Arthur Miller 's Death Of A Salesman

In Death of a Salesman, Arthur Miller’s character, Willy Loman, is desperately trying to achieve the unattainable American Dream. Throughout the play, Willy encounters many challenges that have derailed his course and his perseverance drives him and his family insane.

In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.

In Arthur Miller’s Death of a Salesman, the author conveys the reader about how a person lives his life when he or she cannot live the “American Dream.” Willy Loman, the main character in the play is a confused and tragic character. He is a man who is struggling to hold onto what morality he has left in a changing society that no longer values the ideals he grew up to believe in. Even though the society he lives in can be blamed for much of his misfortune, he must also be the blame for his bad judgment, disloyalty and his foolish pride.

In “Death of a Salesman” by Arthur Miller, Willy Loman is the well-developed protagonist of the story. Willy struggles throughout the story with daydreams and delusions that he confuses with reality. These delusions have a huge effect on the story and greatly impact Willy’s life. Willy has a difficult time keeping his bills paid with his job as a traveling salesman. He works long hours and drives long distances for very little success. His delusions cause him to believe that his work is successful when it is far from it. “Willy is self-deluded, believing wholeheartedly in the American Dream of success and wealth. When he fails to achieve this, he commits suicide—yet until the end he never stopped believing in this American Dream” (Sickels).

The play, Death of a Salesman by Arthur Miller, takes issue with those in America who place too much stress upon material gain, at the expense of other, more admirable human values. Miller uses flashbacks to provide exposition, to foreshadow the upcoming tragedy, and most importantly to reveal character traits. An analysis of the main character, Willy Loman, illustrates the underlying theme that the concern over material success breaks down the bonds between men that form the basis of a smooth-functioning society.

In the play, Death of a Salesman, Arthur Miller establishes Charley, a humble and successful salesman as the foil to Willy Loman, a prideful and arrogant man. Charley is the perfect character to help depict Willy’s flaws. Although the two contrast with each other, their characteristics help maintain a balance between them. Willy Loman lives in his own world, where he believes that in order to be successful, one must be well liked with a great appearance. “The man who makes an appearance…is the man who gets ahead” (Miller 1568). These are obvious words from Willy which proves that he does not believe in hard work. He instills within both of his children that looks and personality are all that matters. The characteristics of Willy allow us to grasp the idea that he lives within a false reality. He is a man living within a child’s fantasy based off of the life of Dave Singleman. The very words he spoke against his neighbor Charley and his son, Bernard, are the very words that prove him wrong.

Since the beginning of its time, America has set a global standard for offering chances at prosperity and career opportunities for qualified adults. Its people have been implicating the idea of the “American Dream” into its culture for many years and has become widely recognized by individuals all across the world. People pack up their lives and families to travel to American soil to try at a chance of a better life, and in doing so, they too venture on a path to achieving this so commonly understood “American Dream.” Arthur Miller, a well-known literary writer in America, seems to disagree with this national phenomena, offering a different view in his play Death of a Salesman. In this play, he demonstrates through the life of an average

Willy Loman, the central character in Arthur Miller’s Death of a Salesman, is a man whose fall from the top of the capitalistic totem pole results in a resounding crash, both literally and metaphorically. As a man immersed in the memories of the past and controlled by his fears of the future, Willy Loman views himself as a victim of bad luck, bearing little blame for his interminable pitfalls. However, it was not an ill-fated destiny that drove Willy to devastate his own life as well as the lives of those he loved; it was his distorted set of values.

As though to recreate the connection in life, literature often shows the relationship between past events and a character’s present actions and values. In Arthur Miller’s Death of a Salesman, Willy is haunted by memories of his older brother, father, and salesman Dave Singleman. Willy’s character and values are constantly influenced by the memory of the three men, compounding upon his deliria throughout the play. Willy considers these men the epitome of success, thus explaining his dependency on all three. Miller’s view on society, men, and the success of the American Dream are portrayed through Willy’s interactions with the men. The American Dream is synonymous with the phrase “the world is your oyster,” but Miller uses Death of a Salesman to criticize the American Dream through Willy Loman and his interplay between the past and present.

