Atonement Character Analysis

In The Crucible by Arthur Miller, John Proctor, the protagonist, is a farmer in his middle thirties. The author gives little to no detailed physical description of him, but from Proctor’s speech, we can still picture him as a strong and powerful man who is able to keep every situation under the control, the kind of personality which earns him deep respect and even fear from the people in town. On the other hand, Abigail Williams, the antagonist, plays an inferior role as an orphan who has no social status in a place like Salem. Over the course of the play, John Proctor is absolutely awakened and transformed by Abigail Williams. In the end, he overcomes the crucible by releasing himself from his guilt of

Whilst in conversation with Lola, Briony’s cousin, Briony tells her of all the events involving Robbie so far, this conveys once more that Briony is a meddling child as she is telling false accusations to people who are not involved in the situation. We can also evidence once more of Briony attention seeking as she had a ‘desire to share a secret and show the older girl that she too had worldly experiences’. Lola further urges Briony’s imagination and makes her belief that Robbie is a ‘maniac’ and could ‘attack anyone’. Following this we can see that not only is Briony immature but she is also ignorant of what is happening and would still rather belief the story that she is building. We can see this when Briony reflects on the memories she had of Robbie as child when he would ‘carry her on his back’ and when he ‘taught her one summer how to tread water and breast stroke’, and instead she perceives these innocent acts to be dangerous as Briony said he ‘pretended to be a beast’ and that ‘she had been alone with him many times at the swimming hole’. These acts would make Robbie seem untrustworthy to a child because beasts are a common factor in children’s nightmares and the thought of a man being

Have you ever changed after something you have been through? In the book, The Devil’s Arithmetic by Jane Yolen, Hannah changes when she realized what the Holocaust was about. She doesn't know why it is important to remember so she doesn’t want to. She doesn't like going to there family dinners to celebrate any of their jewish holidays. Throughout the book, Hannah's character changes how she feels toward her Jewish history.

Because she begins recalling her childhood, the attachment that she feels towards her brother causes her to dismiss her brother’s disorderly conduct. So even when her brother was out committing crimes, getting drunk, and more, she did not feel that it was important to brood over, because the image does not fit with the perception that she has of him.

She does this by using such elevated, disgusted terminology- one can imagine her reading these terms with an intense voice of contempt- as “affair” (1), “the Brinvilliers woman”(5), and “Believing”(10) to convey a spirit of detachedness and divergence- marking the woman as a member of a distinctly separate social class than herself and her audience. Her incredulous, scornful tone toward the Brinvilliers woman indicates her treatment of the criminal as someone far below her and her audience.

Atonement, by Ian McEwan, explores the theme of love through a variety of techniques such as symbolism, metaphors and repetition delve into various aspects of love, such as misspent, newfound and unavailable love. Uniquely, McEwan intertwines these techniques with foreshadowing and imagery to convey complex emotions such as love, guilt and jealousy. Additionally, the theme of reality and the imagination is established through repetition and Cecilia’s characterisation.

From the moment Atonement begins it becomes clear that Briony, at age thirteen, is aware of the power writing has. To her, writing can make “ the childhood of a spoiled prince can be framed within half a page, a moonlit dash through sleepy villages was one rhythmically emphatic sentence, falling in love could be achieved in a single word--a glance”

Briony's craving to manipulate and control, and also her perception of how Robbie spoilt her play, leads her to committing her crime. Her overactive

228) in relation to the way that she is not able to rid herself of the way she separated two lovers. Briony had previously confessed to Robbie when she was ten-years-old, as revealed by Robbie’s thoughts in part 2 of the novel. “He had betrayed her love by favouring her [Briony’s] sister,” (pg. 233) which means Briony could have accused Robbie of rape to separate Cecilia from him. She did not feel guilty until she grew older and began to consider the complexity of her allegation. The war may take Robbie away from Cecilia and leave her devastated all because of a mistake Briony made. In addition, she will never be able to witness the lovers reuniting and may never be able to atone for her mistakes after all. Like a room without a door, she will not be able to escape the fact that she separated two

This attitude towards the facts – and Briony’s editing of the truth despite her claims that she has “regarded it as [her] duty to disguise nothing” (369) – is the very thing that prevents her from achieving atonement. For one thing, Briony admits that she is “too old, too frightened” (371) to not give

