Artemisia Gentileschi Is One Of The Most Influential Female Artist?

Judith Cutting Off the Head of Holofernes (Figure 1), ca. 1640,1 is consisting of a well-dressed female decapitating a middle-age man in his bed with the aid of an old woman. The elegantly dressed female using a sword to behead the man is named Judith. The male figure in the painting is

Artemisia Gentileschi was not the first to paint Judith Slaying Holofernes. Her father had painted Judith. Michelangelo, Botticelli and Caravaggio had painted Judith. Donatello had sculpted Judith. But she was the first to interpret the story of Judith, in a time when women had few rights, as an allegory for female dominance. In comparison with other contemporary versions, the composition, dramatic style, and emotions of the characters present a violently feminist view that may have stemmed from Gentileschi's own experiences.

 It seemed as if the court almost condoned his actions and felt little pity for Artemisia.  Her paintings, at this point in her life, become drastically different.  In about 1612, she paints the first of five works of Judith and Holoferness.  The gory scene shows Holoferness, an Assyrian general being beheaded by Judith, a Jewish widow.  The scene shows ample amount of blood, however, it does not feel like a room of murder.  The killing of Holoferness by Judith is done in order to protect her homeland and life.  Also, she prays to god in order to give her the strength to do the killing.  Therefore, she felt it was justifiable.  It is a rare message for the early 1600's in that it is the woman avenging a man.  The powerful scene  of   It seems that Artemisia paints these works in order to avenge her own suffering from Tossi as well as the justice system.  By depicting such a strong and powerful woman, Artemisia is, in a sense, creating a world which she believes in.  In this world, women can speak up and women are heard.  Women are just as capable of murder, leadership, and power as any man.  Artemisia paints four more scenes of Judith and Holoferness all varying slightly.  However, her overall theme and meaning of the work is consistent.  Simply put, Judith is a woman to be looked at and respected for being a strong willed woman who stands up for what she

I had never heard of the artist Artemisia Gentileschi before this introductory Art course. Of all the paintings and sculptures found within the book, it was her work that stood out and spoke to me. "Judith and Maidservant with the head of Holofernes" is a particularly rich oil painting by the Italian Gentileschi, painted circa 1625 Europe. Her large canvas measures 72 and 1/2 inches by 55 and 3/4 inches and began as a biblical story telling inspiration come to life within the oil. Located at the Detroit Institute of Arts, the painting was a gift to the institute from Art collector Mr. Leslie H. Green in 1952. Artemisia was the daughter of a painter (and caravaggio influenced) Orazio Gentileschi, she was also the wife of little known artist

There is many articles and facts on the website by Brash, the entire website is dedicated and in memory of Artemisia Gentileschi. Her painting are displayed and portrait here in full effect and give a wonderful insight into the paintings and the though process behind them. All of Artemisia’s controversial painting are show and dissected to show why exactly they caused quite a stir back in the day. Judith slaying Holofernes (P.4) for example is shown and the author describes how it was a bloody and gruesome painting in those times. As is shows a woman named Judith saving the Jewish people by killing an Assyrian general.

Nanette Salomon emphasizes that there are different ways to make sense of the changes in Artemisia’s three “Susannas”. One explanation may be that Artemisia’s work show progressive naturalism or realism which can be attributed to her development as an artist.

Known as one of the most famous female artists during the Baroque period, Artemisia Gentileschi's artworks showcase powerful emotions and drama. She was the first woman to gain acceptance into the Academy of the Arts of Drawing. In her later years, she was supported by Michelangelo the Younger and the Grand Duke Cosimo Medici. Artemisia remains an inspiration because she jumped several hurdles to gain recognition in a profession that was dominantly male at the time.

