Artemisia Gentileschi Influence

In conclusion, Leonardo da Vinci was one of the most famous from the Renaissance period and is the example of the Renaissance man because he was a master of both the world of arts as well as the world of science. Isabella d’Este during her rule set an example for women to break away from the traditional role of what women were supposed to be like during the Renaissance period. By doing this and many other things she was known as the ‘’First Lady of the Renaissance’’. Catherine was a great patron of arts and being this,

Artemisia Gentileschi was not the first to paint Judith Slaying Holofernes. Her father had painted Judith. Michelangelo, Botticelli and Caravaggio had painted Judith. Donatello had sculpted Judith. But she was the first to interpret the story of Judith, in a time when women had few rights, as an allegory for female dominance. In comparison with other contemporary versions, the composition, dramatic style, and emotions of the characters present a violently feminist view that may have stemmed from Gentileschi's own experiences.

Similarly, the image of Madonna Enthroned was painted by Cimabue in Italy during the 13th Century, an interesting period of the country’s religious and art history. It was during the 13th Century that Italy was on the brink of a great revival known as the Renaissance. Cimabue’s work represents the best of the Byzantine Tradition. Cimabue is also the well-known teacher of Giotto, one of the leading artists of the Italian Renaissance. http://en.wikipedia.org/wiki/Cimabue

Another interesting commonality between the two is that Anguissola’s mother died when she was around 4 or 5. Similarly, Gentileschi lost her mother at a young age, when she was around 12 years old. Gentileschi must have struggled more as a result than her fortunate predecessor, as she was not from prestigious family. Her father was a fairly well-known artist who worshipped Michelangelo Merisi Caravaggio’s style, especially his use of tenebrism. This adoration was imparted to his daughter Artemisia, who often copied this style. Intriguingly, there is a bizarre connection even in this. There is some rumor that a drawing that Anguissola had sent to the famed artist Michelangelo di Lodovico Buonarroti Simoni (the more famous one), had ended up in a notebook belonging to Giorgio Vasari, and is suspected to have been discovered by Caravaggio, which later inspired his painting ‘Boy Bitten by a Lizard’. There is a clear connection through time between these two women. Yet, in a way seems to have been founded through pure chance and phenomenon. As hard as it is to believe, this is not the only person who intertwines these women together. Anthony Van Dyke visited Anguissola when she was very old, and blind, but spent hours

Artemisia Gentileschi is believed to have been born around 1593 and died around 1652.  Both dates are disputed to the current day.  She was one of five children and was born into the life of an artist.  Her father, who was an artist as well, loved her greatly.  Her mother died when she was twelve.  Artemisia was always a skilled painter, but her father wanted even more for her daughter.  While her works were already amazing for her age, she needed artistic guidance in order to further her skills.  One man who was hired as a tutor was named Agostino Tossi.  Tossi almost immediately was an annoying presence in the house frustrating Artemisia.  However, in 1610,

Mary Cassatt is known world-wide for her impressing art in which she focuses mainly in the everyday life of women and children. She is an American artist born in Pennsylvania on May 22, 1844, but later relocates to Europe in 1866 to pursue to work in art. This was mainly due to her family’s and society’s objections to women in the field of art. There she met and befriended famous Impressionist Edgar Degas. Because of her close friendship with Degas, she grew courage to continue to do art in her own way. She continued to paint until she slowly began to lose her eyesight and later died in 1926. Cassatt was part of the Impressionist style movement, in which she painted portraits unlike many others who painted landscapes (biography.com). Her artwork

Artemisia Gentileschi was born in Rome in 1593. Her father was Orazio Gentileschi, a very well-known artist in Rome at that time. At this time, men ruled the art world. This was the post-renaissance era, and women were only involved in portrait painting. She was known for painting religious and historical scenes, paving the way for other female artists. She received training from her father in her early years as an artist. Gentileschi, tragically, was raped by an artist who was friends with her father. He was exiled from Rome when put to trial. She also lost her mother when she was 12. Her childhood and young adult years were not easy. Through her struggles, she managed to overcome all odds and make her work known in an art world run by men.