To begin, in part one of “Atonement” we learn who each character is through the perspective of different characters. Alongside we get the unique perspective of several scenes that take place. One very important scene is the fountain scene where Robbie and Cecilia are filling a vase with water and Robbie causes the vase to slip out of Cecilia’s hands breaks some pieces falling into the fountain. Cecilia acts fast and removes her clothing in order to retrieve the vase piece. Meanwhile, you have Briony wondering her room and happens to see the two conversing and is shocked to see Cecilia remove her clothes. Briony begins to assume things instantly “ The Triton fountain, and standing by the basin’s retaining wall was her sister, and right before her was Robbie Turner. There was something rather formal about the way he stood, feet apart, head held back. A proposal of marriage. Briony would not have been surprised. She herself had written a tale in which a humble woodcutter saved a princess from drowning and ended by marrying her. What was presented here fitted well. Robbie Turner” (36). Here Briony is only able to see the interactions between Robbie and Cecilia but she can’t necessarily hear anything but, it doesn’t impede her

Briony Tallis: Briony Tallis is the protagonist of Atonement. Though Briony has two older siblings, Leon and Cecilia, they are both at least ten years her senior. Therefore, Briony grows up virtually as an only child and as a result is quite self-centered. Briony is introduced to readers when she is working on her play The Trials of Arabella. Through Briony’s writing process and inner thoughts, readers are made aware of her obsession with order and control. This obsession combined with her self-absorbed mindset fosters Briony’s unaware naïveté. Briony believes that she understands everything that occurs around her, when in reality, she cannot understand adult concepts and ideas that do not yet pertain to her. It is this obliviousness that leads to her rape accusations against Robbie—Briony is unable to see the love between her older sister Cecilia and Robbie, the servant’s son. Once Briony matures, she begins to realize the depth of the consequences of her actions, and throws herself into atoning her “sins.” In doing so, she writes her own novel involving a couple that represents Robbie and Cecilia, and feels that she can relieve herself of guilt by admitting to her wrongdoings and rewriting the fates of the two lovers. However, the novel simply paints Briony’s naïveté in a new light—though she has grown up, she is still unaware of the dire

To begin, the naïvety and distorted views of reality that Briony Tallis possess reveals her inability to understand the meaning of justice. Briony, who is only thirteen at the time, “views the adult world from a child’s perspective, seeing adult acts through the lense of melodrama” (“Atonement” 7). As result, in reading Robbie’s letter she immediately “[casts] herself as her sister’s protector” (McEwan 115), and thus imagines that Robbie is attacking Cecilia in the library. This can be seen in her perception that Cecilia’s forearm “was raised

In his essay “Who Killed Robbie and Cecilia? Reading and Misreading Ian McEwan’s Atonement,” Martin Jacobi argues that Ian McEwan dramatizes misreading and warns readers against misreading, but also causes his readers to incorrectly read his novel. Jacobi shows us how easy it is to misread in Atonement and this makes readers more likely to sympathize with Briony’s misreading. He further discusses how the narrative encourages us to believe that Robbie and Cecilia’s love story must end tragically even though there is no reason to do so. Even though the readers see what terrible results Briony’s misreadings have on both Robbie and Cecilia, we are then tempted to make the same kinds of misinterpretations about how they turn out. In his literary analysis of these aspects of Ian MacEwan’s Atonement, Jacobi makes it clear to readers that they are wrong to assume that Robbie and Cecilia die, so if they decide that they have died, the readers are the ones who kill them. While I agree with Jacobi’s claim that the narrative does not clearly tell us whether Robbie and Cecilia die, in this essay I will argue that assuming that Robbie and Cecilia die is a very reasonable supposition and it is a more logical assumption than that the couple does not die. Jacobi himself states that “the most dominant interpretation for reviewers and critics is indeed that Robbie and Cecilia die during the war” (Jacobi 57). Perhaps Jacobi overanalyzed the text to create an opposition that there was no need

This is a conflict she has with herself while she is becoming an adult. Briony invites readers into her feelings but later contradicts herself as she hides all her emotions from view. Since she is still a child she tends to take things for their literal meaning. However, she is ecstatic to become an adult since she is determined to use feelings in her stories which would help her stories to begin the transformation from princes and princesses to mature topics. Briony loses her innocence when she discovered that reality is not like the stories she read when growing up. Her innocence is taken from her when she realizes that by casting Robbie as a villain in her plot and by forcing him to be a villain in real life has different outcomes than a story. Briony loses her innocence mentally as she still holds on to the fact everything is okay as if she rewrites Robbie’s and Cecilia’s relationship a happy ending versus a tragic ending “the lovers survive and flourish”(371). By changing the ending Briony tries to extinguish her grief that she affected Robbie’s and Cecilia’s life and torn apart the Tallis family. Briony is learning how to survive without her innocence.