Asian American Identities Of Asian Americans Essay

Nevertheless, Asian-American stars are recognized extremely played prototypical roles offered to them – model minority, sexualized the female or masculine women. There is much argument within the Asian American community whether to consider Liu as a protagonist or a hateful. In playing highlighting sexuality roles such as Ling Woo on Ally McBeal, a role who is a ‘self-described “tramp” … simultaneously addicted to casual sex and uses sex to have her way with men’ (Goldsea.com 2008). Is she bolstering the sexploitation of Asian females, or is she an Asian image who plays her strong points? Moreover, there are already some problems in the critical writing as to whether Liu is to be considered an action star or an actor. Some argues that, in Charlie’s Angels

Asians are one of fastest growing minority groups in America today. During this century, various factors at home and abroad have caused people from Asia to immigrate to the United States for better or for worse. Due to these factors, Americans and American teachers, in particular, need to educate themselves and become aware of the Asian American students’ needs in terms of success and happiness. Before beginning my research, I felt I had an easy subject: studying Asian Americans in relation to their education in public schools. How simple! Everyone knows they are smart, hard working, driven to succeed in spite of their nerdish, geeky, non-athletic, broken-English stereotype. Of course they are

To be young and Asian in America is a special brand of torture. There is an unspoken dictum of silence that grips Asian youth, a denial of our place in popular culture. Asian youth walk in America not quite sure where we fit in-black children have a particular brotherhood, Hispanic children have a particular brotherhood, white children own everything else. We cannot lay claim to jazz or salsa or swing; we cannot say our ancestors fought for equality against an oppressive government or roamed the great hallways of power across the globe. We do not have a music, a common hero, a lexicon of slang. Asian youth experience personal diasporas every day.

The air would always be humid and stuffy while riding the bus to school, and the slightest bump in the road would result in tossing up the kids like salad. The backseat would provide carriage for all the popular and tough kids shouting out at pedestrians on the street or flipping off a middle finger to the bus driver that would shout for them to calm down. I despised those kids in the back. They were the same people that made my life a living hell, while growing up and attending an American school.

Whether it is on TV or movie screens, the faces of white actors and actresses have always been prevalent in the media. For generations, many teenagers have been exposed to countless movies with white people in major roles. Moreover, the few roles that are cast to minorities feature the characters in their stereotypical personas (Bonilla-Silva 179). Even in advertising, Asians are placed in business settings, upholding the hard-working Asian stereotype (Taylor and Stern 50). As Taylor and Stern mention in their paper, the “model minority” has made the issue of stereotyping seem less important for Asians. The majority of these actors that are examined, regardless of race, are typically middle-age and well established in their acting careers. However, there is a lack of research behind Asian youth acting and their perceived roles. To account for this knowledge deficit, I examine how whiteness influences the media to portray youth actors as individuals that stray from their stereotypes in an attempt to achieve whiteness. My research site centres around Fresh Off the Boat (FOB), a comedic television series featuring a Taiwanese family. The title of the show Fresh Off the Boat or “FOB” is also a term used to describe a person that is considered too ethnic and as a term of denigration. I utilize Pyke and Dang’s categorization of “FOB” and “whitewashed” to analyze the narrator, Eddie Huang. I chose to limit my research primarily to the first “pilot” episode where the audience is

Sitting in a circle, most of those who were staring at me also looked like me – black hair, squinted eyes, and yellow skin. Not twenty minutes ago, I paced around the heart of a predominantly white college campus. Now, I was introducing myself to the members of Asian Students United (ASU). While I was never a part of ASU, I asked one of the organization’s executive board (eboard) members – Tien, who happened to a Facebook friend – if I could attend a couple of their meetings to conduct research on Asian American identity. He delightfully agreed. After all, from an outsider perspective, I would fit right in. At these meetings, I participated in many of their activities, which included making a quilt and participating in discussions. Yet, I was always observant and somewhat detached because this was all new to me, making me an observer-participant. This allowed me to observe a range of details; however, because I was so new, such details may have been unimportant to those whom I studied. On the other hand, my Vietnamese church was all too familiar. As a full participant in the church and a former participant in Youth for Christ (YFC), I was pressed to critically observe and dissect these interactions. While I still asked the group leader for a chance to observe YFC meetings, data from this second site may be more biased toward the way I have known people in this institution from prior years. As a tradeoff, though, being a participant-observer may have allowed me to note more

I am a girl with two heads. At home, I wear my Chinese head, in school I wear my English head. Being an Asian, or Chinese, as it is commonly referred to, my culture plays a key role in the development of who I am and what I do, my personal identity. An identity is the distinguishing character or personality of an individual. Parents are often one of the key factors of this culturally developed personal identity.

