Art and Video Game

Aaron Smutz, a philosophy professor at Rhode Island College, in his rhetorical essay “Are Video Games Art?” asserts that video games are indeed art. He first puts forward three critically well-received games to be considered art, then determines what can be used to determine art by considering “sister media” like art and music as well as competition such as chess, football or ice-skating. After establishing an “informal” definition of art, Smutz comes to conclude that since the games he provided cover several facets of game-types and since those games can reasonably fall into the definitions provided of art, then most video games should be considered art. Smutz forms his essay in order to explore the artistic merit of games. Smutz also writes

The document will examine an Art period which has influenced the appearance and design of video games. This will include the topic of the Edo period of Japan and how it affected generations of artists to the modern day.

Video games are a fast growing form of technology. This issue has to be discussed because of the two confronting sides that embark it. Because of the issue video games have to either continue growing as they are or they have to be stopped completely or a settlement between the two parties has to be

Video games have become a key element of popular culture, because they have attracted players from many different cultures and age groups. Video games have come a long way since Pong and Spacewar. Since the first video games, there have been innovations in this industry nearly every year, always striving to defy the impossible. Today, the newest generation of gaming consoles are extremely powerful, and with this comes the ability to make games that are increasingly realistic and advanced. Because of this advancement in video game technology, video game genres have expanded to include racing, shooting, adventure, horror, and so many more. Many of the games today even feature a historical element. To the outside viewer, it may seem as if these

Video games have become a massive icon that has spanned decades, technology and even cultural boundaries. Whether you play on a computer, tablet, phone, or console: at some point in your life, video games have been a part of what you do. Strike up a conversation about games and you can make lasting friendships or bitter enemies. Even if they might not know the specific game, everyone knows what the genre is, and because of this, video games have taken their lasting place in our pop

Video games are progressively becoming a crucial medium today, despite the light connotation of its initial categorization. Today they are a business that produces billions of dollars and employs engineers and artists alike in an art form connecting interactive games, to virtual societies where millions of people dwell. However, like all human products, our same emotion, flaws and injustice show in the games, with the impression of hatred, racism and stereotypes that are our everyday background. What are the creators of these video games real intentions in the desire they produce in the human?

The term pop culture can be defined as ‘The culture of the people’ a culture that flourishes through social interaction and mass media that is most actively involved in by the public. Pop culture can cover a wide range of materials and as such should be looked at as a topic open to discussion, interpretation as to why it is popular and what makes it popular. Since pop culture includes an expansive spectrum of subjects I am going to be focusing on one of those and that is Video games. In this essay I will be exploring the ideas and theories of why I believe video games have made a shift into mainstream pop culture.

Introduction: Hello ladies and gentlemen. Today I have the honor of introducing a man who has influenced the lives of many through the questionable art form of video games. Originally, it was not Dan Houser’s intention to become a game designer, but over time he became fascinated with storytelling. Dan’s brother, Sam, was working for a music label that was trying to branch out into games, and Dan was allowed to join. Eventually their game, Grand Theft Auto, was released. The sales were marginally good, but the label lost too much money and decided to sell

Main Point III: For this reason, this has been the focal point of the “video games are art” debate. At the same time, the debate as a whole has had some opposition.

Video games are highly designed with artistic expression in the digital world. There is a

While the media portrays gaming as a antisocial violent unhealthy habit for the common immature male, the reality is that the gaming industry has diversified immensely over the last half-century. As such, I will write to non-gamers everywhere to extend a welcoming hand into our community by focusing on its entertainment value and genre diversity. Following this, I will write to the artist community to invite them join, and possibly work for, the videogame industry by speaking about the copious opportunities in this billion dollar industry.

Ever since the first interactive entertainment also known as a video game, they have evolved and changed through the passing time. Some to most games in the present time, games have more of a story than a goal to reach to finish the game. Sometimes even games can be mistaken for films due to it having more a story than actual goals. Though is a game with no goals not technically a game and more of a film? Well that is not entirely true as it comes to game mechanics and game logic but when it comes goal and story, then it really comes back to what the game you are playing. In this essay, we will critically reflect which of either story or goal has more of an impact on the players of the game and how the superior or equal one has actually accomplished this task. Two games that have been identified in this report and will show viewpoints are The Stanley Parable (2011, 2013) and Coffee Rush. Each of these games have been chosen as

Video games have come a long way since Pong rid children of their quarters in 1972. In the past few years, a dramatic shift in the publics’ view of games has occured. What was once considered a kid’s toy capable of turning brains into mush is now enjoyed by the average age of 35 (Essential Facts). In recent times, another paradigm shift has begun for gaming: the road to becoming an art form. Today, museum curators from across the globe continue to accept video games into their collection, adding to its legitimacy. However, just as movies struggled to be considered art in the 1970s, the path for video games has not been smooth sailing. Many critics, such as the late Roger Ebert, have been increasingly vocal about their reasoning for why a

The video game industry has grown into a colossus of today’s business world over the past forty-three years. Constantly adapting to the changing market, in order to make a profit off of a popular form of entertainment, the video game industry is continually expanding. But, two very important questions, about the industry, exist: Why has the industry become so popular, and where will that popularity lead? By the trend that the industry has shown video game popularity is due in part to the industry’s humble origins and from that popularity video games will become the next art form.

Many video games use visuals to mentally immerse gamers into a virtual world filled with seemingly living, breathing people, animals, or cities. According to Michael Samyn and Auriea Harvey, game designers for Tale of Tales, video games increasingly develop into a true medium of artistic expression (Lamb). In just forty years, video games transformed from an abuse of the new computer for entertainment purposes into a sophisticated form of popular art. The development of video games recently produced results that arguably equal other similar, representational arts. Video games share many qualities with other forms of art, but they are also artistically significant in their own way. “This seems to be something