Audience Analysis : ' Touch My Body '

In modern day society, popular culture has gained equal status to world issues and politics. Music, movies, and literature have started cultural revolutions and challenged the straight-forward thinking many individuals have accepted in the past. But while popular culture can advance new ideas and create movements, it also has the ability to challenge advancements society has made. Imani Perry’s essay, The Venus Hip Hop and the Pink Ghetto, focuses on hip hop and its negative impact on women and body image.

Director Sut Jhally, in his documentary film, “Dreamworlds 3: Desire, sex, and power in music videos”, analyzes the issue of how women are portrayed in the music world. Jhally, in his film argues how music and media has become a proud industry when it comes to advertising women, all for the benefit of popularity and record sales. Jhally believes these videos both inform and misinform our culture about our dominant attitudes regarding femininity masculinity, sexuality and race. He uses an empathetic tone in order to appeal to pathos, the feelings and experiences in women when he presents video clips that are somewhat offensive to watch as proof that women have become a common necessity shown in music videos. Often presented as being sexually aggressive and submissive, being objectified by men. He also intentionally wants to try to stir up emotions as he introduces song lyrics of women being called inappropriate names and images of women being fondled by men throughout the film. Sometimes, aggressively without consent.

Since the explosion of music videos in 1981, a large portion of their popularity has been due to the objectification of women and their sexuality. “Early content analyses showed that anywhere from 40% to 75% of music videos contained sexual imagery”(Arnett, 2002). Hip-hop music videos especially have a reputation of degrading women. In these videos “women are often depicted in positions

The term interpersonal communication often referred to as dyadic communication sounds a lot more complex than it really is. It is the communication between two people, or face-to-face interaction. There are many different characteristics that separate dyadic communication from other forms of communication, such as being more direct, personal, immediate, spontaneous, and informal. I chose to do an interpersonal communication analysis on the movie Dirty Dancing. In the movie there are two main characters that develop an interpersonal relationship, Frances “Baby” Houseman and Johnny Castle. In the beginning of the movie, Baby is the quiet naïve girl that is always over-looked in the crowd, she becomes infatuated with Johnny and his talent for dancing. Johnny holds the reputation of the “bad boy” and many have preconceived ideas about him before they take the opportunity to get to know him. Throughout the movie there are many different concepts of interpersonal communication displayed such as; rigid role relations, the journey towards intimacy, and self-disclosure.

A fan base or fandom is a group of regular supporters and enthusiasts that spend a rather large amount of time and energy focussing on a team, musician or musical group, entertainer or any other celebrity; these different people/groups can be classed as sort of a leader or main person that holds the group together.

Killaq Enuaraq-Strauss is constantly using body language throughout her video response to Ellen DeGeneres’s statement that seal hunting is cruel and inhumane. Enuaraq-Strauss uses her hands, eyes, mouth, and head to communicate with those who are watching her video.

The assignment I chose to revise, is our first assignment of the semester. The audience analysis assignment. I chose this one because I had the hardest time with it. It also had the most grammatical and technical errors so I decided to go back and revise so I can get a better understanding of what I did wrong and how to fix it for the next time.

These radio stations represent the more conservative people, as they took offense to the sexy lyrics of the song. The popularity of the song shows how the majority of people enjoyed it. Physical allowed the younger generation to step forth and show that they were different to the previous generation. Consequently, this song became one of the bestselling songs of the decade; and as the generation that grew up listening to this song has grown up and had children, they have introduced Physical to the next

Being a fan means “a person who has a strong interest in or admiration for a particular person or thing”. A fanatic is “a person filled with excessive and single-minded zeal, especially for an extreme religious or political cause.” Being a fan is better than being a fanatic because being a fanatic seems a little obsessive and people could get the wrong idea about someone. Many people do not know the difference between the two. There are more fans than fanatics.

Within popular culture today, objectified female bodies can be represented everywhere from advertising images to magazine covers, television, music and many more. Through these media institutions, we allow them to construct social identities in ways that allow us to understand what it means to be black, white, Asian, male or female etc. Within many popular culture mediums such as music, stereotypical representations of racially marked female bodies are often formed. Thus, these representations also have the ability to create stories about a certain culture. In music videos, it does not go unnoticed that women are portrayed as objects whose objectives are to pleasure men. In this paper, I will argue how racially marked female bodies are represented. This paper will mainly focus on how these racially marked women are depicted in the hip hop culture. To demonstrate this, I will draw examples by using award winning music videos by Nicki Minaj, R.Kelly, 50 cent to exemplify representations of the female body and how they are objectified as sex objects. In conclusion, we will be able to see how the female bodies are used in mainstream hip hop videos to convey seductively.