Even though Artemisia had to struggle with many difficulties early in her life she was able to draw strength from them and turn them into unique pieces of art. In the words of John Loughery, “Exacting craft is one

Artemisia Gentileschi’s was one of the skilled painters of Baroque era who created a masterpiece of Judith Beheading Holofernes which portrays the biblical character, Judith. Judith, who first seduced Holofernes, then beheaded him with his own sword. She is accompanied by her maid. Maid seems to hold Holofernes with all her strength. Judith has grasped his hair on the beard with her left hand and she is beheading him with her right hand. This piece of art looks very violent to me and blood is all over the white sheets. She took matters into her own hands to keep her community safe from the constant invasion of the city. Assyrian General was Fascinated with her beauty and asked her to dine with him, planning

The story behind this painting is a Biblical tale about a strong heroine named Judith, who was known for her bravery and resistance against the Assyrian troops that come to assume control over her people. In this story, Judith uses her wit and seduction to ease her way into the Assyrian troops' camp and continue with a genius plan to execute the Assyrian General, Holofernes. She seduces him, and once he is drunk, beheads him in his own tent, with his own soldiers all around him oblivious (Branch). Judith was able to defeat the enemy and resist what could have been the end of many Israelites' lives. Cranach's choice suggested a political resistance that required a bravery similar to that of Judith's. Small details in the painting such as the bodice of the dress and Judith's jewelry show Cranach's love for a decorative surface, as well as the

In “A Woman Like That” the outline of Artemisia Gentileschi story is very compelling. It seems to be similar to Kahlo in that Artemisia's father was also an artist and taught his only daughter to paint. Artemisia was introduced to painting in her father's workshop, where she showed much more talent than her brothers, who worked alongside her. She learned drawing, how to mix color, and how to paint. Her approach to subject matter was different from her father's, because her paintings are highly naturalistic, while his are idealized.Her own dreams seemed well recorded in letters she wrote conveying the fact that she understood that her status as a female painter was unusual. Also she knew that she posed a threat to the male establishment and

Artemisia Gentileschi grew up during the male- dominated post- Renaissance and was able to achieve recognition for her pieces. She is still known today as one of the greatest female painters of the Baroque period. Her father, Orazio Gentileschi, was also a well-known Roman artist and trained her at an early age where she eventually applied to an art academy. The academy however, rejected her enrollment and she went to study under Agostino Tassi who was a family friend. Her father took Tassi to court after he raped Artemisia which caused her immense emotional trauma. Tassi refused to marry her after the incident which is why her father took him to court. The trial went on for over seven months and changed the style and mood of her art. Her paintings

In the 1960's, Polish artist Magdalena Abakanowicz found worldwide praise for her imaginative abstract woven hangings that were made of different kinds of fibers and rope. In the 1970's she started to make freestanding sculptures from burlap, string and cotton gauze. After 1974 her work started to consist figures like bodies without heads, torsos without legs etc. These figures are displayed as hollow shells and were made of hardened fiber casts that came from plaster molds. Even though her figures were incomplete the hollow inside is considered to be just as important as the crafted outside. The lines, creases and ridges of the hardened surafce take on natural characteristics that can be compared to the earth's surface or the "cellular composition of human skin.

The painting Salome with the Head of John the Baptist by Giovanni Antonio da Pordenone depicts Salome with the head of John the Baptist on a platter after having the head requested by Salome’s mother who is presented on her right side, with the executioner on her left. This painting is similar in meaning to Judith with Head of Holofernes by Fede Galizia which shows a women named Judith elaborately dressed in wealthy clothing and jewels holding the head of Holofernes, her enemy, while her maid is in the shadows. Both paintings are painted with oil on canvas and are hanging in the Ringling Museum in Sarasota, Florida. Because both paintings show various art elements and principles, they are alike in design.

In each of the paintings, the figures appear somewhat different to each other, with those in “Judith Slaying Holofernes” looking far more humanistic than that of “Judith with the Head of Holofernes”. In Mantegna’s painting, Judith and her servant, Abra, look statuesque in pose while Judith, as if in pity for her victim, turns her eyes away from the head of Holofernes that she holds above the bag her servant holds open Judith. In Renaissance art,