Art and Reproduction: Joan of Arc Images Essay

Photography and film are becoming more popular every day with people trying to one up each other and also trying to figure out new and inventive ways to use the camera. In Paul Strand’s essay Photography the New God, he wanted to make his point that photography was assessable to anyone and everyone and that man does all the work not the machine. In Extracts from the Work of Art in the Age of Mechanical Reproduction, Walter Benjamin explains that works of art have always been easily reproduced for profit and how film will be the most powerful instrument when it comes to new forms of art. At one time to reproduce a work of art it was only to be used to practice the artist’s craft.

How are the materials, arrangements, and aesthetics supplementing the sculpture’s overall effect? It should be analyzed as an artistic object and monument with intentions in order to provide evidence for the patriotic significance of the structure. American patriotism results from American values such as democracy and liberty that the country prides itself on, and these values set the nation apart from other nations. Simple observations stemming from the placement of the structure, individual objects included in the design, its height, and other characteristics can provide important insight into how the structure itself expresses patriotism. In this way, the method for analyzing the artifact focuses on the visualization first and foremost. After understanding the visual rhetoric of the Statue of Liberty, it is pertinent to then analyze the history of the sculpture and its erection. The French gifted the Statue of Liberty to the United States in celebration of its independence. Just from the exchange of the artifact, it is acknowledged that the sculpture is a commemoration of the establishment of the United States as a free nation from Britain. The background and history of the Statue of Liberty are instrumental to understanding how it communicates American

St Joan of Arc is a saint and a woman of compassion and faith who had a strong belief in God, Joan of Arc heard God’s call/voices and visions and accepted them. Joan of Arc was born on 6th January 1412, she was the daughter of a poor farmer named Jacques d’ Arc and her mother Isabella. Joan of Arc learnt her domestic skills from her mother. In 1426 at the age of 13 Joan of Arc began to have visions and voices: 'When I was thirteen, I had a voice from God to help me govern myself'. (History Mole).

Have you ever heard about Joan of Arc? She was a military leader who led the France’s army during the Hundred Years War, at a young age. When Joan of Arc was a little girl she had visions, and decided to meet the Dauphin of France to convince him of leaving her to lead an army and fight against England to make free Orleans. Joan of Arc was a strong woman who believed in God and helped her country to win the battle, without military training.

Her name, Joan of Arc, burning at the stake surrounded by wooden bundles. At this moment of death it was May 30, 1431, tied to a pillar in Vieux-Marche in Rouen, Joan of Arc asked for a crucifix to be held in front of her when she burned. A peasant took pity on her and made a small cross. As she burned, witnesses felt a horrible injustice was put upon Joan of Arc, as she managed to take back France and became one of the greatest war generals France has ever seen. Praising Jesus three times before she died, several people also claim a white dove flew away just as she died. Although Joan of Arc was short-lived, her legacy is still talked about today; 602 years later. She was nineteen years old.

There are varying perspectives on Joan of Arc, all of which could be considered ‘real’. Her existence and achievements have been exaggerated and distorted throughout history. The only aspect of Joan that has remained constant is her image as a symbol of nationalism and pride. Popular representations of Joan of Arc include the portrayal by Mark Twain’s biography ‘Personal Recollections of Joan of Arc’, Joan as an icon of ultra-nationalism by French political leaders, and ‘The Song of Joan of Arc’ by Christine de Pizan. Through these different perspectives, it is evident that multiple portrayals of Joan of Arc exist throughout history and there is not one ‘real’ Joan; these perspectives all hold

For centuries women have been discriminated against and perceived as either housewives or maids.There have been so many stereotypes suggesting that some women actually believe they are inferior to men. The actuality of this is women are capable of most things men can do and even more. One of the absolute greatest examples of this theory was Joan of Arc. She started a movement that most men could never dream of creating. Without her France might have submitted to English rule centuries ago. Joan of Arc was a courageous, divine woman who altered French history and even influenced many of today’s events.

