Arthur Dimmesdale Dbq

In the novel, The Scarlet Letter, Hawthorne shows sins of several different kinds in numerous people, as well as the consequences and remedies of their sins. Arthur Dimmesdale, bares the most brutal effects of his sins. Hester Prynne recognized her sins and accepted them. She wore the letter “A” with such pride and dignity. Dimmesdale on the other hand knew what he did was unacceptable and was unable to confess his sins, because of the fear of not being accepted into society, and also the fear of not being forgiven by God.

The scaffold appears early in the when Hester Prynne is forced to climb up to the scaffold where her punishment will be carried out. The mother and child are gawked at and humiliated, as they are forced to stand there on display for the town. Hawthorne writes:

In the second scaffold scene, it seems as if Hester has changed from sinner into a citizen who now has a job in society, and that she no longer yearns for Dimmesdale and Dimmesdale no longer covets her. However, this is not true. Hawthorne writes, “The moment that he did so, there came what seemed a tumultuous rush of new life, other life than his own, pouring like a torrent into his heart, and hurrying through all his veins…The three formed an electric chain.'; (page 105) The reader learns from this quote that Dimmesdale and Hester still have a great love for each other. It is also from this quote that the “A'; on Hester has not worked as well as it was intended. Hester still has a great love for the man with whom she had an affair and this may never change. Furthermore, her banishment has given her time to focus on her love for Dimmesdale. Here the scaffold represents Hester’s unwillingness to not love Dimmesdale.

In contrast to the first scaffold scene, the second one happened during the night, completely unseen by the other villagers. Again, we see Dimmesdale and Hester (and Pearl), but this time, the lovers appeared to be both on the platform of shame. In this passage, Dimmesdale finally decided to act upon his guilt since he “had been driven hither (to the scaffold) by the impulse that Remorse which dogged him everywhere” (132-133). This scene symbolizes a moment of great insight for the minister because he started to understand a way to repent himself. As Dimmesdale touched his little girl’s hand, he experienced “[an]other life than his own, pouring like a torrent into his heart and hurrying through all his veins, as if the mother and the child were communicating their vital warmth to his half-torpid system” (137). The miserable sinner, who lived in utter darkness and despair for such a long time, at last began to grasp his responsibility towards Hester and Pearl and his role in the redemption of all three characters. However, Dimmesdale’s insight was not complete because he was still bounded with fear. When Pearl asked him to expose his sin to the public and admit her as his legitimate child, his courage

First, Hester’s time spent on the scaffold, alone with her three month old child, then shortly after when Roger Chillingworth tends to her and Pearl while she is still in the prison. A third important scene being Dimmesdale, Hester, and Pearl on the scaffold in the darkness with a red letter ‘A’ blazing in the sky above them. Next, is Hester and Arthur’s meeting in the forest where they share plans for the future as well as a kiss. And lastly, the last moment on the scaffold where sins are revealed and forgiven as the Reverend passes away in his love’s arms. Of course there are other key points in the novel, but these are just a few major points in the

In the first scaffold scene Hester Prynne is depicted standing alone while clutching her baby. She has been sentenced to the scaffold for three hours to face public condemnation. In the Puritan society, where this novel is set, public shame is a source of entertainment. On this occasion the townspeople are present to watch the judgment of Hester.

The transgressions that Reverend Arthur Dimmesdale perpetrates all begin when he commits adultery, and that causes him to reject his own daughter Pearl and her mother Hester. However, he still puts forward various different forms of atonement to pay for the awful wrong doings. When Hester is standing upon the scaffold Dimmesdale along with the other clergymen “stood in a

Dimmesdale has a largely different approach to dealing with his sin. Arthur Dimmesdale handles his terrible guilt by concealing it to himself. To overcome it he would whip himself, and take long walks into the forest. Dimmesdale’s act of concealing his guilt shows that he is not brave enough to tell all and there for he must live fearfully and cowardly. This guilt he has chose to endure is much worse than any shame he would have felt had he just confessed his sin of adultery with Hester. Since he was a moral leader in his town he felt an obligation to keep it a secret but like in many cases where guilt is concealed, the sinner eventually reasons enough to confess. Dimmesdale does the same and confesses his sin to the townspeople. “He longed to speak out from his own pulpit, at the full height of his voice, and tell his people who he was.”

The settings in which Dimmesdale’s public and private lives are set are distinguished. The scaffold is considered the public setting in the novel; not only is this where Hester was humiliated in front of the community, but it is also where Dimmesdale makes his final plea for the townspeople takes place. Generally, the forest is where the private conversations occur; it is where Hester and Dimmesdale talked to each other in privacy for the first time since their affair and where their sinning happened.