One style of painting Raphael favored all throughout his career was that of creating Madonnas over his short life; those are what made Raphael famous in Florence. The way Raphael created his Madonnas, Madonna meaning Mary, the mother of Jesus, portray Mary as a loving, caring human woman. Many other artists before Raphael portrayed Mary as an

Nanette Salomon, a very well known feminist writer, wrote the article, “Judging Artemisia: A Baroque Woman in Modern Art History.” The article opens up with a discussion about the 2001-2 exhibition of Orazio and Artemisia Gentileschi: Father and Daughter Painters in Baroque Italy. The author explains that three things are unusual here: the fact that two famous artists were presented at the same time, that they were related as father and daughter, and the fact that the woman was better known than the man. Her intent in this article is to look at the effects of this trope (figure of speech) in the past and in the present.

Considered one of the most important artists of the Baroque movement in Early Modern Europe, Artemisia Gentileschi, had to prove herself and break down the boundaries for a woman in a male dominated field. Artemisia was born in Rome on July 8, 1953 to Orazio and Prudentia Monotone Gentileschi, who died when the artist was only twelve years of age. Her upbringing was left to her father, who was also a well-known painter. He trained her since she was not permitted to learn in the studios of successful artists of the moment. Orazio introduced his daughter to the working artists of Rome including Caravaggio, whose tenebrism technique and chiaroscuro style had a great influence on her paintings.

Furthermore, sculpting was known as a masculine skill because women were unlikely to endure the strength and flexibility needed to sculpt. Women were not allowed to see a man’s naked body either. Therefore, it was difficult for a woman to understand the man’s body in action. However, Properzia harmonized these abilities and made it apparent in her most famous marble sculpture Joseph and Potiphar’s Wife (1525-1526). Properzia enlisted in a competition against many male sculptors “to become one of a select team of sculptors, working in the Basilica of San Petronino, the main church of Bologna (Vickery, 2014). She won said competition. Although being a female sculptor had its obstructions; her masterpiece was hung in an unexclusive area

Artemisia Gentileschi’s Venus and Cupid is a painting of an angel caressing a woman resting on the bed. In actuality, the painting is about Venus, the Goddess of Love, who is asleep in a very luxurious and classical environment. While she is asleep, Cupid diligently wields a peacock-feathered fan to keep away pests, which makes the environment more safe and peaceful. Primarily strong contrasting lights and darkness display Gentileschi’s work, perhaps inspired by both her father and Caravaggio. Her paintings are all primarily bold compositions for example the

Morgan, when I was doing research for this question, Sofonisba Anguissola came up and I decided not to write about her. There weren't as many female artists as there were males. While finding female artists, I thought Sofonisba Anguissola is a very interesting painter. I find it very interesting that Michelangelo recognized her talents. I also find it interesting that Michelangelo would take the time to look at her work and approved it. That is a very special honor. Since there aren't many female artists, having a known male artist know your name and approve, could help one's art career expand.

While painting The Battle of Anghiari, Leonardo started working on one of the most famous paintings ever made, Mona Lisa (Leonardo world ¶ 12 and 31). Leonardo probably used the wife of a Florentine silk merchant as his model of Mona Lisa (¶ 12 and

With the continuous growth of paintings and artists, prestige for art increased dramatically to the point in which religious aspects were shown through landscapes, portraits, and temperas. This then allowed the creation of new styles and mathematical input that manifested everyday life with religious aspects. One such artist was Giovanni Bellini who introduced bright, rich, strong colors into his palette and landscapes that expressed the happiness, calmness, and prosperity that Italy carried throughout the Renaissance. These characteristics and styles of paintings subsequently became a popular Venetian cornerstone. Other important figures in the Italian Renaissance that demonstrated the movement?s ideas through their ingenious paintings and architectural methods were Pier Della Francesca and Leon Battista Alberti. Francesca, who was and expert in mathematics, developed the art form of perspective. Alberti, on the other hand, as an architect developed the pediment which became popular throughout the entire Renaissance. His monasteries and churches depicted many of the religious ideas, as evident in one of his famous works, the Santa Maria Novella. All in all, the use of the common religious themes such as the annunciation, adoration, Crucifixion, and the popular Madonna