Arthur Miller 's Death Of A Salesman And Tennessee Williams ' A Streetcar Named Desire

    The author use Blanche and Stella see how the male companions as their only happiness and depend on the men to do stuff. In scene three it show the boys are playing poker around the kitchen table and drinking whiskey and very noisy in Stanley house during that time Blanche and Stella were not welcome while the boys is playing poker. While the boys were playing poker and the girls gossip and listen to the radio, but Stanley was mad at the noise the girl make because he loss major of his money from playing poker. “[ Stanley stalks fiercely through the portieres into the bedroom. He crosses to the small white radio

Since the beginning of its time, America has set a global standard for offering chances at prosperity and career opportunities for qualified adults. Its people have been implicating the idea of the “American Dream” into its culture for many years and has become widely recognized by individuals all across the world. People pack up their lives and families to travel to American soil to try at a chance of a better life, and in doing so, they too venture on a path to achieving this so commonly understood “American Dream.” Arthur Miller, a well-known literary writer in America, seems to disagree with this national phenomena, offering a different view in his play Death of a Salesman. In this play, he demonstrates through the life of an average

The Glass Menagerie by Tennessee Williams and Death of a Salesman by Arthur Miller are two of the twentieth century’s best-known plays. The differences and similarities between both of the plays are hidden in their historical and social contexts. The characters of The Glass Menagerie and the Death of a Salesman are trapped by the constraints of their everyday lives, unable to communicate with their loved ones and being fearful for their future. There are a lot of comparisons that exist, especially between the settings, symbolism and characterization drawn between the two plays. The contrast comes form the ways that the characters choose to deal or not with the harsh circumstances of life.

To live in a world of illusion is to live a life of lies.Sometimes people try to escape reality, whether to avoid truths or to avoid their past. A Streetcar named Desire by Tennessee Williams introduces Blanche Dubois as the main protagonist and potential victim of the story. In the story, Blanche leaves her home in “Belle Reve” because it has been destroyed and takes a streetcar to to get to her sister’s (Stella’s) residence. She believes that she will find a new life as well as comfort and acceptance at her sister’s side. Unfortunately she is very wrong about it, in fact, it is the complete opposite. Blanche’s past life was very shameful for her and so in order to forget the tormenting truth, she resorts to living a fantasy life of her own, which causes problems for her later on (self-destruction).

Husbands and wives assume a vow of support for one another as they embark on a lifelong journey together through the ups and the downs. In Arthur Miller’s play Death of a Salesman, the main character, Willy Loman, is an aged and failing salesman attempting to provide for his family without asking for help from anyone. His wife, Linda Loman, is one of the most intelligent and levelheaded characters in the play. Although her husband treats her poorly at times, she ceaselessly supports him and does everything in her power to ensure his happiness. Linda understands Willy’s declining mental health and knows that he is becoming less stable each day. Through her continued support of Willy and his unrealistic aspirations, Linda allows Willy’s mental decline to continue without attempting to keep him in check with reality. By ignoring Willy’s mistakes, failures, and blatant suicide attempts, Linda permits Willy’s disconnect from reality to continue until she is freed by his eventual death.

Tennessee Williams’ A Streetcar Named Desire is a web of themes, complicated scenarios, and clashes between the characters. Therefore, it might’ve been somehow difficult to find out who the protagonist of this play is if it wasn’t for Aristotle’s ideas of a good tragedy because neither of the main characters, Stanley Kowalski and Blanche Dubois, is completely good nor bad. According to Aristotle’s Poetics, a good tragedy requires the protagonist to undergo a change of status which only happens with Blanche Dubois.

The setting of the play is limited to the Kowalskis’ apartment and the street directly outside. Williams' play certainly has unity of place; the entire drama takes place in the French Quarter in New Orleans. This unity of place helps to create the conflict between Stanley and Blanche as a fight for territorial dominance because she is an intruder in his home, bringing values and ideas that he hates. The setting is significant as it helps the audience to realize the conflict between Blanche and Stanley. The bed is a central feature in the setting of the play and the bathroom functions as a place of refuge for Blanche (O'Shea 11).

