Artemisia Gentileschi Research Paper

The art piece that I selected for my analysis is called The Triumph of Divine Love by Peter Paul Rubens. The artwork is an oil painting on canvas, circa 1625. This piece of art was commission by Isabella Clara Eugenia, Infanta of Spain and Portugal. The Triumph of Divine Love was one of eleven art pieces in a series portraying the Eucharist cycle, an important issue in the Catholic-Protestant strife. Its purpose was to aid in the Catholic Reformation and the artwork was to be displayed at the Convento de las Descalzas Reales in Madrid. (Ringling Museum n.d.)

I traveled to the National Gallery of Art in DC to observe the impact the Renaissance had on the style and characteristics artists would use in their paintings going forward. In order to do so, I decided to compare two Italian paintings; one during the time of Renaissance, and the other predating the movement. While searching for the paintings I would compare, I stumbled across a painting in between the times of these two paintings, and I decided to compare that painting as well. To make the most accurate comparisons, I focused on the portrayals of the Madonna and Child, as this seemed to be very prevalent throughout the Medieval and Renaissance eras.

The two works of art that I have chosen is the painting The Birth of Venus by Sandro Botticelli and the poem Stanze per la Giostra by Angelo Poliziano. The Birth of Venus was created between 1484 and 1486 by Sandro Botticelli. It was created in the early Renaissance period and is currently located in the Uffizi Gallery in Florence, Italy. Stanze per la Giostra was written between 1475 and 1478 by the Renaissance poet Angelo Poliziano. Its current location is the Metropolitan Museum of Art in New York, although it is currently not on display. The Birth of Venus and Stanze per la Giostra share many similarities as Stanze per la Giostra was Botticelli’s inspiration for creating The Birth of Venus. In The Birth of Venus, Botticelli has transformed Poliziano’s words into a beautiful work of art. These works of art share the theme of beauty. While Angelo Poliziano describes the beauty of the goddess Venus in his prose, Botticelli has captured her beauty with his delicate brush strokes. I will be comparing the theme of beauty between The Birth of Venus and Stanze per la Giostra as well as connecting it to contemporary standards of beauty.

The renaissance began in Italy from the 14th to the 16th century, and was followed by the baroque period which roughly was between 16th to 17th century, each revolutionized the period prior. This is perfectly represented by two very different and yet very similar artists: Sofonisba Anguissola and Artemisia Gentileschi. Though one more so paved-the-way for the other, there connection appears to have nearly materialized out of thin air, and begs the age old psychological question of nature Vs. nurture.

rtemisia Gentileschi was born in 1593 in the city of Rome into a family of painters.

Artemisia Gentileschi is believed to have been born around 1593 and died around 1652.  Both dates are disputed to the current day.  She was one of five children and was born into the life of an artist.  Her father, who was an artist as well, loved her greatly.  Her mother died when she was twelve.  Artemisia was always a skilled painter, but her father wanted even more for her daughter.  While her works were already amazing for her age, she needed artistic guidance in order to further her skills.  One man who was hired as a tutor was named Agostino Tossi.  Tossi almost immediately was an annoying presence in the house frustrating Artemisia.  However, in 1610,

Italian Baroque painter, Artemisia Gentileschi was born in Rome on July 8th, 1593. Her father Orazio Gentileschi, who was a painter himself, introduced Artemisia to the art of painting by giving her lessons in his studio. At an early age, Artemisia displayed her interest in art and it wasn’t long until her father noticed potential in his daughter enough that she would be able to make a name for herself in the male-dominated career. Artemisia had the desire to follow in her father’s footsteps, it was then that Orazio encouraged her to follow her dreams and decided to begin training her as an artist.

The Artemisia Gentileschi article essentially follows Artemisia’s life and gives a biography of everything she went through and the kind of effect her paintings had. It gives insight into her life and takes you back to when she was a child, giving you a better understanding of why she became a feminist. This article tells you all about how Artemisia lost her mother at a young age and then was raped by one of her

Nanette Salomon, a very well known feminist writer, wrote the article, “Judging Artemisia: A Baroque Woman in Modern Art History.” The article opens up with a discussion about the 2001-2 exhibition of Orazio and Artemisia Gentileschi: Father and Daughter Painters in Baroque Italy. The author explains that three things are unusual here: the fact that two famous artists were presented at the same time, that they were related as father and daughter, and the fact that the woman was better known than the man. Her intent in this article is to look at the effects of this trope (figure of speech) in the past and in the present.

In this case her art work that has had much fame. Artemisia’s was the first female artist, this is a great accomplishment because despite all the shame people put on woman in her time, she became a well known artist and was a huge example for other woman. Gentileschi was the daughter of Orazio Gentileschi; An Italian Baroque painter. Orazio was one of the most important painters who was influenced by Caravaggio.

Artemisia Gentileschi was an Italian female artist born on July 8th 1593 in Rome. She was born to Orazio Gentileschi, a well-known Italian artist and her mother Prudentia Montone who died when Artemisia was only 12 years old. She had a rough childhood growing up in a male dominated era where her talents were often overlooked, she was rejected from art academies but luckily had her father to help her learn how to paint. Her father agreed to have Artemisia tutored by his coworker Agostinio Tassi in 1611 who eventually raped Artemisa. Her father pressed charges 9 months later when Tassi decided not to marry Artemisa and was sentenced to 1 year in prison that he never served. The trauma of her rape deeply inspired her work in which she painted

Artemisia Gentileschi was a fame painter and was born on July 8, 1593 in Rome Italy. Florence was were she lived for many years. In 1630, she moved to Naples. With her early life history, she was one of the greatest female painters which her painting was focused on female protagonist. Her father helped her to develop her artistic skills. She lost her mother at the age of 12 years. She went through a lot of difficulties and struggles but with the help of the father, she made it through successful. Her union gave her the chance to prosper as an artist.

Considered one of the most important artists of the Baroque movement in Early Modern Europe, Artemisia Gentileschi, had to prove herself and break down the boundaries for a woman in a male dominated field. Artemisia was born in Rome on July 8, 1953 to Orazio and Prudentia Monotone Gentileschi, who died when the artist was only twelve years of age. Her upbringing was left to her father, who was also a well-known painter. He trained her since she was not permitted to learn in the studios of successful artists of the moment. Orazio introduced his daughter to the working artists of Rome including Caravaggio, whose tenebrism technique and chiaroscuro style had a great influence on her paintings.

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"Art HERstory: Artemisia Gentileschi | M.I.S.S.." Pop Culture Lifestyle Network- Pop Culture and Lifestyle Blog. N.p., 24 Feb. 2010. Web. 19 Apr. 2011. <http://www.missomnimedia.com/2010/02/art-herstory-artemisia-gentileschi/>.