This research paper will examine the difference in how women’s sexuality is portrayed in hip-hop music videos. Are women empowered, or are they objectified when they express their sexuality? The public image of how women move, speak, sound, look, dance, talk, dress, and act is controlled by corporate networks who present these societal-norms to people through many mediums. Dominating how women are portrayed in music videos, men are introducing audiences to certain tropes and ideals women are expected to live up to. This heteronormative, White male fantasy, is unrealistic for women and creates an unhealthy obsession and expectation that females of all sizes and races are supposed to embody. In Women in Popular Music Media Empowered or Exploited? (p.9), Jamie Glantz asks “Are women represented as the subjects of their own desires, or do they seem to be preforming as the objects of someone else’s?” Men and women alike intend for women to follow these societal rules. Audiences do not realize the messages they are being fed through hip-hop music videos. The popular, male vocalized, music video for the summer hit of 2013 “Blurred Lines,” which appeared to be a lighthearted video of Robin Thicke and Pharell dancing with women wearing swimsuits. The male performers make faces at the camera and one another, while the women wear clunky shoes and nothing else. The men attempt to grind on the ladies legs, but the models just look distracted by the lamb featured in the video or a

Using “All About That Bass” as an entry point, I will analyze how “body positive” media perpetuates a “white feminist” ideology of who is included and targeted in their messages. For this analysis, I will look at three key themes embedded within the song’s lyrics and music video. First, I will discuss the song’s (cis)heteronormative basis for its “body positivity,” as well as how sexuality and fat politics are often paired. Next, I will analyze the function of the racialized body and what it means for Trainor, a white woman, to appropriate racial tropes for

Good evening ladies and gentlemen, my name is Vader-Ann Wegner and I am here this evening with Today Revealed to discuss with you Meghan Trainor’s so called body acceptance anthem. We are here today to raise awareness of youth about highly constructed nature of texts that society engages with on a daily basis. “All About That Bass” has notched more than 120 million views on YouTube, has been perched atop of the billboard charts and is nothing but a true earworm catchy tune that is being played religiously on the radios of millions of people, the youth being the largest sum of them. This parody music video has a very retro feel, but incorporates many modern musical elements to keep it contemporary. This hit gives a contradictory message to society and youth of today as it is highlights how full-figured women are perfect compared to the expectation of the modern, pencil- thin figure.

Girls get exposure to sexualized messages through, TV, ads, song lyrics, videos, and movies. Television shows and movies depict the attractive, sexy girls as being associated with the popular crowd (APA 6). The APA has noted that advertisements use a blurred framework known as “trickle up” and “trickle down” with the sole purpose of making girls appear to be more adult like, and women to appear more child-like. For example, network TV aired a Victoria Secret’s Christmas themed fashion starring models dressed up to look like children. They strutted across the runway in baby doll lingerie as they dragged stuffed animals behind them (APA 12). Music is overflowing with songs that sexualize and degrade women (APA 6). Research has shown that children and teenagers on average listen to more than 2 hours of music a day (Parker-Pope). The message that young people are receiving from both female and male artists reinforce that sexualization of females is normal and accepted. For example, coming in at number 3, on September’s 2015 Billboard’s Top 100 is male artist OMI with the song Cheerleader (“Music: Top 100”). The artist describes his perfect woman to be someone who is submissive and knows her place. She is gorgeous and thin and does what he requests. A little further, down on the list coming in at number 7, is artist Selena Gomez with the song Good for You (“Music: Top 100”). The female artist sings about wanting to look good for a man. She does this by putting on a dress

In music videos the dancing or portrayal of the people within these videos is often of a very sexual driven nature. This re-inforces the idea that women are sexual objects and the purpose of their being is to provide the male population with sexual satisfaction. Women portrayed are very thin and pretty, wearing heavy layers of make-up which portrays the idea that women need materialistic items such as mascara and lipstick