Although Asian Americans comprise only about 5% of the U.S. population, this group is the fastest growing segment of American society. Despite such rapid expansion, Asian Americans are widely underrepresented throughout media, whether in television, cinema, or literature. Moreover, there are different stereotypes associated with Asian Americans. One of the most pervasive stereotypes details how Asian Americans are a “model minority”. In essence, this myth describes how anyone who is Asian American will become a successful individual able to achieve the “American dream”.

For 20 years, Asian Americans have been portrayed by the press and the media as a successful minority. Asian Americans are believed to benefit from astounding achievements in education, rising occupational statuses, increasing income, and are problem-fee in mental health and crime. The idea of Asian Americans as a model minority has become the central theme in media portrayal of Asian Americans since the middle 1960s. The term model minority is given to a minority group that exhibits middle class characteristics, and attains some measure of success on its own without special programs or welfare. Asian Americans are seen as a model minority because even though they have faced prejudice and

In the 1990s, there were more than 7 million Asian Americans in the United States of America. Bureau of the Census has published that there is a total of 3,726,400 Asians, which includes Pacific Isalnders, which is represented to about 1.6 percent of the population. Chinses Americans were the first Asian to be migrated in the United States.

The pain and the suffering, the oppression, and the exclusion all describe the history of Asia America. When they arrived to the United States, they become labeled as Asians. These Asians come from Japan, China, Korea, Laos, Thailand, and many other diverse countries in the Eastern hemisphere. These people wanted to escape from their impoverished lives as the West continued to infiltrate their motherland. They saw America as the promise land filled with opportunity to succeed in life. Yet due to the discrimination placed from society and continual unfair

Asians have migrated to and have lived in the Americas since the days of our founding fathers. The first to come from the Eastern Hemisphere were a small group of Filipinos in the early 18th century that settled in present day Louisiana. The first major influx of Asian Americans was Chinese Americans who came in the 1800’s to find financial opportunity during the California gold rush. They settled in the Golden State and eventually spread out all over the United States, creating the now-famous Chinatowns that millions of Americans visit every year. There is a continual migration of well educated South Asians and East Asians for job and education opportunities and their success has formed the basis for the “myth of the model minority” (MMM). This is the idea that all people who are Asian American and Pacific Islanders (AAPI) are successful both socioeconomically and educationally. This does have a logical basis rooted in statistics—AAPI students are reported to have higher grade point averages, math scores, and overall standardized tests scores on tests such as the Scholastic Aptitude Test (SAT) and the American College Testing Exam (ACT). Other studies often use a racialized rhetoric comparing Asian Americans to white Americans in terms of education and socioeconomic status while contrasting them to the so-called “lazy” and “incapable” Hispanic and African Americans.

As the immigrant population currently projected to overtake latinxs and hispanics as largest group of residents in the United States of America, Asian Americans have shown their will to survive in a way that many groups have not, and that is by banding together in order to achieve the life they deserve. Taking the overgeneralization of pan-ethnicity and using it as a device for increased numbers and support for the causes of a group of people who otherwise may not have much to do with each other, is a testament to how vulnerable they must have felt as well as how successful they have managed to be many aspects of progress. What I have gained from this course is the understanding that at the root of ethnic studies and the Asian American community is the “for us, by us” sentiment that contributed to the blurred lines between the different part of their communities as social, political and cultural, structures, collectives and groups which came out of an obligation and necessity to protect those immigrants and their future generations from a country which has always pushed European superiority in all aspects of society.

This 57-minute historical film begins with strong evidence, depicting the racism that exploded into violence around the Puget Sound region. Although the truth is hard to hear, the upfront and honest details of the life and struggles of the Chinese

The misrepresentation of minorities for the sake of the mainstream film industry has existed since the foundation of the Hollywood industry. While the industry favors the white male as the ideal for audiences to cheer towards victory, those who once played both racist and stereotypical characters are now taking the opportunity to speak out against the mainstream ideal. Out of the several minority groups working to change the definition of mainstream media to favor minorities, “… the recent expansion of Asian-American roles on television has paradoxically ushered in a new generation of actors with just enough star power and job security to speak more freely about Hollywood’s larger failures”(Hess). Unfortunately, the mainstream film industry seems to continually work against the sense of positioning minorities into leading roles, or much of any role in the big blockbusters Hollywood, and other mainstream productions, bank upon each year. The Asian male has long been the victim of racism, misrepresentation, and emasculation by the mainstream, and it continues to exist. Although, films are coming out, mostly from independent filmmakers, that counteract the racist Hollywood foundation, even if it’s in a very small degree. One film to have been held up as an opposition to this victimization of the mainstream film industry, Better Luck Tomorrow, directed by Justin Lin. By using an all Asian cast of young men to tell a coming of age story, Better Luck Tomorrow is praised for