Audre Lorde Poetry Is Not A Luxury Analysis

Audre Lorde speaks on how anger has affected her throughout her life and how she has dealt with it in her speech “The Uses of Anger: Women Responding to Racism”. Lorde is claiming that her anger, which she gets from being oppressed by not only men, but white women too, is her best use of change. She provides many examples of how white woman have completely ignored her struggles and views on racism, which causes her to become angry with them for their lack of awareness. Lorde urges these women to act on their feeling of anger as they are the best avenue to produce change. She doesn’t want these women to keep their anger in check and hide it, but instead harness it and use it as fuel for progression. Lorde concludes her speech by telling these

Allison Joseph and Sekou Sundiata are both great writers who engage the world by expressing their struggles through poetry. Both authors write about how people make assumptions because of what they hear and see around them. Their poems discuss the altercations and obstacles they have faced only because of the color of their skin. In the poem “On Being Told I Don’t Speak Like a Black Person,” Joseph incorporates a wide breath of experiences from her point of view. She expresses her strong emotion by using descriptive language which allows us to read with emotion. In “Blink your eyes,” Sundiata shows the intensity of his feelings by using the repetition of phrases and reinforcing the poems irony.

For many centuries, poetry has been at the center of communication and expression. Poetry has progressed, and styles have changed. However, there are some concepts in poetry that have stayed consistent; every single poem contains a theme that readers can analyze. Poets use different methods to make sure that readers understand their themes. For example, poets may use a variety of imagery, repetition, structure, and history to achieve their purpose. One poet who exhaustively uses literary devices to reach her goal is Dolores Kendrick. Kendrick’s renowned book of poetry, The Women of Plums: Poems in the Voices of Slave Women, contains a multitude of poems that encapsulate exactly how it felt to be a woman and a slave. One specific poem from

All three of the poems discussed in this essay relate to the struggles suffered by African Americans in the late 18th century to the early 19th century in many different ways. They had to live under harsh

She describes how white women “ignore their built-in privilege of whiteness” when they ignore the black female’s point of view and focus solely on the white female’s view (117). She points out the hypocrisy of white feminists, in that they will refuse to read black females’ works because they are “too difficult to understand,” but will read the works of Shakespeare, Molière, Dostoyefsky, and Aristophanes (117) There’s an obvious contradiction between white feminists’ “incorporation” of black females into their movement and the exclusion of their literature, which Lorde later analyzes and determines is because white women would feel guilt upon recognizing and validating their experiences. Furthermore, the exclusion of black writings from the feminist movement weakens the strength of the movement, offering the opposite effect as desired. Lorde writes how “ignoring the differences of race between women and the implications of those differences presents the most serious threat to the mobilization of women’s joint power.” (117) Since the feminist movement seeks to apply social pressure to achieve social change, it would make sense to try to gain strength in numbers by including the most people possible; Lorde sees this strength in numbers and calls into question the consistency of the white side of the feminist movement with its

Sometimes people hold on to our past which could cause us to lose understanding of others and in the world. For an example, the poem “To a dark Girl” by Gwendolyn Bennett is about how young black girls carry pain on the shoulders and they should let it go. This essay is about how the author’s use of tone , word choice , and imagery helps the following theme emerge in “To a Dark Girl”: that black girls should never hold on to their past.

Poetry is the creative means in which emotion is expressed through the literary art of rhythm, rhyme and repetition. Over time, the distinctive style of poetry has been altered to create great diversity branching from the traditional poetic style of writing. Missouri born author, Naomi Shihab Nye, provides a great example of a unique style of writing. Nye is a poet, songwriter and novelist whose style incorporates everyday objects in her writing to create a spontaneous, yet thoughtful connection between these everyday items and the reader. In the most basic form, Nyes’ poem is about fame. She implies that it is essentially “these little things that we overlook – all these everyday, seemingly unimportant things – are really what deserve

Poetry has a role in society, not only to serve as part of the aesthetics or of the arts. It also gives us a view of what the society is in the context of when it was written and what the author is trying to express through words. The words as a tool in poetry may seem ordinary when used in ordinary circumstance. Yet, these words can hold more emotion and thought, however brief it was presented.

