Asylum In One Flew Over The Cuckoo's Nest

Ken Kesey's "One Flew Over the Cuckoo's Nest" is a unique fiction novel about oppression and rebellion in an American 1950's Mental Hospital. In this highly distinctive novel, setting definitely refers to the interior, the interiors of the Institution. It also refers to the period this novel this was set in, the 50's, 60's where McCarthyism was dominant. Furthermore, it has great symbolic value, representing issues such as the American struggle of freedom and conformity. This essay shall discuss the ‘setting' & its significance towards Ken Kesey's "One Flew over the Cuckoo's Nest".

One Flew Over the Cuckoo’s Nest is a novel written by Ken Kesey during a time in our society when pressures of our modern world seemed at their greatest. Many people were, at this time, deemed by society’s standards to be insane and institutionalized. One Flew Over the Cuckoo’s Nest is set in a ward of a mental institution. The major conflict in the novel is that of power. Power is a recurring and overwhelming theme throughout the novel. Kesey shows the power of women who are associated with the patients, the power Nurse Ratched has, and also the power McMurphy fights to win. By default, he also shows how little power the patients have.

Everything seen as unfathomable ideals at the time are used in the book to help point out how ridiculous they are. For example one of the many crucial roles in One who Flew Over the Cuckoo’s Nest is the evil Nurse Ratched who obliterates all of the standards of women during this time. She is an authoritative figure who has complete control over the male patients in the ward. She can play with them as if they are her puppets she makes even the biggest man on the Ward Chief, a 6’7 foot Indian feel tiny in comparison. In fact Chief explains to Mcmurphy “No. I’m way too little . I used to be big, but not no more.You twice my size. ” ( Kesey #219) This proves how Nurse Ratched as such control over her patients that a 6’7 man thinks he is smaller than the height of the average man like Mcmurphy. She uses any opportunity she can to get into the head of her patients by forcing the patients to repetitively speak about their flaws and insecurities and writes every bit of information down to use against them later. These tortuous meeting usually cause the patients to go into a fit the most notable patient is Billy Bibit, a man known for his stuttering problems exclaimed “ 'I c-c-couldn't take it. Wh-wh-wh-whenever the officer in charge of class would call roll, call Bibit, I couldn't answer.” then he says “You were supposed to say, “Here sir,” and I never c-c-could get it out.”(Kesey #56) This viscous routine of her silencing the patients by making them confess what they lack in order to fit into society continued until McMurphy Showed

Though every period of time, people often find themselves looking for a savior. While most people turn for Jesus Christ or other religious figures, in the novel, One Flew Over the Cuckoo’s Nest, by Ken Kesey, the patients of a strictly-run psychiatric ward turn to Randal Patrick McMurphy. Kesey uses McMurphy to create a Christ Figure, or a character that shows allusions to Christ, in his work. Despite being a patient, McMurphy finds a way to stand out as a Christ Figure through having his individual thoughts and actions, rather than shrinking himself to what the ward wants him to be.

Ken Kesey’s One Flew Over the Cuckoo’s Nest operates as an entertaining and interesting novel on a pure surface level. There’s a good story, well-developed characters and fresh language. It has all the workings of a good novel, but One Flew Over the Cuckoo’s Nest isn’t just a good novel. It’s a great one, because Kesey uses Chief Bromden’s perspective to let imagery flow out of the novel and have it all come back to one theme: individuality and its repression by society. This idea is highlighted by the image of gambling vs. playing it safe, whether in literal card games or as a way of living. The mental ward’s new patient, Randle Patrick McMurphy, is a self-described “gambling fool” (12)1, while his opposer, “Big Nurse” Ratched,

One Flew Over the Cuckoo's Nest takes place at a mental hospital in Oregon state hospital in in Salem. This book follows the day to day life of a group of patients of how the go from acting like machines to becoming their own person. The author uses machinery to show that everyone is the same and has to be a perfect robot. When they are able to fit in and just go with the crowd, they are not humans. As the book moves on with McMurphy, the machinery quotes goes down and it shows how people are being there own person. "The ward is a factory for the combine. It's for fixing up mistakes made in the neighborhood in the schools and in the churches, the hospital is. "(Kesey 40).

One Flew Over the Cuckoo’s Nest (1962) by Ken Kesey had great commercial success when it was first published and still continues to be celebrated by many. At first glance Kesey’s story of Randall Patrick McMurphy taking control of the mental ward from Nurse Ratched might seem just as a heroic battle but, throughout the entire novel Kesey hints at his own views about society and the change he would like to see. Through Nurse Ratched’s devotion to conformity and the patients’ want for change, Kesey presents a reflection of the time in which the novel was written, the transition period from the conservative 1950s to the counterculture movement of the 1960s.

