As I Lay Dying Critical Analysis

Most works of literature often use events and objects to display a deeper meaning to the current situation. In As I Lay Dying, by William Faulkner, there are many references that connect the Bundren family to mythological, Biblical, and classical allusions. Faulkner’s use of various types of allusions emphasizes the characters’ behavior and relationship to each other.

Infant mortality is a major issue the world struggles with. Today, with advances in medicine and technology, the infant mortality rate decreases every year. However, in the past and in other developing countries, access to resources necessary to having and raising a healthy child are not available. In the article “Death Without Weeping”, the author, Nancy Scheper-Hughes, discusses about her time spent at Alto do Cruzeiro, Brazil. Hughes goes on to explain why the infant mortality rate was high in Alto do Cruzeiro. She also discusses how the women and children are treated in the community.

As I Lay Dying is a novel by William Faulkner that chronicles the journey of the Bundren family (Anse, Dewey Dell, Darl, Jewel, Cash, and Vardaman) to bury their recently deceased mother, Addie, in Jefferson. Throughout As I Lay Dying, Faulkner treats Darl as the de-facto narrator of the novel, endowing Darl with the most passages in the novel and endowing him with an omniscient perspective of the events chronicled in the book. Jewel, however, gets the opposite treatment from Faulkner; he only is designated one passage in the entire book and is known for being self-centered and close-minded. In terms of the motivation of traveling to Jefferson, Darl has none, while Jewel’s sole purpose is to give Addie a proper burial. By the end of the novel,

Family Dysfunction is the main theme in As I Lay Dying. The reader can see this from the beginning when Cash is building a coffin outside his mother’s window, where she can see it. Surprisingly, Addie does not seem offended of her son building her casket outside the window. Right before she dies, she asks her husband to do her a favor and

     Some say that people never change. They may be right, but no one really knows. What people do know is that every living person has one thing in common, something that will never change. Everyone will die, there’s no way around it. Every “new” and “old” generation will succumb to the same ghastly fate. The differences in the “old” generation and “new” generation sometimes collide in life. The contrast between generations in James Joyce’s “The Dead” is similar to the contrast in the generations today. The “baby boomer” generation is the old fashioned generation preoccupied with hospitality and tradition, where as, “generation x” is the new generation, preoccupied with knowledge and intellect.

Despite the fact that human beings are oftentimes reluctant to admit it, it is a fact of life that one of the most fundamental aspects of human nature is self-interest. Selfishness pervades everyday life, no matter what efforts are made to deny and rationalize its existence. In the novel As I Lay Dying by William Faulkner, the unique method handling the death of Addie that each character uses exemplifies the inherent selfishness apparent in human nature and outlines the various emotions that accompany the death of a loved one.

The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail. (excerpt-Faulkner's Nobel Prize acceptance speech)

In As I Lay Dying, the Bundren family uses a wagon to get to Jefferson, but the wagon proves to be a symbol of the family’s dysfunction. During the wagon ride Jewel refuses to sit with the family in the wagon and rides his horse “a mile further” then the rest of the family (Faulkner 108). The wagon proves to be a symbol of dysfunction because the family can work together as a whole or even come together as a whole. The mechanic tells the family that “You get enough people—you just get behind there and push. Just push it up to ten, fifteen miles and hour, and you just go. Everybody jump inside, and you just go!”(Arndt 37). Shortly after, the family works together to get the bus moving and their journey continues. The VW bus in Little Miss Sunshine shows to be the family’s connection to one another and allows the family to come together and work as a whole. This bus is a symbol of the family’s function as a whole, but also represent the family’s individual problems because each person in the car is going through their own battle, Olive winning the pageant, Dwayne trying to get to flight school, Richard trying to make a business deal and Frank trying to get over a past lover. There are many incidents in Little Miss Sunshine when the literary device foreshadowing is used. For example, when the car breaks down early on, the family should have used that as a sign that this is just the beginning of the problems that they will face throughout the journey. Similarly, in As I Lay Dying the Bundrens had many signs that foreshadowed into the horrible journey that they faced. For

You and I live in a world were modernism is reaching new heights every day. One day that touchscreen phone is considered new, and then next week it’s old news. These two stories that I am going to compare are about the role of technology, science and how it affects me and you. Based on how it uses new technology and modern science A Sound of Thunder is a better sci-fiction story.