In the third scaffold scene, Hester, Pearl, and Dimmesdale reunite together on the scaffold. As others recognize who her secret lover is, the community perceives Hester as a sympathetic figure. When Hester is standing with Dimmesdale on the scaffold, he confesses his immoral actions and shows his version of the scarlet letter on his chest. After seven years the Reverend proclaims, “In the name of Him, so terrible and so merciful, who gives me grace, at this last moment, to do what---for my own heavy sin and miserable agony---I withheld myself from doing seven years ago, come hither now, and twine thy strength about me!” (226).

He believes it stands for adulteress while other people think it stands for angel since the governor just passed away (161).  This scene also shows how Hester is managing her new situation.  When Dimmesdale tells her to come up the scaffold and asks her where she has b! een, she replies that she has been measuring the robe that the governor is to be buried in (158).  This statement implies that Hester's reputation as a talented seamstress has spread.  Ironically, her first well known piece of work was the scarlet letter that she wore on her chest.  As a result, she owes her own success to her infamy.  Besides growing older, Pearl's most significant change is in her perceptibility (158).  In this scene, she constantly asks Dimmesdale if he will be joining Hester and herself on the scaffold tomorrow at noon and accuses him of not being true (162).  Neither Hester nor Dimmesdale ever told Pearl who her father was, but she figures it out by the way he always holds his hand over his heart (159).  Chillingworth's derangement is evident in this scene also.  His contempt for Dimmesdale is so acute that he risks his cover when he gives him a look so vivid as to remain painted on the darkness after the bright meteor that just passed, vanishes (161).

In the third scene the reader can start to understand how Chillingworth is driving Dimmesdale, who was the man Hester committed adultery with, insane. It also shows

Dimmesdale as an individual and through his secret actions symbolize how self-centered and egotistical he is. Both Dimmesdale and Hester committed adultery, but Hester was the one who got all the hatred and disrespect from everyone in the Puritan town. She went through some awful situations with the scarlet letter, and it changed her so much. While she was going through all this pain, Dimmesdale was hiding his sins. This was a selfish act by Dimmesdale towards Hester and Pearl, but not admitting the sin bit him right in the butt. He was torturing himself and receiving physical pain in various ways; he whipped himself, stared at the mirror for periods of time, and starved himself. Even though he didn’t reveal his sin to the public, his heart was still “making itself guilty of such secrets” (127). He felt very guilty for the agony that Hester has been through. She has experienced hatred from herself mentally and from the Puritan people verbally. He didn’t want the people to treat him like they treated Hester; he loves how he gets respect from the townspeople. The only pain he has received was from himself mentally and physically, but not verbal and emotional pain like Hester. He doesn’t want to experience those dreadful moments that she had gone through. This action proves to the readers how Arthur Dimmesdale symbolizes self-centered

But Hester turns her back on these escape routes.  She stays in the settlement, shackled, as if by an iron chain of guilt, to the scene of her crime and punishment.  As Hester stands on the scaffold, thinking of her husband, he appears before her startled eyes at the edge of the crowd.  And his first gesture is indicative of the man.  Whatever shock or dismay he may feel at seeing his wife on the scaffold he immediately supresses his emotions and makes his face the image of calm.  The glance he bends on Hester is keen and penetrative.  Here is someone used to observing life rather than participating in it.  His is a "furrowed visage" (43).  Chillingworth looks like a man who has cultivated his mind at the "expense of another faculties - a perilous enterprise, in Hawthorne's view" (Loring 187).  Where his overbearing intellect will take him, Hawthorne wants us to think that he could be the catalyst for great conflicts later in the novel.  Chillingworth's finger raised to his lips, commanding Hester's silence, begins a pattern of secrecy that is the mainspring of the novel's plot; a secrecy that Hester must maintain in order to protect both her and her husband from the harshness of the Puritans.  Hawthorne's emphasis on the ability of Chillingworth to analyze the human mind and reasoning foreshadows his treatment of Dimmesdale later in the novel.

Firstly, In the Scarlet letter Dimmesdale is introduced as a famous minister who is loved by many, he is rather young, but seems to have health problems caused from a heavy guilt he holds because of a passionate night he had with Hester Prynne a married woman. This guilt destroys Dimmesdale internally as explained by Hawthorn in the following line found in chapter ten “better for the sufferer to be free to show his pain as, than to cover it all up in his heart” In this line Dimmesdale admits that it is better to be free of guilt by letting your sins be known rather to keep those sins hidden like he has done. The act of keeping his sins hidden and bottled up inside have destroyed him mentally.