Ken Kesey’s “One Flew Over the Cuckoo’s Nest” is a unique fiction novel about oppression and rebellion in an American 1950’s Mental Hospital. In this highly distinctive novel, setting definitely refers to the interior, the interiors of the Institution. It also refers to the period this novel this was set in, the 50’s, 60’s where McCarthyism was dominant. Furthermore, it has great symbolic value, representing issues such as the American struggle of freedom and conformity. This essay shall discuss the ‘setting’ & its significance towards Ken Kesey’s “One Flew over the Cuckoo’s Nest”.

Ken Kesey’s novel, One Flew Over the Cuckoo’s Nest, examines the vitality of struggle and sacrifice, in challenging conformity. The majority versus the individual is one of the most prominent themes throughout Kesey’s novel. The plot largely revolves around characters which are subjected to extreme oppression, yet eventually, come across their different forms of liberation. However, the reader is left contemplating whether the end justifies the means. Kesey best describes opposition to conformity through the novel's antihero, Randle McMurphy, who ultimately suffers due to his opposition. He also details the unkind consequences that result from rebellion and uses his narrative as a vessel for loosely describing the battle between those that

     The one that flies over the cuckoo's nest is the giant, allegedly deaf-mute Chief Bromden. In Ken Kesey's original novel, Chief narrates the story, providing evocative images of an all-powerful bureaucratic 'harvesting machine' fostering functionalist social integration: a combine that would process out individuality, thus creating compliant individuals (the exaggerated representation of this in the film's ward is a microcosm of society at large). Those who did not conform would be relegated to a correctional facility for repair or removal.

society, as well as sanity vs. insanity are greatly expressed through the characters actions and events in the novel, as seen from a patients eyes. Randle McMurphy, the main character of the novel portrays the theme of the individual against society through his dealings with Nurse Ratched and the hospital. “The main action of One Flew Over the Cuckoo's Nest consists of McMurphy's struggles against Nurse Ratched. Her ward at the hospital is a society in itself. McMurphy challenges the rules from the beginning” (Malin 224). The effects of the battle between McMurphy and Nurse Ratched is expressed in the reactions of both characters, as well as the changes brought to the ward. “But she stops. She was flustered for a second there. Some of the acutes hide grins, and McMurphy takes a huge stretch, yawns, winks at Harding” (Keasey 45). The individual vs. society theme is clearly displayed here though McMurphy's struggle against the rules of the asylum, and against the rule of Nurse Ratched. This represents a a man, or individual, fighting for his own rights when faced with the views and obstacles forced upon him by a tyrannical society with strict guidelines. The second major theme in this novel, tied to the individual vs. society, is the theme of insanity vs. sanity. “Sanity vs. insanity is a topic that is established by society itself, set by public values and rules on what normalcy should be and what insane should be qualified

Among hundreds of movie production every year there will always be a handful worth remebering. And maybe one handful out of them will in the future be called a classic or perhaps a must for all movie enthusiastics. Ken Kesey's One Flew Over the Cuckoo's Nest is not only an illustruation of a mental institution it also provides the viewers with a thought revolution against a social selection in a perfect society.

Our perspective of a stranger whom we’ve never met nor seen, but only heard of through the mouth of the enemy’s opinion, will inevitably align with the only version of the story we’ve heard. This sort of bias is found in Ken Kesey’s 1962 novel, One Flew Over the Cuckoo’s Nest, with Nurse Ratched’s depiction through the narration by Chief Bromden. The reliability of Bromden’s perspective is questionable, as it is his interpretation of the world, rather than what it actually is.

One Flew Over the Cuckoo’s nest is a terrific novel, about an Oregon Psychiatric Hospital, and the events that occur in a ward within it. Ken Kesey takes a daring approach on a dysfunctional situation governed by a mechanical, uptight, and appearingly emotionless Miss Ratched. The tale is told through the eyes of Chief Bromden, a tall “Indian”, who has a very complex psychological problem of his own.

The novel One Flew Over the Cuckoo’s Nest, written by Ken Kesey and published in 1962, was immediately a critical and popular success. Kesey establishes a first-person narrative through the eyes and mind of Chief Bromden, ironically a “deaf and dumb” (4) “six feet seven” indian, whom exposes the manipulative and corruptive inner workings of a ward in a state mental hospital in Oregon (22). According to Bromden, the inner workings of the ward are directly caused by “the Combine”, a term meaning a huge machine and metaphorically suggesting a kind of socio-economic conspiracy, which is slowly, but surely turning society into a dehumanized, un-individualistic culture and those who choose to rebel against this kind of conformity are locked away being classified as a criminal and/or insane. The ward is run by