“A Streetcar Named Desire” is not only considered to be the best play written by Tennessee Williams but is also arguably one the greatest plays ever written. The play has a very Shakespearean sensibility with a southern twist while also having an original complexity woven throughout the entire body that became unique as William’s signature artistry. The most important attributes of the play is the construction and motivation of the characters, the juxtaposition of illusion and reality, as well as the relationship between the dialogue and stage directions. The play’s characters are ultimately defined and driven by their gender identity and sexuality, hence the title “A Streetcar Named Desire”. This is evident in the number of

In Tennessee Williams' "Streetcar Named Desire," tragedy threads between every character - most poignantly tied in Blanche Dubois. "Tragedy and the Common Man," written by Arthur Miller, argues that true tragedy stems from displacement. When a person loses their place, they lose sight of purpose, ultimately leading to a downward spiral. Rhetorical devices Williams chooses, such as language pointing to location, diction reflecting class and social structure, and the foreboding hysterical levels Blanche reaches strategically reveal and perpetuate the aforementioned tragedy of Blanche Dubois.

“And so even though we face the difficulties of today and tomorrow, I still have a dream. It is a dream deeply rooted in the American dream,”-Martin Luther King Jr. The American Dream is simply the idea that every person has the same chance to achieve success through hard work. The Death of Salesman by Arthur Miller and Fences by August Wilson closely hold a relatable pursuit of the American dream. In both texts, the parents and children were torn apart from each other because of their pursuit of the American Dream. This goal (American Dream) tears the families apart because in Fences Cory wants to follow Troy’s footsteps by playing a professional sport, but Troy doesn’t want him to get involved in sports because of he has experienced

Arthur Miller in his play Death of a Salesman and John Steinbeck in his novella Of Mice and Men portray characters in light of hopelessness and not achieving the American dream. Although the play and the novel are different, they share clear similarities. Characters in both texts want to pursue the American dream. Steinbeck set the novel in 1937 because the Great Depression had started nine years before. Steinbeck may have set the novel at the time to show the impact the Depression had on migrant workers and people who were living in America. This shows hopelessness and the failed American Dream because many businesses failed at the time and there was a lot of poverty. This suggests that people were poorly paid even though they worked for a living. On the other hand, Death of a Salesman was written in 1949 after World War II. However, the economic boom started in America 1920 and was after World War I. Even though, the war did not directly affect American society, the demand for American good was rising rapidly and this caused rapid growth for the farming and industries. These circumstances inspired the authors to portray real life characters in their struggle.

Synthesis Essay When one has a strong opinion they will go to great extents to prove their point. It does not matter how much their opinion will hurt someone, they will still write about it and express how they feel. This is exactly what Tennessee Williams did. Tennessee Williams, in his play A Streetcar Named Desire, incorporates his own personal issues with drug addiction to bring to light real world grotesque problems, which influenced many writers in the Southern Gothic era.

What is the correct definition of tragedy anyways? Many people would define tragedy as a disaster, but according to the book The Cambridge Guide to World Theatre by Martin Banham, the word tragedy is “a word whose meaning changes with time and place” (1002). In Medieval times, “tragedy came to mean the downfall of a person of high degree” (Banham 1002), but in recent times, the meaning of the word tragedy has many definitions. According to Banham, “realists refused to limit tragedy to privileged protagonists” (1002). Two famous tragic plays that I found to have a genre of tragedy are Death of a Salesman by Arthur Miller and Eurydice by Sarah Ruhl. In both of these plays, the downfall was not of a person of high degree but there was a

When she arrives on her sister’s doorstep, the tragic hero of Williams’ play A Streetcar Named Desire, Blanche DuBois, is blatantly out of place. However, with no where else to go, the former aristocrat arrives at the home of Stella and her husband Stanley in downtown New Orleans. Once there, Blanche seeks refuge from reality through the acceptance of men. However, Stanley, sees through Blanche’s compulsive lies and investigates her suspicions past. After being confronted and sexually abused Blache’s increasingly disillusioned mental state compels Stella to put her sister in a mental hospital. Willy Loman, the protagonist of Arthur Miller’s play Death of A Salesman, experiences a similar mental deterioration. After an unsuccessful business

Lori Freshwater interprets both plays, Death of a Salesman and A Streetcar Named Desire, as being primarily optimistic plays that make meaning out of the meaningless, but Freshwater’s reading does not account for the darker, lonelier, hopelessness that is seen throughout both plays. She writes, “Hearts that Refuse to Burn: American Existentialism in the plays of Arthur Miller and Tennessee Williams,” to further her point that the authors, Miller and Williams, had optimistic views when writing their plays, but just how optimistic are they? Both of their characters live in a dark, unforgiving world that is filled with obstacles. When they think they find light there is a shadow cast right behind it. Their lives are formed by the overcoming