In “Lives of the Dead”, O’Brien’s own innocence is preserved through the memory of Linda, a memory that remains untarnished by the inevitable corruption that results from life. O’Brien’s writings “save Linda’s life. Not her body--her life” (236). Storytelling and memories preserve the value of Linda’s existence while simultaneously allowing O’Brien to process death and destruction in a way that maintains a degree of optimism regarding his own life and future. Juxtaposing the images of body and life emphasizes his desire to save the idea of Linda while accepting the loss of her physical presence. O’Brien rejects the idea of death as absolute and final; instead he suggests that “once you are alive, you can never be dead” (244). Linda’s death solidifies her importance in O’Brien’s own development; she teaches him about life and real love as much as in death as in life. O’Brien’s paradoxical statement defines the lasting impact of Linda on him; her presence in his stories keeps her alive through memory; memories that even her death

In William Faulkner’s novel, As I Lay Dying, the reader is encouraged to sympathize with Dewey Dell on account of her quickly waning life. We are given multiple circumstances in the book where Dewey Dell’s life is noticeably described in a negative way, not as a person, but rather how bad of a situation she is in. She is an impregnated seventeen-year-old girl who is unable to find proper treatment to relieve her of a child she doesn’t want. While she is dealing with her own catastrophic incident she is also dealing with the numerous other problems her family is unsuccessfully dealing with. Due to the rest of the Bundren family’s understandably more serious dilemmas taking priority over Dewey Dell’s, she is forced to put off her own extremely urgent predicament.

William Faulkner’s novel, As I Lay Dying, tells the story of a family that journeys cross-country with the intentions to find a proper resting place for their mother, Addie Bundren. After reading for only a short time, it becomes clear that two of her sons, Jewel and Darl, play a much larger role in the story than the other siblings. One could find many good points to support either character being labeled as the protagonist of the story, such as the various tensions that can clearly be seen between them. That being said, Darl is, without a doubt, the best possible choice. He is forced to overcome more obstacles, including alienation from his entire family, than any other character, and is truly a changed person by the end of the novel.

Linda represents elements of the past that can be brought back through imagination and storytelling. Linda, a classmate of O’Brien’s who died of a brain tumor in the fifth grade, symbolizes O’Brien’s faith that storytelling is the best way for him to negotiate pain and confusion, especially the sadness that surrounds death. Linda was O’Brien’s first love and also his first experience with death’s senseless arbitrariness. His retreat into his daydreams after her funeral provided him unexpected relief and rationalization. In his dreams, he could see Linda still alive, which suggests that through imagination—which, for O’Brien, later evolves into storytelling—the dead can continue to live.

Traditionally, women have been known as the less dominant sex. They have been stereotyped as being only housewives and bearers of the children. Many interesting characters in literature are conceived from the tension women have faced with men. This tension is derived from men; society, in general; and within a woman herself. Kate Chopin‘s short story, “The Story of an Hour”, focus on a woman’s dilemma near the turn of the 19th century. Contradicting the “normal” or sad assumption of death, “The Story of an Hour” illustrates the significance of death representing freedom. The Story narrates about an hour of Louise Mallard’s life, as she tries to understand, and deal with her feelings of her husbands death.

Many mothers, regardless of age or situation, share sympathetic life ideals. They all share the common goal of raising their children wholesome; they want to create an environment of love, nurture, and support for their children as well. A mother’s effort to implant good values in her children is perpetual; they remain optimistic and hope that their children would eventually become prosperous. However, some women were not fit to be mothers. Thus, two different roles of a mother are portrayed in As I Lay Dying written by William Faulkner. Faulkner uses the literary technique of first person narrative with alternating perspectives. By doing so, Faulkner adds authenticity and the ability to relate (for some) to the two characters Addie