Aspects Of The Oedipal Complex In Franz Kafka's 'The Judgement'

But this changes a fair amount by the end of this story. After the death of his wife he seemed to be instantly distraught and deranged, the first time we hear from him after the fact, he just sounds like an absolute lunatic. Going on about dog collars and just random things until he deduces who “killed his wife”. In a later chapter he is talking to his friend, while his friend just tries to calm him down, George was already too far gone and made his mind up to take action against his wife’s killer.

Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.

Then, the story goes to express the changes the father-in-law has experiences and how contrasting is his past with his present. He apparently is being affected by an undefined condition, which has made him change in temper and personality. During several moments, the narrator’s father-in-law presents issues of insecurity and some aggressiveness, and in others, he delights the family with the appearance of a sudden charismatic behavior. At some point, the narrator and her husband, after a brief discussion, recognize their responsibility as children to take future care of their parents. The narrator reveals at the end the acknowledge of her father-in-law permanent change in character and how much it affects them. Jen’s central idea relates how there is a cyclical change in family roles and responsibilities between sons and elder parents that naturally repeats itself. It also suggests that when issues are presented, the duties can be overwhelming for the new

The essay goes into great detail of his relationship with his father. He describes his father as cruel (65), bitter (65), and beautiful (64). He does mention the bad in length. On the flip side, he tells us some of the good as well. Throughout his storytelling, the reader gets a glimpse into his life and the way he feels. His feelings evolve during the extent of the essay.

George tried his best to help his mom out in any way possible. He helped

Kafka’s Metamorphosis suggests to his readers to take a glimpse inside a dysfunctional atmosphere triggered from a painful childhood, to see how influential each member of the family contributes to the dynamics, but also to learn how to make light of the situation with acceptance. Kafka is reflecting on his own relationship with his family in Metamorphosis. He sees himself in Gregor, or is he him.

In the metamorphosis by Franz Kafka, there are significant actions and transformations which make the story sad, and strange with a happy ending. Explanations that are dramatic events that intensify the excitement of all these actions. Reality and reflection play an important role in this story because the events that happened could be applied and assimilated with modern society.

Growing up, Franz Kafka questioned his father’s use of power not only at home but also in the workplace. Kafka’s father referred to his employees as “paid enemies.” Upon noticing “the submissiveness expected of [workers] toward their superiors” in his own asbestos factory, Kafka found this true for not only his father but also most of the upper class (Speirs and Sandberg 7). Disappointed by this class hierarchy, Kafka attended anarchist meetings and referenced communist writers in his diaries (Cohn). These meetings led him to develop a similar ideology to Karl Marx, who attributed “all… [of] history [to] class struggles.” In The Metamorphosis, Kafka channels a Marxist viewpoint through Gregor Samsa’s life before his metamorphosis and his family’s life after the metamorphosis.

life was a waste. Yet after he found out that he had cancer, he started to have a different outlook in aspect to his life and in life in general. This spark caused him to want to undo all of his mistakes, he still had hope to do better for himself with what time he had left. "If you see a ray of light when you are in a cave of vast darkness, you first retort should be to follow the light." (Coltheart 1999) His relationship with is ex-wife, he realized that he had never told her that he had loved her. This caused him to show his affection and love for her. For his son, he had never given his son the time of day, this had caused him to create a relationship with his son and to get to know him. Before, George gave little concerned as to what his son was up to or what was going on in his sons head. George had acknowledged that he had not done well in role to be a good father. This motivated George to take control of his son's bad habits and to at least attempt in creating some type of relationship with his son and to make a man of him yet by positive reinforcement and by simply just being there and bonding with his son. The last and most obvious project that George was motivated to accomplish was to finally create his damn house. He always used to talk about how he would build it, and how nice it would

In The Trial by Franz Kafka, the protagonist K. is going through what is often thought of as one of the most dehumanizing aspects of society. Even in the United States many criticize the justice system for being dehumanizing. People are forced to wear the same thing, act the same way, and are given numbers instead of names. In The Trial Kafka emphasizes the dehumanizing aspects of this process by exacerbating the bureaucratic steps that must be accomplished and adds more uncertainty and secrecy to the steps. Kafka’s writing shows the lack of information that K. is given, and the symbolic dehumanization that occurs during the whipping and with K. lacking a last name.

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

Throughout literary history, certain authors are so unique and fresh in their approach to the written word that they come to embody a genre. Franz Kafka is one such author; “Die Verwandlung” or “The Metamorphosis” is one of his works that helped coin the term “Kafkaesque.” Through this novella, Kafka addresses the timeless theme of people exploit-ing others as a means to an end. He demonstrates this point through showing that a family’s unhealthy dependence on the main character results in that character’s dependence on the family.

  Kafka uses symbolism in his short story, Metamorphosis.  He uses this technique to make the reader try and figure out what was going on in his head.  He brought out in this story many things about his life, including his father/family, love life, and his future.  He used metaphors to show his love for people in his life.  This story is autobiographical about the forces that control Franz Kafka's life.  In this paper I will explain how Kafka relates his life to the readers through the story in Metamorphosis.

In real life, Kafka had very close and friendly relation with his father but they were quite contradictory to each other. The behavior of Kafka’s dad was very stern and strict just like Gregor’s father in “The Metamorphosis”. The relation of Kafka and his father can also be determined by upper class and lower class because Kafka’s father was very ethical but Kafka himself was quite immoral.

No person that leads a normal life is likely to write a metaphorical yet literal story about a man transforming into a bug. That being said, no person that leads a normal life is likely to alter a genre as much as Franz Kafka did. With the unusual combination of declining physical health and a resurgence of spiritual ideas, Franz Kafka, actively yearning for life, allowed his mind to travel to the places that his body could not take him. In his recurring themes of guilt, pain, obscurity, and lucidity, are direct connections to his childhood and daily life. His family dynamic, infatuation with culture and theater, and his personal illnesses all shaped his imagination into the poignant yet energetic thing that