Depression Glass Research Papers

| Copper bracelet and beads, amber pendant, 3 colored pots, colored pottery figurine and colored bowl with charred barley

The poem “The Nevada Glassworks” tells about a mother growing in the 50s and a glassworking company making glass in Nevada. The 50s were post-World War II and were better known as the start of the nuclear age. It is during this time that the narrator’s mother is in her teen years and is growing up. Along with her we find that this glasswork company is also growing and is making great progress on the research they are conducting.

However, the golden age of Japanese ceramics did not really begin until the sixteenth century when the tea master Sen no Rikyū popularized the tea ceremony. In his refinement of this art form, Rikyū found beauty in the earthly and natural forms of pottery and thus commissioned the production of “raku ware,” which today, is considered the pinnacle of Japanese pottery. Notable for its ruggedness and imperfections, raku ware made Rikyū into a central figure in the establishment of the wabi-sabi aesthetic. In the beginning, the textures and colors of wabi-sabi vessels were left to develop naturally. However, over time, several wabi-sabi artists began experimenting and even developed techniques to intentionally create these alterations. Obviously, the exact shape and form of an imperfection cannot be controlled but the intention can be realized in an oxymoronic “controlled natural look.”

The preservation of traditions and skills is an important part of our community and family history. As Rose stated in “Let the Good Times Roll”, “It is the harmonic convenience of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once” (361). During the fall of every year, towns across Georgia host a festival of some sort. Whether it be the Yellow Daisy Festival at Stone Mountain Park or the Friendship Festival in Social Circle, local artist and craftsmen come together to display and sell their handmade items. Ranging from patch worked quilts to bird feeders to hand smocked children’s

In the memoir The Glass Castle by Jeannette Walls, The Glass Castle is an important symbol to Jeannette and the rest of the Walls family. The Glass Castle represents hope to the children at a young age. Jeanette's dad loved telling stories to her when she was little “about the wondrous things he was going to do. Like build the Glass Castle” (Walls 25). In this case, the Glass Castle represents hope and luxury. The Walls are hoping for a life that is good and a luxurious bright future. Unfortunately, the family " 'never did build that Glass Castle"' (Walls 279). The Glass Castle represents something else at this point in the book, an unacheivable dream. Glass has the ability to shatter, this proves that Jeannette's father wanted something unattainable

In an exhibit along the wall to the left of a house-like exhibit, behind a small, white picket fence, shows the furniture that the patron would commonly see in the great depression era home that consist of a 1930s sewing machine table and a well-worn vintage 1930s record player. On the wall above this exhibit has some vintage black and white photos taken throughout the great depression era that capture the hardships that most people encountered with the difficulties with farming and breathing, the dark cloud of the loose earth rolling in, and the aftermath once the dirt finally settled and shows how everything laid buried in a deep mound of dirt, like the large piles of snow seen after a winter blizzard. The house-like exhibit consists of a characteristic 1930s living room that contain items like family heirlooms and old photographs. The museum patron can walk up on the porch and walk in the front door as if walking into an actual home. Upon stepping inside, the patron will see stuff like old vintage photos, a rocking chair, a couch, and a desk. He will also see an antique 1930’s radio on a small table by a chair and listen to it play the 1930s era radio programs, songs, and news

The glass menagerie symbolizes Amanda Wingfield's overwhelming need to cling to her past and her fulfilled fear of being alone.  Amanda resents the poverty-stricken neighborhood in which she lives so

This week at the Wilder Memorial Museum the items of interest relate to a recently redesigned display. This display, located in the first room of the museum, highlights a remarkable collection of Vaseline glass which is part of the Marcey Alderson collection.

In the play, The Glass Managerie by Tennessee Williams, realism is brought into the play to depict people with ordinary lives facing real world problems. The mother, Amanda, is a magazine seller during the Great Depression with two kids and no husband, she always reminisces of her glory days when they are long gone and trying to relive them through Laura. She is one of the characters faced with real life situations. The use of spectacles throughout the play enhance the audiences' perspective by adding special effects, changing costumes, and a change of scenery. The Glass Managerie includes many spectacles one of them being the projection board that would display certain words or images that are in the play.

The original cabinets of curiosities were formed to showcase unusual or interesting objects, especially those things that related artificial with the natural. People began collecting these unusual things and showcasing them together, trying to piece together what the relationships between each thing were and why they were important. Often the most fantastic things were collected and showcased from far off lands. These objects better helped people understand cultures and peoples from around the world. Each piece was unusual and unexpected, which why it blurred the lines of art and science. The idea of the fantastic played a role in my own piece, as luck is not a scientific principle and more of a socially constructed idea mixed with wishful and hopeful thinking. It seems

Louis Comfort Tiffany, an American artist, and designer, was born in New York City in 1843. Tiffany, the son of Charles, who was the founder of the jewelry firm “Tiffany and Co.,” began his career as a painter and then expanded to design and direct his studios in order to “produce lead-glass windows, mosaics, lighting, glass, pottery, metalwork, enamels, glass, pottery, jewelry, and interiors” (“Louis Comfort Tiffany Stained Glass Art”; Frelinghuysen and Obniski). Beginning in the late 1870’s the decorative arts and interiors caught Tiffany’s eyes and he began exploring and trialing with stained glass (Frelinghuysen and Obniski). As years passed he introduced blown-glass vases and bowls called “Favrile.” The

Have you ever wonder, how can two piece of art feel the same? The one hand it’s the famous masterpiece Vincent van Gogh’s The Starry Night. On the other hand it’s Ginny Marsh’s Bowl. One that was painted by someone who created a painting style, and one that created by someone who own a farm. Both of them have complete different visual yet they send out the same message. The message was simple, there is always something can brighten your

Memories can be as short-lived as the moments that created them. The recollection of events and the deterioration of memories over time is a constant process that cannot be stopped. This inevitable passing of memory is fused to the inevitable passing of human life. Emily Davis’s still life photograph of wineglasses is reflective and fragmented, allowing the image to act as a metaphor for this fleeting aspect of memory through its own memory-like qualities. The photograph is also symbolic of the transience of human life through the use of the traditional symbol of the wineglass, ultimately serving as memento mori.

The familiar smell of soft cookies and homemade cooking are common thoughts when people think about their grandma's house. Great feasts and family gatherings play a part in everyone's grandmother's home. But when I really think about my grandma's house only one word comes to my mind: fun.

The ancient city, a large number of ancient artifacts that already had been damaged was destroyed again in another large scale. Ancient architecture, books, artifacts, and even old-style furniture, tableware, tea sets, bed frame, bed and bedding...... which carved or painted with romantic, flowers and other patterns of insects, birds, all smashed or burned. I remembered that my family had a few glasses, usually not used much, because of painted with dragon and phoenix patterns, had to be