Asu's Art Museum Analysis

This painting is done with oil on canvas. The painting itself holds visual texture and substance. The repetition and sorting is well executed. With some other works, subject matter which is so simple can come off as bland and boring. Yet Thiebaud was able to turn something so simple into a beautiful piece of art. Wayne Thiebaud uses heavy pigment and defined shadowing. All while the attention to detail is divine. With the well defines brushstrokes to luscious look of the frosting that coats the pieces of cakes. The color is vivid and imminently captures your eye; with intensity and he uses his shading properly while also using proper proportions as the pieces of pie

The first room of the museum pulled in the audience with artwork from the 20th century. Although it may seem like artwork put together at the last minute, if you look closer, you will see something entirely different. Each piece had so much detail and unique qualities, such as style and art form, that you haven't see in many other museums before. It is important to appreciate the erratic design and character of each piece of art, but after seeing the entire museum, it is easy see the monumental difference between art now, and the art of our past. Art of the past showed a lot more

Upon entering the museum I was bombarded by this 12 x 45 ft. architectural painting. Almost resembling the museum building itself. With sharp horizontal and verticals lines, this multi colored piece reminded me of our last piece from project 8. Using a variety of colors with no obvious correlation, the clash of colors instantly made me reflect on how I could improve future and previous projects alike. The amount of straight lines in different lengths and widths, also reminded me of our piece from project 1. With no curves and lines going every which way, its amazing how a piece made entirely of lines with no figures could be so captivating.

The Sydney and Walda Besthoff Sculpture Garden, part of the New Orleans Museum of Art, contains several dozen 20th century and 21st century sculptures from across the globe. The five-acre garden mostly features figures from American and European artists, most of them being created within the past 70 years. Surrounded by the beautiful landscape of City Park, many impressive works are presented at the sculpture garden. However, two particular works that stood out to me were the Venus Victorius and Untitled.

An area that was particularly monotonous was the American Art exhibit. One statue that was “intriguing” was called, “Semiramis” by William Wetmore Story, 1872-1873. It was basically a huge statue of a woman sitting up on a chair. And as while walking by the other repeated statues and vases people would feel nothing, no emotion, or care whatsoever, feeling as if you were just looking at a piece of stone that had a few dents in it. It was definitely my least favorite part of the museum which was ironically next to the most interesting portion of the museum. Perhaps it was to balance out the bland and the fascinating artwork on the top

The Pasadena Museum of California Art has a beautiful exterior with an open-air staircase with moody light play from an oculus above its entrance to a three-story facility. The walls all around it are covered in complicated patterns and symbols. The building definitely stands out against all the other buildings in the area. The inside is very roomy, and filled with lots of artwork all around.

On a trip to the Nelson-Atkins Museum of Art, my boyfriend, David, and I strolled through the museum while I, being an art history major, recited to him all that I knew about certain pieces. We observed sculptures by Auguste Rodin, works painted by Georgia O’Keeffe, and busts of Roman leaders. David was enjoying all the artwork until we reached the Contemporary art gallery upon where viewing Mark Rothko’s Untitled No. 11 made in 1963, he shook his head in anger at what he thought was a painting far from a masterpiece. His comment was one I’m sure many have said about this particular piece and many other modern pieces of art, “I could have painted that.” I couldn’t help to reply, “Yeah, but you didn’t.” David’s sudden reaction upon viewing the

I had the opportunity to visit the New Orleans Museum of Art (NOMA). It is placed in a wonderful scenario called the City Park, in which the three-story building is surrounded by oak trees and artificial lakes. At the desk, a lady welcomed you in a large hall dominated by a central stair. On each side of the hall, there are rooms with European paintings, in particular Dutch, Flemish, and Italian; in front, instead, there is a large room with photographs. As I finish my visit of the first floor and I moved up towards the second, right in front of me I see a bronze statue by Rodin, who I knew for his famous The Thinker. At the second floor, I can admire American, Spanish, and French painters; in particular, I recognize names such as Picasso,

When people think about a museum most of them think about walking around starring at paintings they don’t understand and reading the little cards with their description. After a while they get tired of walking around long hallways and finally decide to leave. On the other hand, the Gallery One at the Cleveland Museum of Arts is more than just a museum, it’s a fun and innovative environment that how Alexander explained, “… the intention of Gallery One was to transform visitors into participants, rather than passive observers.” (2014). When people get their hands on the action they are most likely to have fun, learn, and build experience.

Union University Art Gallery plays host to several different artists’ galleries throughout the year, for free and open to the public. Currently on display is “Hodgepodge”, a collection of about ten canvases by Brian Bundren. While Bundren has been painting and displaying his artwork for quite some time (his first gallery was in the mid-1990s!), “Hodgepodge” contains paintings only from 2013-2016.

With the world gradually becoming more consumed by the ‘media-saturated contemporary culture’, American artist Blair Thurman explores the place art has in the modern world. Located on the second floor of the Oklahoma Museum of Art lies his 370 x 274 x 90 centimeter Honeybadgers installation created in 2009, a sculpture piece constructed with plywood, acrylic, glass, neon, and wire pieces. This exhibition occupies a small, but tall room that is approximately 400 square feet, and is on display until May 1st, 2016. Museums are traditionally the institutions that produces conversations for the audience to speak back to, and Thurman uses this discurvisity to communicate his works. His work appears to relay the idea of conceptual art in that concept

As I walked up to The Metropolitan Museum of Art (MET) for the first time, I was overwhelmed with amount of visitors that occupied the steps to the entrance and wondered if this visit was the best choice. I opened the front doors to the museum and stepped inside; my immediate impression of the place reminded me of my first experience at Grand Central Station. Initially, I was overwhelmed and distracted by the hustle and loud noise around me, yet at the same time, I found myself mesmerized by the architectural beauty and layout of the place.

Rose DiRocco-Hodges stands in the Lycoming College Art Gallery located in downtown Williamsport. The Long Island-native is the Director of the Lycoming College Art Gallery, a downtown student-run downtown public art space. “I became interested in art through my older brother, Ralph, who was an artist.” She states. “He would take me to art museums, photo shoots, and various places like the beach, the woods and highly populated areas where he would photograph, draw and paint. I enjoyed watching him as his projects came to fruition. He valued my opinion, and he was always thankful for my honesty.” Her worked as an artist for an advertising agency in Manhattan before becoming ill and passing away at the age of 31. “I believe Ralph gave me my interest and love of art, in all mediums, and I am grateful for the time I spent with him, and also that I can continue being surrounded by

The piece I found interesting at the Orlando museum was the African hunters coat. The coat materials are Fibers, cotton, rope, medicine packets, fetishes, and found objects. The length/ width of it is 215 cm x 114 cm, style used to create this is fon. The hunters coat was found in Nigeria 1940 CE artist is unknown. The charms that cover this hunter’s coat were made as protection. The name of them are called gris-gris they are used as a Voodoo amulet originating in Africa which is believed to protect the wearer from evil or brings luck, and in some West African countries is used as a method of birth control. Although the hunters would not wear the coat during the actual hunt. Instead it was worn in a ceremony beforehand where it gave the hunter

In beginning was the image. Before each of us learned to speak and speak on a topic, we started see and perceive the world through images. We tried to analyze what the world has to pass us. The same is true now, when as adults we choose, for example, to an art gallery. Looking at the work of art, at first glance, we can very quickly determine if that something we like or not, whether evokes in us an emotion. The model can also be in terms face or frontally, in profile or three-quarters, as shown in the image of Leonardo da Vinci’s The Head of the Virgin.