Arundhati Roy Character Analysis

“I’m sick of this house” (75) exclaims 15 year old, revolutionary-minded Helen McBride. Living in a house with 11 other children was not the lifestyle she had in mind. Having her own beliefs suppressed by her mother was not what she wanted in life. Helen, feeling crowded and controlled, leaves her home and does not look back.

Your analysis of Paradise of the blind reminds me of the literature of the great Gatsby that commonly reveal actions and brings out logic related to cause and effect, characters, and critical analysis of the story. Reading literature like Paradise of the blind and the great Gatsby is important to focus on the community level, to develop the significance of wealth, social class, as a reflection of the standpoint to understand the life of the characters. In Paradise of the blind, I see suffering of women under chaos beliefs. Unfortunately, the biases against women in different countries around the world still relevant today. In some places like those in the Middle East, males are able to go to school and learn how to read and write, but females

The dominant idiom of Indian writing today is firmly entrenched in pain, anxiety of displacement, nostalgia, yearning to belong to roots, and so on. Arundhati Roy’s The God of Small Things and Kiran Desai’s The Inheritance of Loss are two such novels that explore the tragedy of man on several levels using different perspectives. Both the novels are about averted culture-clash tragedies, homogeneity vs. heterogeneity, and about Indian sensibilities.

Both Dade and Julian where fixated on proving themselves right and defending their beliefs about

The House on Mango Street, by Sandra Cisneros tells the story of Esperanza Cordero growing up in the Puerto Rican community of Chicago in the form of short stories and poetry. Esperanza longs to own a house that she idealizes as happiness. She strives for a better life outside of the stereotypical gender roles that have suppressed the woman she grew up around. Female genders roles is a strong theme in the novel.

Roy takes a very particular approach to provide justice for Indians, in that she lives with the poor community that she is reaching out to. Her strategy for change provides insight into the personal connections in a community that help to attain change in governmental accountability, transparency, and economic justice. All the while, we watch Aruna shape her personal life and maintain personal integrity. Her courageous acts leave the reader

Arundhati Roy was born in 1961, her mother a Christian woman a native of Kerala and her father was Hindu from Bengal. Because of the divorce of her parents, Arundhati spent her early years in Aymanam with her mom. The influence of her childhood years are revealed her writings structurally and thematically.

“‘Did you know that when you were a girl, growing up, that one day you’d be a maid?” “Yes ma’am. Yes I did’”(Stockett 169). The Help by Kathryn Stockett is a story about Aibileen Clark, a black housemaid, and Eugenia, “Skeeter” Phelan, coming together to write a novel about how black maids are treated- good and bad- by their white employers in their hometown of Jackson, Mississippi. Aibileen shows a lot of change throughout the story, evolving from reserved, to progressive, and finally, to content.

(MIP-2)The character Nusrat also had developed PTSD, Nusrat had developed PTSD from losing the closest person in the whole world from her, her sister Margaret, she examples signs of PTSD that people go through.(SIP-A) Nusrat was dealing with avoiding situations and flashback PTSD symptoms. The way Nusrat coped with the death of her sister she had came to develop a symptom of PTSD which she would avoid people. Nusrat would not talk to anybody, she would play with Margaret even when she wasn’t there, she wouldn't play with the other kids, even when her mom begged her.(STEWE-1) Elaine was angry with her mother for trying to force friendships on her. All Elaine wanted was for Margaret to get better, and when that didn't happen she decided she’d

This upheaval of identity can be seen in way the colonial trauma pervades the social, political, and cultural environment depicted in The God of Small Things. The social, political, and cultural environments in turn invade the lives of the characters of the novel. The Indian caste system and the love laws, for instance, are driving forces in one of the main conflicts of the novel. The caste system, which was existed in its present form in the novel due to the British colonists favoring certain castes above others, categorized groups of people within Indian society and classified some as superior to others, with the Untouchables being the lowest classification of the human. The love laws determined “who should be loved, and how. And how much” (Roy 33). These histories work in tandem to create the tragedy of Ammu, the twins’ mother, and Velutha’s, an Untouchable and friend to the twins, doomed relationship. Because of these socially constructed class structures, Ammu and Velutha’s relationship was forbidden and when Velutha’s father, Vellya, informs Mamacchi and Baby Kochamma of their relationship, they are completely horrified. Vellya’s relationship with the Ipe Family also somewhat parallels the colonized people’s relationship with the colonizer. Vellya, as an Untouchable, occupies a lower social position than the Ipe Family and sees them as superior. By informing the Mamacchi about her daughter and his son’s relationship, he maintains the social class structures and the

This essay focuses on the theme of forbidden love, The God of Small Things written by Arundhati Roy. This novel explores love and how love can’t be ignored when confronted with social boundaries. The novel examines how conventional society seeks to destroy true love as this novel is constantly connected to loss, death and sadness. This essay will explore the theme of forbidden love, by discussing and analysing Ammu and Velutha's love that is forbidden because of the ‘Love Laws’ in relation to the caste system which results in Velutha’s death. It is evident that forbidden love negatively impacts and influences other characters, such as Estha and Rahel, which results in Estha and Rahel’s incestuous encounter.

Arundhati Roy’s novel The God of Small Things presents the reader with the realities of Marxism. Roy gives the reader an impression of three possible manifestations of the ideology, rather than presenting a biased reading for or against Marxism. Through Roy’s novel the reader comes to understand Marxism as it appears through Velutha, the oppressed worker, Chacko the Marxist-in-name only, and Comrade Pillai, the corrupt politician.

Unlike other writers such as Mulk Raj Anand, Arundhati Roy presents politics as a very complex force. It is operative at different levels. This politics begins with home. This is manipulated by different people for different ends. The novel portrays the forces of power working in alliance in the novel.

Before the Partition of India, in 1947, India was considered a country with a reasonably peaceful history. However, during and after the Partition, sexual violence, both towards men and women, escalated, resulting in the rape and abduction of over 80,000 women. Cracking India, by Bapsi Sidhwa, tells a story that highlights these violent acts by both Muslims and Hindus, through the eyes of a disabled young Parsi girl named Lenny, who witnesses first hand the violence of Partition when she mistakenly participates in the abduction of her ayah, Shanta. Throughout Cracking India, Lenny observes as the religions involved in Partition become increasingly violent towards both men and women, within their own religions and against others.

In the novel The God of Small Things by Arundhati Roy, the reader notices the differences between the modern American view of politics and society between the politics and society in the novel. This novel takes place in the southwestern part of India in a town called Kerala and is focused on the wealthy family of the Syrian Christian Ipe family of Ayemenem. Within this family, many of them have problems in their lives and as a result, go to the house once their problems have taken a turn for the worse. A major theme of this story is the society of India and the caste system that is in place. Some characters that were majorly affected by the caste system are a woman named Ammu and her two children, Estha and Rahel along with an Untouchable named Velutha. Besides the caste system Ammu and her children must worry about the social system and the outcomes of actions that are not socially acceptable. Another recurring theme of this novel is the change in political stances in the country of India and how it affects the characters. Since the Ipe family is wealthy, they own a factory called “Paradise Pickles and Preserves” and some character struggles revolves around the fact that there is a motion for a change in politics. Although the novel can be understood on its own, it makes it more understandable if the reader learns about the political history of India and an understanding of the caste system. Besides the political history and caste system the view on gender in the country of