, and stress in daily tasks to bring the joy. Fun in life or silence for the soul. In other words, painting is a language that communicates an artist 's ideas

Art has been much more than just a hobby or a way of expressing ones feelings, it was long before there was any proof of a verbal language; art was a key form of communication. Artists create art to communicate ideas, thoughts, or feelings. They use a variety of methods such as painting, sculpting, or illustration. Also an assortment of medians, including oils, watercolors, acrylics, pastels, pencils, pen and ink, plaster, clay, and computers. Artists' works may be realistic, stylized, or abstract and may depict objects, people, nature, or events. Art today is the key form of the world around us, from advertisement too architecture,

Throughout Plato’s Phaedo, Socrates invokes different arguments to portray specific ideas about the immortality of the soul. One of the arguments in which Socrates brings about is the cyclical argument. The cyclical argument, also referred to as the principle of opposites, connects the core ideas of the body and the mind to later prove that the soul is an immortal entity. Forms are ever changing in and of themselves to create the cycle in which Socrates explains the basis of all things. It is through knowledge of the Forms, and the existence of the body and the soul that Socrates enhances the cyclical argument to demonstrate the concepts leading to the immortality of the soul.

Plato: This is a very good question. One thing I can mention about Socrates life is that he was more attached with what is inside than what is outside. Although Socrates acknowledge that outer beauty is essential, he stresses the fact that people should nurture inner beauty more than they value outer beauty. We learn more about Socrate’s perception on beauty from the dialogue with Diotima, a priestess, who

It is interesting to notice that this Platonic form can be seen in various ways in both the human on a micro scale and in Jesus or God on a higher level. The human body, for instance, (as Plato noted) serves as garb for the soul. We can assume certain gestures, paint our faced, mask our mannerisms and looks; we can play around with our externals, but there is a soul that emanates from within, and this soul emerges through appearances such as looks, tears, or speech.

Art is the theme of art, this means that the main reason artist design different types of art works is to bring about the visual satisfaction. One of the major reason as to why artist paint, draw or design their works is to have something to have look at. Therefore, before a viewer analyses a piece of art, he or she has to look at it as the first and foremost

In Plato’s, The Symposium, there are a multitude of things that get discussed amongst the group of men, one of those theories being the idea of beauty. To truly understand what Plato thinks about beauty, you have to understand his idea of forms, and the Form of Beauty. He describes this as an “everlasting loveliness which never comes nor goes, which neither flowers nor fades”. The essence to understanding this form, is that we can realize all beautiful things share the Form of Beauty. But only in their involvement with this form that they become beautiful. It is an unchanging, absolute, and immortal form that cannot admit to anything less. The form itself is not ugly or offensive, or it would cease to exist in the “form”.

Again, art is a sort of propaganda. It's used to give a message or emotion to a circumstance. Art is also comparative in some prospects, in order to interpret why artists create this work is to look at the past and history. However, it cannot be applied to all works of art. Art is universal, meaning that many respective people can relate to a single work of art. It can also be used as a type of communication between people. Art is apparent within each organized religion. Meaning is sent through the paintings of

mechanisms of beauty and should not be seen as so. Plato takes this approach in a path, using a

As literary critics, Plato and Aristotle disagree profoundly about the value of art in human society. Plato attempts to strip artists of the power and prominence they enjoy in his society, while Aristotle tries to develop a method of inquiry to determine the merits of an individual work of art. It is interesting to note that these two disparate notions of art are based upon the same fundamental assumption: that art is a form of mimesis, imitation. Both philosophers are concerned with the artist's ability to have significant impact on others. It is the imitative function of art which promotes disdain in Plato and curiosity in Aristotle. Examining the reality that art

Is art a form of self-expression from the artist to their audience? Self-expression is defined as, “the expression of one's feelings, thoughts, or ideas, especially in writing, art, music, or dance.” (English Oxford Dictionary). The source of inspiration for art is unknown for certain, but it is commonly believed that it comes from inside the artist, based on their life lessons and experiences. If the inspiration comes from within, then artists are expressing themselves through their art, thus art is self-expression. There are innumerous forms of art, from writing to dancing; singing to creating a drawing, public speaking and everything in-between. A person who is whistling is expressing how they are feeling through the notes that they hit. Someone who is drawing can use darker colors, such as browns and blacks to give off an eerie tone. Does that mean that all art is self-expression? No, not all art is self-expression, maybe it isn’t self-expression at all. This leads to the debate over whether art is self-expression if the inspiration comes from an outside source, rather than from within.

However, in proving that what we call learning is actually recollection, Plato also proved that the soul is immortal. As was stated, there is no example of true perfection in our world. Yet, we can imagine the idea of perfection. Where could this idea come from if we have not experienced it in our world? We must have experienced it at some point if the idea is within us.

The history of art dates back to ancient times. Artwork can be, and was, found around the world. What makes art interesting is that it can be created in any way, shape or form with any materials. It seems that the artwork can also tell us a lot about the artist. Art seems to be simply, a direct, visual reflection of the artist’s life. Therefore, one can assume that an artist’s life experiences and beliefs directly influence their art. If we look at examples from different periods of art we will be able to see the connection between the artist and the art.

Here, he is a believer in those who use knowledge to understand nature in reality and is against people who use their senses through art to understand the beauty of nature. In addition, Plato says artists promote the use of our senses over reason through something they do not have an experience of. According to Plato, “There are philosophers, who form an idea, then a craftsperson, who makes the physical representation of the idea, and then the poor artist who creates a copy of a copy of that idea” (Blocker 5). In this sense, an artist has no clue what he is creating because his works are only imitations of other people’s ideas. Therefore, Plato considered artists to be dangerous in the human society because they are not experts in the representations they create.