I stood there, in the corner of the room, just waiting to get picked up by Lavinia Fontana. She is one of the most wonderful and successful female artists during the Renaissance. I have been here in the corner waiting, since Fontana’s room is filled with empty canvases. I’ve been here for awhile now, I am lucky to have seen her grow and transform to the respected talented artist she is now. Then one early morning I hear her footsteps coming towards me, I then knew it was my turn. As she picked me up that year in 1578 I began to have a good feeling about this painting. As I was being set up to the stand I began to shiver with excitement as I saw her open up a new oil for her to paint. As the brush began to touch my face smoothly, I began to

I barely trace my fingers along the raw and frigid curves of the bust. They instinctively follow the harsh edges that define the woman’s décolleté, inside the concavities of the collarbone. My fingers retract into a tight fist, as I kneeled down to admire the sculpture’s subtle details - the subdued simplicity of her fine curls and how they accented her defined features, and the protruding brow bone harmonizing with the lacklustre eyes. Footsteps bounce off the carven mahogany walls, adding undertones of life to the otherwise transfixed woman. The shadows I cast upon her fall in flawless, practiced unison - a gradient and geometric pattern resting upon the ivory marble, creating a juxtaposition between the softness of her expression to the

Art is created and enjoyed by various individuals across the world for different reasons. An Artwork expands and extends our shared visual language and helps in developing new ways of seeing familiar things (Tomaž 29-32). It also assists in interpreting events and new situations through different perspectives. The values and focus of artwork in the new world are finding their footing and taking completely new directions. In the new world, there are echoes of artistic movement and postmodern tradition that is mainly considering originality over a technicality when it comes to artwork (Sooful 2). Today, especially with improved technology, artists have designed new artistic skills that facilitate them to develop an artwork that is highly skillful and unique at the same time. The field of artistic has greatly expounded and has accommodated individuals with varying skills that have significantly improved the artwork (Sooful 5). Here are the top 3

The topic of my final paper will be about the famous Venus de Milo and how two contemporary artists have responded to the artwork’s notoriety. Since the Venus de Milo is considered a symbol of female beauty, I would like to unpack how the sculpture achieved that recognition in the 19th and early 20th century. The methodologies I will use include giving a historical account of the object’s history (focusing primarily on French nationalism and the Europe’s hunger for collecting classical Greek sculptures in the 19th century) while using the work of Arman and Mary Duffy to discuss the issues that arise when describing the Venus de Milo as an objectively beautiful piece of artwork. For the former approach, I would write about Winckelmann’s adoration

Simply put, one can easily claim Levine’s recapture of Tenant Farmer Wife is a copy considering that it is an exact copy of Walker Evans’ Alabama Tenant Farmer Wife. It is crucial to distinguish this specific artwork, thereby allowing us to evaluate it differently. Conversely, J. L. Mott’s Bedfordshire model urinal, for instance, resembled that of the famous Duchamp’s Fountain as well; however, this artwork is essentially different considering that it is not entirely the same artwork, thereby following a different

Joan of Arc was a medieval French heroine who challenged societal norms as a peasant girl in the 15th century and became a patriotic symbol in the late 19th century when this painting was completed. Even though Joan lived almost 600 years ago, we can relate her aspirations and challenges to situations today. This applicability is what makes paintings timeless and fascinating to everyone.

Joan of Arc was born in 1412 in Domremy France. Joan of Arc was a visionary from god and god was talking to her telling her to save france. Joan knew information that no one else knew God was telling her through the voices. Joan knew exactly where the sword was no one else knew where it was (church of Saint Catherine of Fierbois, behind the altar) . Joan also was a groundbreaking feminist she led a whole army of men to war which was something never done before by a women. Joan was a shrewd leader not only did she lead an army to war but also the army that Joan led won the battle. She was nicknamed “The Maid of Orleans” after she won the battle at Orleans. Joan led the French to victory beating the english. She was a heroine at a young age

This book focuses on painting and sculpture styles and methods in France between 1700-1789. The sculpture I chose; Jaques-Rolland Moreau was completed in the year 1712 in France. The French sculptor of the bust, Jean-Louis Lemoyne (1665-1755) is specifically mentioned within the book. The author of the book Michael Levey has written