Artual Art

Yet it takes piles of cliche, over-simplified sketches with only the extremely distinct aspects of your focus to clarify exactly what object you are drawing to finally begin to learn how to truly see what you are looking at. With practice (and an incredible, patient, encouraging art teacher) you learn how to separate what you know from what you are seeing. Starting with copying a signature you are taught to simply flip it over, transforming what you are recognizing in your mind as letters into unidentifiable lines. By doing this it becomes easier to learn how to separate what we know from what we are seeing and mutes the side of your brain telling you to draw what you know, allowing you to copy the shapes and curves of the line without being influenced by what your mind is telling you what you are seeing. By continuing to learn how to separate what you know from what you are seeing you become aware of every little shape, line, and shadow, allowing you to move away from cliches and learn how to draw what is truly in front of

When you step out of this room to the photography room on the right your feelings within the surrounding change once again. In the first room of the museum the tile is white and thus reflects light, creating yet more light in the surrounding area. The walls go from light and colorful shades to a medium tinted of gray creating a more plain mood within the room. In the side room full of photography the flooring changes from white large stone tiles to wood panel flooring. The opening to this second room is an opening the wall rather than another doorway but instead of the opening stretching all the way up to the ceiling, there is a thinner horizontal plank at the top that is an almost metallically aluminum color. The space is divided up

A stark contrast to the Ancient Arts of China exhibit, you walk into my favorite exhibit

The young, innocent, promising lives of our past drive emotions through artistic expressions that can be displayed though many outsources. Upon our day to view the art gallery, I entered the gallery feeling apprehensive that I would view any piece of art that I found relatable or even one that I found any interest in. I was wrong in my assumptions and found a beautiful painting named “Console” by Barlow Palminteri. Tasked with describing what the painting looks like, what it means to me, as well as my overall connection with the painting is what I’ll discuss within this paper. The painting’s colors, sizes, shapes, and artistic aspects drew me into its beauty and torment. Likewise, the painting reminded me of my youth that roused many different

Throughout human history people used to capture the reality of their time, express their feelings and share their impressions by copying both literally or figurative the mundane. The so-called artists have had different impacts in society all along the centuries. Only a few are currently taught in school, although the reverberation of their work is still impregnated in XXI Century. Nowadays, the term ‘artist’ can be used in reference of painters, sculptors, writers, singers, choreographers and other professions whose production are considered valuable culturally speaking. One of the main problems is that their work produce such a magnificent impact on the audience the artist is set aside and usually forgotten as a person, so they feel their rights to be violated.

Form of "afterlife insurance" in order to trick the soul into staying alive in the event of the body's destruction

In Grandview Boulevard, completed in 1974 CE, the artist utilizes painterly brushstrokes. The shadows of the trees that are painted dark purple appear to have more painterly aspects than the rest of the composition. From far away, the painting seems smooth and sleek, but up close, the individual thick brushstrokes can be seen. The implied texture of the leaves in the painting is sturdy and prickly, and the texture of the yellowed grass appears to be dry and coarse, however, the actual texture of the painting itself is smooth. The artist also uses both curvilinear and geometric lines. In looking at the trees in the painting, they are composed of primarily geometric lines (excluding the leafy top) that run in a

The title of this show is Elissa Wenthe Art Exhibit. At first glance, I thought that I had stepped into a Dr. Seuss book. The tree figures in the middle were quite whimsical and free. The textures on the trees were very fluffy and light. The tiles on the wall were the exact opposite. They reminded me of an industrial park. They were metallic, hard, and formidable looking. At first, I thought the artist had just glued a bunch of trash to a board and spray painted it silver. The fact that it was actually clay was impressive because of the many different shapes and structures she included in the pieces. The blue photographs on the wall were simple compared to the other pieces. They were delicate and I enjoyed the different perspectives of the

This art work made by Pierre Auguste Renoir is oil by the visibility of the smudges and the texture the oil creates over the whole painting. The artist uses color evenly, the men are wearing white while the women are wearing dark navy blue, while the men and women are evenly distributed throughout the picture. The artist uses more dull colors, no dull vibrant colors mostly white, yellow, and dark blue. The colors used are even and well blended. Some symbolism used in the painting is how the men are all wearing white cutoff t-shirts but the women are covered up in dark clothing which around that time period women did not show skin possibly. In this piece the forms are realistic and

What is so striking to me about this painting is that it is so self-effacing. As I pass by I ask myself if it even deserves a second glance, let alone an extended stop in the relatively short time that I have carved out for this museum visit. How can it compete with De Kooning’s snarling woman or Klein’s passionate Siegfried, or the works across the galleries: lovely Mrs. Trevor or tearful Venus or the stark white lavender bordered work across the way? There is no bright color to attract the viewer, no easily apparent movement of line to drive the eye, no story to entertain, no apparent enigma to wrestle with.

People always criticize about my artwork and denominate it shit, well I am fine with that, I make art shit. However, if my work is in an art gallery, I’m pleased. The controversy produced by some of my artwork is what establishes me on top and make me one of the richest artists of all history. I see more revolution on people when they are limited to make decisions by themselves, so this exhibition is one more opportunity to allow audience about their opinion, more in a city than requires defending its reputation of metropolis, diversity and openness. I am more than satisfied receiving a response full of emotions by the audience. My work always challenges death and life because of the dualism it provokes. I was taught to confront things you

Same with the staircase leading up to the exhibit. The staircase I will admit was interesting, but I felt they could have in some way added some source of color, instead of leaving it a dull gray. The rooms were just as any other art museum, but I do feel as if they could have made it interesting in respect to the artist of the artwork on display. Going to a museum in person is by far different than sitting on your computer trying to be interested in a piece of artwork. Physically being in a museum allows you to get as close as you want to a piece of history. As I have witnessed, some viewers like to remain far back from the artwork, where I on the other hand, enjoy getting up close and personal. I enjoy looking at artwork, but only the pieces I find truly amazing. That being said, I am very picky with whether or not I find artwork amazing. I found about 6 or 7 creations in the museum that actually intrigued me, whereas my friend who accompanied me, enjoyed

Artworks are put together in every Levels of the building. As soon as I walked into the exhibit I noticed An Artwork which was made by a lot of leaf-like cuts colorful pieces of Paper which reminded me the color of the spring season. The lights were dim and there was a deep silence that gives the opportunity to focus on the Artworks. And the videos that were playing on the side wall helped me to understand the artwork and also to connect with the artist. The deep silence gave the room a very influential grace. I walked into American Indian Artist in a residential studio and one thing caught my eye. The “Muds women roll on” sculpture which is the mother holding the first huge child, who’s holding the next child and who’s holding the next child and so on. Besides the attraction, it has a great meaning about how we all are connected by one mother which is earth.

very image without having to partake in the hassle of leaving the house to go to an exhibition

Visit any major museum of art, at any given time, and one could find an abundance of monumental names listed on tiny plaques hanging next to even more recognizable works of art. The excitement felt by any art enthusiast when walking into these buildings of time and creation, is undeniable and especially unique. Could it be the atmosphere of the building, the presence of artwork, the people, possibly the grandeur of the space, or perhaps, could it be the spirit of the artists themselves, peering through the work they created?