Artists Of The Cucumbist Movement

Though, throughout this time period, “the great majority of Americans disliked or even despised modern art,” it was an essential art movement in the 1950s and 1960s, and the “CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years,” creating a meaningful impact on the outcome of the Cold War (Saunders). “Abstract Expressionism stood for, above all else,

The violent clash of patriarchal Europe with the Americas and other parts of the world during the colonial period directly caused a degree of cross cultural diffusion that is evident within art. During this period of immense change, european artists sought to innovate and take a modern approach to their work, breaking away from the established mold. Abigail Solomon-Godeau write of one such artist from this period, Paul Gauguin, not only for his experimentation into expressionism but for the relation to which he viewed the native people of Tahiti, regarding them from a primitivist lens, appropriating much of their culture, and the sexualization of women.

German Expressionism is a kind of art that is supposed to make you feel something. When you look at a painting such as “The Scream” by Edvard Munch (1863-1944), you ask yourself what kind of emotions does this painting give you. A group of early 20th century German artists used the term “expressionism” to desribe the way they produced art. The title later turned into “German Expressionism”. This art movement was prominent during 1905-1925. In German it is known as “Die Brucke” and “Der Blaue Reiter”. Unlike Impressionism, its goals were not to reproduce the impression by the surrounding world, but to express the artists feelings on the surrounding world. Expressionism comes from the route word “expression” which

Kandinsky transformed colour into a completely abstract art absolutely divorced from subject matter. The fauvists and expressionists shared an appreciation of the pure and simplified shapes of various examples of primitive art, an enthusiasm that was generated by Gauguin and extended to Picasso, Brancusi, Modigliani, Derain, and others.

The main themes were modernity and modernism; there were many modernist painters and artists as Picasso and their use of African themes in art.

Since the late 1960's, Jack White's mixed media abstract work, defined as “abstract impressionism”, has been inspired by African art forms and symbolism. The works included in the Ancestral Image exhibition are outside the boundaries of traditional painting or sculpture. They contain elements of the spiritual, the artistic, and the utilitarian that define African art. Reflecting on his work, White states, "Like most human beings I am curious about my ancestors; as a black American, I can know only that they came from Africa. Art gives me the power to explore the lives of those ancestors and expose audiences, minority and mainstream, to my discoveries."

Abstract Expressionism began in the 1940s and the 1950s in New York after World War II from the ideas of Surrealism about art that looks to examining the unconscious mind, and the feelings people hold that makes us all humans. Through the discussion of Autumn Rhythm (Number 30) by Jackson Pollock, I will define Abstract Expression and why this work is part of this movement. Then, through the discussion of Canyon by Robert Rauschenberg, Target with Plaster Casts by Jasper Johns, and Marilyn Diptych by Andy Warhol, I will explain Assemblage and Pop Art and why each of these works belong to those movements.

Art has evolved and regenerated itself many times during our human existence. These differences are defined through changes in styles under various theories. During the nineteenth and early twentieth century, a style known as Expressionism became popular. During this movement the artists were trying to use their artwork as a tool of expression toward life. It was mainly dominant in the nonrepresentational arts, such as abstract visual arts and music. It also was probably one of the most difficult movements to understand because the whole point of the piece lay within the artist. Not only was it a movement, it defined the act of art as a whole. From the beginning of time, each work of art, excluding replicas, show a way of expressing

From a collection of writings published in The Metropolitan Museum of Art’s Heilbrunn Timeline of Art History Denise Murrell’s essay, African Influence in Modern Art (2000) deliberates that European and American artist’s exposure to traditional African sculpture during the early nineteen hundreds significantly impacted the qualities of representation for form in their artwork. By analyzing how different developing artistic movements, namely in France and Germany, and their associated artists, took the aesthetics and composition from sub-Saharan sculptures, she highlights globalization and the shift away from naturalism and into the rigid abstraction of the human figure in the artistic community. As the separation between Western and non-Western

In english and art class, we have been learning to look at and do things in different perspectives. In english class, we’ve been viewing things regarding suffering from many different viewpoints. In art class, we are learning to draw using a style called cubism. It was an early 20th century style of art. People thought that

Gauguin was originally from Europe, and viewed the Tahitian people as highly primitive, which as we known from lectures, was what many colonisers thought of African and Asian countries, because

Perhaps one of the most celebrated artists in history, the French post-Impressionist Paul Gauguín is widely known for his innovative techniques in a wide variety of artistic mediums, including painting and woodcarving. Feeling very much out of place in Europe, he spent much of his life abroad. He came to love the French colony of Tahiti and spent many of his later years living there. Despite this sense of sympathy, however, his work is representative of a problematic colonial visuality which exoticises and eroticises indigenous peoples while at the same time dehumanizing them, reducing them from thinking, feeling human beings to little more than flesh. As a result, the same people that Gauguín felt more at home with than other Europeans were

Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation

Each artist of the Dada era had a new way of expressing Freud?s ideas. They also felt that art was a powerful means of self-revelation, and that the images came from ones subconscious mind had a truth of its own. As Marcel Duchamp mocked the Mona Lisa by drawing a Padilla 3 mustache on her, stated that the painting was a lewd message set by the conventional way of thinking. Since the Dada artist did not believe in western culture this made sense, because people only want believe what is told to them, instead of what is true. The Dada movement marked a meeting of people to have ?noise concerts? where they recited poems in a free association verse. In these poetry readings the artist perceived how they felt about the world. As World War I began the Dadaist perceived it as a world gone mad. Not only did they express their work in unconventional ways; they used the subconscious as a way of making their views true. Although the Dada era was short lived it influenced and questioned the traditional concepts of the western world. These techniques set an agenda for a new trial by error art form of this same era. The spirit of Freud in the Dadaist era never really died, it is shown today as ?Pop art? or sometimes known as neo-Dada art forms. Also this revolution of thinking and art paved the way for the Surrealist movement. The Surrealist movement of the 1920?s through 1930?s captivated the world with its bizarre way of thinking. Just as the Dadaist used

felt that the frame of mind of the artist when he creates a work of