Assumptions About Documentaries and an Analysis of The Catfish

Firstly, it is important to understand how the documentary form is best suited to illustrate the film’s theme. In order to do this, one must have an overview of the documentary style of filmmaking. Documentaries concern themselves with the “exploration of

Animals such as killer whale shouldn't be kept in captivity. Director, Writer and Producer of Blackfish, Gabriela Cowperthwaite, argues that while in the wild there are no records of orcas attacking humans, but over 70 incidents have occurred while in captivity. Cowperthwaite begins building her credibility by interviewing former Seaworld workers, stating the conditions and behaviors the animals endorsed, and successfully employing emotional appeals.

Gabriela Cowperthwaite’s documentary Blackfish explores the harm captivity causes to whales and their trainers. Throughout the film the orca whales undergo a transformation from defenseless creatures into molded killers. The orcas in the film are portrayed as intelligent and caring creatures who are capable of grief. Through this character the development the documentary has affected how these animals are treated, as well as the public’s opinion on the issue.

The documentary “Fed Up” provides some important and disturbing details of the food industry. The 1977 heart disease and diet study known as the McGovern Report warned that the obesity rate was increasing rapidly due to American diets in fatty meats, saturated fats, cholesterol, and sugar. The food industry vehemently denied these claims, but the American people still demanded lower fat food products. The food manufacturers found that the fat removal made the food bland and unpalatable so to address this they replaced the fat content with sugar. Both the documentary and the Harvard Nutrition Source discuss the role sugar has in health conditions such as obesity and type 2 diabetes. They both link the consumption of sugar as the causality for

A documentary is a genre of film that provides a factual report on a particular story, viewpoint, message or experience. In this essay, two documentaries, Bowling for columbine by Michael Moore and Made in Bangladesh by CBC news will be explored to show how persuasive techniques are used to make an audience feel a particular way.

The idea of a documentary being an artistic or even personalised expression of a director is long gone, or so it seems in recent times. In Michael Moore’s latest documentary, Bowling for Columbine, he attempts to get across to viewers his, and essentially only his point of view, on the topic of gun laws. Although what Moore is trying to say is not necessarily wrong, he is at the same time not taking into account the other side of the argument either; all he is trying to do, essentially is hypnotise viewers into thinking

The documentary Blackfish directed by Gabriela Cowperthwaite, leaves the viewer with many different emotions. This documentary follows the life of Tilikum, a captured killer whale who is forced to preform for SeaLand. The director uses different interviews from people who have worked with Tilikum or have seen him attack people during the shows. The Occupational Safety and Health Administration, or OSHA, has said that swimming with and training killer whales is not safe at all and should not be done. They believe it is a very high risk to the human working with the whale.

Sea World rebuttal was not considered in the documentary of “Blackfish” which clearly defines the bias views of the creator. So without choice, viewers are marked to take the side of the creator or leave the documentary feeling like a kid in a fine china shop, unable to touch or lose your balance for fear of shattering the look of the shop. Unfortunately, the problem with animal activist groups is that they force their religious views of animals on others with no other biases to consider. Hence, their real arguments are skewed and we are unable to clearly see the real poignant side without the opinions.

The Holding Ground documentary was powerful and highly effective in showing the struggle of the Dudley Street and the Roxbury neighborhood and their struggle to in effect take back their neighborhoods. The people in the video were passionate about their community and faced many obstacles like illegal dumping and arson for profit as well as a committee of people who had no idea about the community making decisions without having anyone in the community representing them. In the documentary, Robert Holmes, Jr a Trustee at the Riley Foundation discussed how the board was having a community meeting. He originally thought that Che Madyun was sent in as an agitator. He then realized that she was just passion about her community and had valid points.

Documentary Movies: Key types – factual films (present people, places, or processes in straightforward ways meant to entertain and instruct without influencing audiences), instructional films (educate viewers about common interests, rather than persuading them to accept particular ideas), persuasive films (addresses social injustices), propaganda films (systematically disseminate deceptive or distorted information), direct cinema (eschew interviews and even limit the use of narrators).

Sea world is one of the top zoological organizations in North America, and it cares for one of the largest animal collections in North America. Their commitment to animals broadens around the world through the contribution of compelling financials and resource support for wild life conservation, wildlife rescue and education programs worldwide. Sea World also creates a unique entertainment experience that connects imagination with a passion for nature. Their theme parks and products have influenced many in celebrating, connecting with and caring for the natural world. And these we see being shared through the power of entertainment. The company owns and operates 11 U.S(Sea World, 2014). theme parks, which include the popular Sea World, Busch Gardens, and Sesame Place brands that hosted more than 23 million guests in 2013. Although Sea World has all these good motives in mind for the society; however, the whole idea of bringing the wild closer to the public has led to various casualties.

Media is so powerful that many people in business and politics have long realised that documentary filmmaking is a powerful way to influence or persuade the masses as to which side they should take on certain issues. Although the media claim their documentaries to be neutral, subjectivity is always an issue. Like any form of communication, including journalism, documentary filmmaking involves interpretation and choice-making on the part of the filmmaker, and is therefore unavoidably subjective. You might set up a camera to record a "day in the life of a Year 12 student” and end up with some interesting footage, but until it is shaped and given meaning by the filmmaker, and until

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

The subject of this paper has at least five names. Documentary Hypothesis and JEDP Theory are the most common. In this paper, this scholarly position will always be referred to as Documentary Hypothesis with a few exceptions.

In this essay, I will explain why a documentary is always more realistic than a fiction film. I will show my thesis by exploring elements that influence how realistic a film is: film editing and format, genre, and transparency. I will use the documentary of Armadillo (2010), by Janus Pedersen, and the fiction film of The Chronicle of Anna Magdalena Bach (1968), by Danièle Huille as examples.