What is the correct definition of tragedy anyways? Many people would define tragedy as a disaster, but according to the book The Cambridge Guide to World Theatre by Martin Banham, the word tragedy is “a word whose meaning changes with time and place” (1002). In Medieval times, “tragedy came to mean the downfall of a person of high degree” (Banham 1002), but in recent times, the meaning of the word tragedy has many definitions. According to Banham, “realists refused to limit tragedy to privileged protagonists” (1002). Two famous tragic plays that I found to have a genre of tragedy are Death of a Salesman by Arthur Miller and Eurydice by Sarah Ruhl. In both of these plays, the downfall was not of a person of high degree but there was a

American playwright Arthur Miller’s 1949 creation, Death of a Salesman, is adapted for the small screen by German director Volker Schlöndorff. This 1985 made-for-television film stars Dustin Hoffman as protagonist William “Willy” Loman. Kate Reid, John Malkovich, and Stephen Lang round out the Loman family in the roles of Linda, Biff, and Harold "Happy," respectively. The film closely follows Miller’s original work as it tells the story of Willy, an overworked and underappreciated salesman, losing his grip on reality and his career. For the most part, the film is shot from static cameras that give it a similar feel to what would be experienced as an audience member viewing a live theatrical performance. There is no visible proscenium arch, implying that, although the film did not use a camera dolly to achieve long flowing shots, the various scenes visible on stage throughout the film are part of a sound stage and not a traditional theatre.

Miller uses the element of the characters to presents the theme of lacking awareness of reality. A main contributor to this theme is the character of Willy Loman. In the play Willy refuses to acknowledge that he should have pursued a career as a carpenter. Willy is attached to the idea of being a business man even if he is not successful or happy throughout his career. This has blinded him from seeing that becoming a carpenter would have brought him more success and happiness

Arthur Miller’s Death of a Salesman tells the tale of Willy Loman, a man who falls from the top of the capitalism system in a resonant crash. Being controlled by his fears of the future, and stuck in his memories of the past, Willy fully contributes to his self-victimization by putting little blame on his own mistakes. Although Willy is perceived as selfish, it is important to see that he is misguided. His character is one of a common man, he has never been anything special, but he chose to follow the American Dream and continue the “destiny” it gave him. However, in my reading of the play, I feel it was not an unlucky destiny that pushed Willy to damage his own life and the lives of his family,

More than that, he wanted to become that man that he admired who died “the death of a salesman” in his “green velvet slippers” whose funeral garnered many loving friends and family (Miller 81). Audiences can relate as they too have had an idol in their head that they have aspired to become. Seeing the aspirations of Willy warrants pity in the audience when they see what a failure Willy Loman becomes. Failure is what consumes Willy. He understands that that is his life. But in his deep deluded mind twisted with broken memories and false hopes he can never truly accept it. He never has that point of discovery that a tragic hero does. Willy Loman never realizes the doom waiting for him at the end of his downward spiral. Even his attempts at suicide, and finally his one successful one, were misguided and were attempts to become something greater. No one shows up at the funeral besides his family. He is not great like a tragic hero. Willy Loman is a nobody, he is only a tragic hero to himself, just like everyone in the audience. Everyone sings the song of their own tragedy . That is the American tragedy. Everyone is the American tragic hero with their own tragedy. Arthur Miller captures the Average man with the average family and average dreams, living an average life with no gain in the end.

Miller presents Willy Loman as an incredibly unstable, troubled and misguided salesman, with imaginations from his past (51). He emphasizes his preoccupation with success and boggles between diverse experiences of his life. Conversely, Miller makes it evident that Willy is not a successful man and depends on others for assistance (52). There is a strong resentment in Willy's personality and his deeds presume a more outstanding past than was the case. Willy imagines the neighborhood just like years ago and is sentimental for his time working for Wagner (Miller 52). The play is a mixture of confrontations, dreams, arguments and memories, all of which makeup the turning point of Willy’s life. The play ends with Willy's suicidal act and successive funeral (Miller 60).