Arthurian Character Of Sir Gawain

​Sir Gawain, nephew to the well-known King Arthur of the Round Table, is regarded as the most elite and noble of all the knights in the poem Sir Gawain and the Green Knight. Yet, like anyone else in the world, Sir Gawain is far from perfect. Gawain, a courteous knight living a life dedicated to honor, courage, and self-preservation, is tested on his chivalrous code throughout his journey; a search for the Green Knight. Throughout the tests, Gawain’s actions reveal that even the best of men can be selfish and are subject to guilt and sin.

Throughout the Arthurian legends, Sir Gawain seems to be the epitome of a noble knight. He is always putting his king before himself, repeatedly sacrificing his own life in some way for King Arthur. He is an honorable knight that lives up to his word. This is evident in both Sir Gawain and the Green Knight and "The Wedding of Sir Gawain and Dame Ragnell." In these stories, Gawain lives up to the expectations of a knight belonging to the legendary Round Table.

When talking about a morally ambiguous character, many ideas may float to mind. Perhaps a Dr. Jekyll type of person will pop up in your mind, or maybe just simply a person who doesn’t let morality get in the way of their ambitions. For a character to have a sense of evil present in them, it is not necessary for them to walk around with an ominous laugh, or anything comical in those lines. Similarly, for a character to have a sense of good, it does not mean they have to be perfectly correct either. In order to put the morally ambiguity into perspective, it is necessary to analyze the presence of both good and evil into a real character, and how it affects the story as a whole. From the Pearl Poet’s chivalric romance, “Sir Gawain and the Green Knight”, Sir Gawain is an excellent example of a morally ambiguous character. In the poem, Gawain’s purely good image was shattered when he cut off the Green Knight’s head, since he took the game as a challenge. That event could be considered as the event that set the plot into action, as the following events are all resulting from Gawain’s action. However, Gawain symbolizes good by initially embracing the knight's moral code in accepting the challenge and then, agreeing to the terms of the Green Knight. Gawain still symbolizes goodness by demonstrating proper knightly actions at times. The Pearl Poet uses Gawain as a morally ambiguous character to set up the plot. He firstly sets up Gawain as a good character, then uses a series of

In many works of literature, many archetypes (or symbols) are used to help the reader understand the story of a hero’s quest. In the Sir Gawain and The Green Knight, the hero has to go on a fatal journey to uphold the reputation of Camelot. While enduring that journey, Gawain has to conquer many trails. Gawain’s succession of trials leaves the hero, like Coleridge’s Ancient Mariner, a “sadder but wiser man.” With all the trials that Gawins intakes, many archetypal characters contribute to the theme of the story.

    Gawain’s loyalty to King Arthur is unquestionable. To begin this story, there is a Green knight who proposes a game to a room full of Arthur’s knights. When no man volunteers to play with the Green Knight, Gawain steps in to save his king’s life and reputation. Before accepting the Green Knight's challenge, Gawain asks Arthur to “...command me to step from the dias and stand with you there, / That I might without bad manners make down from my place…” (From Sir Gawain…, ln. 121-122). By doing so, not only does Gawain step up to the green knight for his king, but he also goes about it in a very chivalrous, respectful way to his king above all of us. By respecting his king and being the only man to step up to the challenge and risk his life for his king, Gawain shows loyalty, which in turn follows chivalry, putting his honor above his life.

Medieval romances are dramatic theatrical narratives that usually include heroes, adventures, and of course the excitement of love. These stories have been around since the 12th century, first appearing in France and then later seen in England. They were some of the most popular texts of the era. Sir Gawain and the Green Knight is one of these stories introduced in the 13th century. In fact, it’s so old that nobody knows who even wrote the poem. Sir Gawain and the Green Knight is an exciting tale where Sir Gawain is tested as a knight by facing challenges and adventures. Sir Gawain and the Green Knight shows us the all the main traits and characteristics of a medieval romance, such as supernatural elements, mistaken identity, larger than life characters, and lastly a hero facing and passing tests of loyalty.

In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.