Akin to intersectional romance fiction, poetry is equivalently as radical. Poetry magnifies the significance of language as a revolutionary tool, one that liberates women and cultivates an environment in which women are free to address their aspirations and anxieties while condemning the ideals of a society that operates under the canons of male chauvinism. In a collection of letters published as a tribute to the late Audre Lorde in Off Our Backs, a feminist newspaper journal written for women by women, one anonymous contributor discusses how Lorde “encourages all women to find their own means of expression, their own poetry to value and to use” (Tyler 32) in her piece “Poetry Is Not a Luxury”. In the piece, Lorde discusses how for women, poetry is not a nonessential indulgence, as Caucasian men throughout history have suggested through how they render poetry as an opportunity to “cover [a] desperate wish for imagination without insight” (Lorde, “Poetry Is Not a Luxury” 36). Lorde contends that poetry is a “vital necessity of [the] existence” (Lorde, “Poetry Is Not a Luxury” 36) of women because it establishes the infrastructure on which women “predicate [their] hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action” (Lorde, “Poetry Is Not a Luxury” 36). Lorde’s text motivates women to exercise “the power of the word, a freedom for women greatly feared by…patriarchal society” (Tyler 32). Lorde states the poetry

Audre Lorde was born in New York City the 18th of February 1934 of Caribbean immigrants. As a child, the author had difficulties in communication that made her acknowledge poetry and its power as a form of expression, allowing her to become a writer, a feminist, and a civil rights activist. Which is very strong in “Age, Race, Class, and Sex” in which the author describes her feelings using a style of superior journalism with elements of popular culture that leads to racial issues. In order to emphasize more her sociological argument, Lorde uses personal experience as ethos. “As a forty-nine- year- old Black lesbian feminist socialist, mother of two including one boy, and member an inter- racial couple, I usually find myself a part of some group defined as other, deviant, inferior, or just plain wrong”(Lorde, 114). Audre Lorde strength is in her inferiority and points out very actual issues such as: distortion of relationship between oppressor and oppressed and the misnamed differences that still leads to racism.

Lorde’s poem “Coal” tackles political views expressed from her experience as a Black feminist as she continues to struggle against labels and stereotypes. The poem is free-verse and has no definite rhyme or meter, except in this poem, there is little rhyme. This poem shows her personality and her willingness to be part of society’s norms. In the poem, the lines 3 and 4 (Lorde), “From the earth’s inside./ There are many kinds of open”, she mentions that she was trapped between the layers of the earth and her true self was underneath all of the labels and stereotypes (representing as the layers), given to her race by

LORDE AUDRE POETRY During our poem unit we have studied bunch of poetries written by different talented poets. I was particularly fascinated reading Aurde Lorde poems. Audre Lorde is an African-American feminist and poet. Her passion and enthusiasm bring a different appeal while reading her poems.

The idea of feminist criticism began in the 1960s, right around the time Lorde wrote and published much of her work. She used feminist theory as a way to undermine traditional patriarchal systems and unite women in a struggle against discrimination, oppression, racism, sexism, and patriarchy. Her writing aims to examine and promote women’s interests, as well as help women of various backgrounds identify with one another through their commonality of systemic oppression and their desire for basic human rights. In Lorde’s words, "I am defined as other in every group I'm part of". This phrase is a product of our society’s notion that to be different means one can not associate oneself with any given group unless they fit wholly into that and nothing else. As Lorde puts it, “It is not our differences that divide us. It is our inability to recognize, accept, and celebrate those differences.” Lorde was known to have criticized some feminists during the 1960s for focusing on the specific experiences of white middle-class women rather than women as a diverse group. Through her work, she has observed that black women's experiences are often vastly different from those of white women, and because being a white woman is considered normal, black women are often marginalized and cast out of the “woman identity”. This is similar to the way lesbians are considered to be against feminism for not fitting the mold of the

A rhyme scheme. A small story. Poems are often viewed as simple things to read. People do not notice realize how powerful and perplex they can be. Poetry has its own way of telling a story. In only a few lines, one’s entire life can be explained. However, only some poets know how to connect to their audience on a different level. It takes a specific type of person to create vivid pieces of literature. Usually authors who thrive in writing have gone through experiences that made them full of wisdom. The way one writes reflects back on who he/she is as a person. As a result of growing up in a traditional black family, Mari Evans incorporates her values about being an African American in her poem, “I Am A Black Woman.”

Audre Lorde’s poem, Coal, explores the idea of repression and the freedom of speech. On first reading of the text, the poem seems to be built around an idea of anger towards repressing one’s individual thoughts and not voicing personal opinion. However, through a deconstructive reading, there are inconsistencies within the text’s language that question whether the speaker is referring to the forceful repression of spoken words or other motifs like femininity, power and self worth within an individual’s voice. By examining the verbal, textual, and linguistic stages of Coal, one can see the contradictions, discontinuities, and unreliability in relation to one another within the poem.