Audrey's Biggest Dream: A Life Of Audrey Ferrer

In the iconic debated novel “The Awakening”, Kate Chopin’s novel takes place in the Victorian Era, which is in the 19th- century, similarly the novel was published in 1899. Edna is depicted as a woman longing for more, a woman who was looking for more than just a life of complacency and living in the eyes of society. The story uses Edna to exemplify the expectations of women during this era. For example, a woman’s expression of independence was considered immoral. Edna was expected to conform to the expectations of society but the story reveals Edna’s desires which longed for independence in a state of societal dominance. Throughout The Awakening, Chopin’s most significant symbol,

Edna’s children are different from other children, if one of her boys fell “…he was not apt to rush crying to his mother’s arms for comfort; he would more likely pick himself up, wipe the water out of his eyes and the sand out of his mouth, and go on playing”. Edna is not a typical Creole “mother-woman” who “idolized her children (and) worshipped her husband” (8) and at times that results in her husband’s claims that she neglects her children. Edna’s children leave her attached to her husband, and even if she is somehow able to escape the relationship with her husband she will never be able to escape her children. She realizes this and whether consciously or not, doesn’t care for her children the way this is expected of a woman in her time period. When Adele Ratignolle reminds her to, “Think of the children!…Oh think of the children! Remember them!” Edna finally realizes her decisions affect her and her children. Instead of accepting her responsibility as a mother Edna decides to give up, and does so by committing suicide.

The Awakening by Kate Chopin ends with the death of the main character, Edna Pontellier. Stripping off her clothes, she swims out to sea until her arms can no longer support her, and she drowns. It was not necessarily a suicide, neither was it necessarily the best option for escaping her problems.

After they married, in spite of her unentertained heart, they had two boys. Many of the other women around her made

The work of prominent feminist writer Edna St. Vincent Millay continues to hold value in the educational space, illustrating a sense of humanity and fragility through her verse. In nineteen twenty-three, she published her Italian sonnet “I will put Chaos into fourteen lines,” a powerful work that showcased her ability to command language. Millay’s sonnet chronicles her experience of pitting Chaos into that confining structure of an Italian sonnet, making the figurative cacophony mingle with Order. The sonnet emphasizes the importance of creativity through the form of chaos interacting with the limiting structure and confines of rules and limitations represented by order. I can prove this assertion through Millay’s use of personification, Italian sonnet stanza structure, and meter iambic pentameter.

These first thirteen chapters chronicle the daily life of Edna Pontellier, The Awakening’s protagonist. The novel opens on Mr. Pontellier; he is smoking a cigar and reading the newspaper while idly observing the life and activity around him. The novel turns its attention to his wife, Edna Pontellier. She is described as “rather handsome than beautiful” and has a face with a “certain frankness of expression,” an intriguing description if there ever was one. She is accompanied by Robert Lebrun, the son of Madame Lebrun, the owner of “the house” at which the Creole aristocracy stayed on the Grand Isle. They are rather close companions; Robert has chosen to follow her around for the summer, as is later revealed to be his custom. It’s revealed that Edna is an American woman from “the old Kentucky bluegrass country.” As the day progresses, Chopin details the tiny minutiae of married life that have disappointed both Leonce and Edna; Leonce feels hurt by her dismissiveness- “He thought it very discouraging that his wife, who was the sole object of his existence, evinced so little interest in things which concerned him, and valued so little his conversation…”- while Edna resents his overbearing conventionality- “An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish.” The Pontelliers reconcile before Leonce leaves for New Orleans

The first sign I noticed of Edna’s internal struggle for self worth and importance was in

She is an acquaintance of Edna’s; they spend time together sewing and visiting. She is the antithesis of Edna: she is openly affectionate with her children, lavishing both her children and her husband with total love. She has three children and is planning for a fourth.

Her accomplishments at work and the many community service efforts are supported by her adoring family. Audrey is married to the dapper, charismatic Kemper McDowell for 20 years and is the proud mother of two exceptionally gifted and bright sons, Darius and Darrel McDowell.

In Bobbie Ann Mason’s “Shiloh”, after Leroy’s accident in his truck, the pleasant illusion that he is in a perfectly functioning marriage is shattered leaving the reality that he and Norma Jean have ongoing issues that have been hidden and ignored for the majority of their marriage. The log cabin he never builds, the couple’s new hobbies, the baby they lost, the dust ruffle Mabel makes for them, and the trip they take to Shiloh ultimately cause Norma Jean to decide to leave Leroy. “Shiloh” is laden with symbols for the state of Norma Jean and Leroy’s marriage, and each situation introduced since Leroy’s accident forces them to look at how little they know about each other.

Audrey and Ronald’s oldest son, Robert, continued his career as an ironworker in the Seattle area until he retired. However, in the late 1980s, his marriage to Sherry ended in divorce, after which he married Eulah Mann in the 1990s. Audrey and Ronald’s daughter, Dixie, never married, remained in her parent’s house, and followed her mother’s example by working in building maintenance.

In her autobiography By All Means, Keep on Moving, Henner discussed her romances with actor John Travolta and Taxi costars Judd Hirsch and Tony Danza. Her first two marriages, to actor Frederic Forrest and director Robert Lieberman, ended in divorce. She married Michael Brown, a former college classmate, on December 21, 2006, before 100 people in her Los Angeles home. It was the second marriage for Brown, who has three children (Cassia Brown, Carine Brown and Michael Brown). Henner has two children, Nicholas Morgan and Joseph Marlon, from her marriage to Lieberman.

Audrey Hedler is eleven years old, she is in sixth grade at Martha Brown Middle school. Audrey was born in August of 2005. Audrey’s favorite foods are bacon, chicken, peanut butter frosting and cake.

Though Carmen was turned into a film in 1926, whereas, the film was a French silent drama; my research follows the adaptations that are in the framework of Carmen: A Hip Hopera. Thus, in December 1943, the production was presented with an all-African American, which was presented as A Broadway Musical; Carmen Jones. The production is an adaptation of Oscar Hammerstein. The 1943 adaptation of Carmen was set in the south that was set in an urban community, therefore, the play derived from the adaptation of Porgy and Bess. The production opened in December of 1943, which it took over eighteen months to find a producer. However, the show setting was in the ghetto of Chicago, namely, in a parachute workshop. Setting the production in Chicago reflects

Her career that spanned three decades and her work that ranges from lyrics to verse play and political commentary. Edna St. Vincent Millay is mostly known for her earlier works, such as "Renascence", Few Figs Thistles, and Second April. Millay wrote about things such as mystical views on the universe, god, death, celebration of feminism, and free love. It's almost as if she was a writer from today and with that, I believe that she would be comfortable with today's free America.