In Sir Gawain and the Green Knight, the character of Sir Gawain, nephew of the famed Arthur of the Round Table, is seen as the most noble of knights who is the epitome of chivalry, yet he is also susceptible to mistakes. His courtesy, honor, honesty, and courage are subjected to various tests, posed by the wicked Morgan le Fay. Some tests prove his character and the chivalrous code true and faultless, like the time he answers a challenge although it might mean his death, or remains courteous to a lady despite temptation. Other tests prove his character and the chivalrous code faulty such as the time he breaks his promise to his host, and when he flinches from a harmless blow.

Even in the middle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a “Call to adventure” (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.

Gawain, a knight of the famed King Arthur, is depicted as the most noble of knights in the poem Sir Gawain and the Green Knight. Nonetheless, he is not without fault or punishment, and is certainly susceptible to conflict. Gawain, bound to chivalry, is torn between his knightly edicts, his courtly obligations, and his mortal thoughts of self-preservation. This conflict is most evident in his failure of the tests presented to him. With devious tests of temptation and courage, Morgan le Fay is able to create a mockery of Gawain’s courtly and knightly ideals. Through the knight Gawain, the poem is able to reveal that even knights are human too with less than romantic traits.

In Arthurian romances, the knight Gawain fulfills a central role as a member of the legendary Round Table. Alone or accompanied by other chivalrous knights, Gawain traverses the land of Logres, searching for adventures and achieving great feats of heroism. To those he encounters on his quests, Gawain often represents the epitome of chivalry and knightly valor. However, Gawain’s actual characterization is not constant in every tale where he is present. In Sir Gawain and the Green Knight, Chretien de Troye’s Perceval, and Sir Thomas Malory’s Le Morte D’Arthur, Gawain’s character vacillates from being the paragon of chivalry to the antithesis of heroism, and these characterizations serve as a foil to the figures of

Death, fallibility, flaws, and mistakes are all traits that make us humans. Authors throughout the ages have written epic tales about great men that became heroes, but the heroes always have a flaw, an imperfection, or a weakness that helps to remind us that they, despite their strengths and almost perfect personalities, are human too. Gawain is just the same. In one story, he is portrayed one of the most noble knights, but in another Gawain is a grief ridden man seeking revenge on the man that dishonored his liege lord and himself. Gawain shows that any human being, no matter how educated, composed, or chivalrous, can have a breakdown.

Throughout the history of fictional writing, cultural values of certain time periods have been expressed and implemented through the depiction of the heroes’ experiences on their journeys and the knowledge they gain by the quest’s end. For example, in Sir Gawain and the Green Knight, a chivalric romance written in the Late Middle Ages, Gawain epitomizes a knight with the characteristics that knights from the Late Middle Ages were expected to possess according to the requirements outlined in the rules of chivalry, such as honor and valor. Likewise, Beowulf, the hero of the folk epic Beowulf, embodies the qualities of an exemplary hero as well as king. Therefore, in both stories, the reader encounters a heroic character that is presented with traits that Anglo-Saxons and the Middle English valued in their culture through their stories’ monomyths, a concept of similar and structural sequences that can be applied to many stories, created by Joseph Campbell. Some of these values are carried from the Early to Late Middle Ages and can be seen through the works of both Sir Gawain and the Green Knight and Beowulf.

Arthurian stories have been around for hundreds of years, and many people still read them today. Sir Gawain, in Sir Gawain and the Green Knight by the Pearl Poet, is a righteous, noble, and loyal knight along with Sir Galahad in Le Morte D’Arthur by Sir Thomas Malory. Sir Gawain and Sir Galahad are similar because both are very religious, but they are also different in the fact that Sir Galahad is a considered a perfect knight and Sir Gawain does not quite meet that level.

Romantic works of the Arthurian age have existed over a number of eons tracing back to quite a number of languages native to the writers that immortalized the tales, this including Welsh, English, French, German, Spanish, Italian, Dutch and Scandinavian. Medieval romance is defined by the ideals that stood out from the tales including the romance, honor, loyalty and the moral authority as well as it explicated the social order which left a lot to be desired of the position of feminism in the society. Marie de France perhaps the only female write of her time has quite a number of Arthurian tales to her name up to including Equitan, Le Fresne, Bisclavret, Larval, Yonec, Laustic, Chaitivel and Chevrefoil. Her two works, Lanval and